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11 of 12 people found the following review helpful:
5.0 out of 5 stars
Ashes to Ashes, April 5, 2005
After all the hoopla over the first volume of Ed and Am novels, once again the writings of Fredric Brown disappear into the vast unknown. SMPL made a big noise about publishing the complete mysteries of Brown in a sequence of volumes that were to begin with this one in 2002. Three years later, after promises made in numerous venues, SMPL has virtaully disappeared, taking this ambitious and long-overdue project with them. And in the interim, nary a word spoken from any source on the topic, least of all this august forum.
So much has been written about the quality and brilliance of Fredric Brown that it scarcely requires yet another treatment at my hand. That Brown is the overlooked genius in the shadow of Jim Thompson and others is news to no one who is paying attention. The deepest mystery is the repeated attempts by publishers more stalwart than SIMPLE and more numerous, to resurrect the writings of the man who almost single-handedly created noir fiction, all of which have fallen on the deaf ears of the masses. Or been swallowed in the machinations of the family estate. Or been mismanaged by vision-less editors looking for the big cash-out. Or whatever. The sad effect of all this is the steady disappearance of brilliant, prosaic Americana written by a mysterious, deeply troubled and ultimately doomed man whose vices were many, whose crimes were (mostly) of the mind, and who had a compelling penchant for nocturnal bus rides. Our world moving forward into the new millenium is the poorer for our inability to preserve the words that so vividly sliced a bit of life out of the guts of our country in the grave early days of our new Empire. His was the world of my grandparents and yours, a world we must always remember and learn from. It is the root cause of our disturbing national psyche today, and Brown serves it up as well as any, and much better than most.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Four Fine Murder Mysteries from the O. Henry of Science Fiction, October 1, 2005
Fredric Brown was best known as a science fiction writer with a flair for the surprise ending. Actually, he wrote more mysteries than he did science fiction. His only series, the Ed & Am Hunter mysteries, ran to seven novels. This volume collects the first four.
"The Fabulous Clip Joint" (which won an Edgar): Ed Hunter's father, an alcoholic printer with a shrewish wife, is murdered on his way home from a late night binge. Aside from an alcoholic witch of a stepmother and an over-sexed younger stepsister (neither of whom he particularly likes) the only family Ed has left is Uncle Ambrose, an itinerant carnival worker that Ed hasn't seen in over a decade. Ed searches out his Uncle Am and together they set off on a quest to find and punish the killer. Under Uncle Am's guidance Ed learns (1) that his father wasn't the mediocrity Ed thought him to be, (2) that he, Ed, is capable of much more than he ever imagined, and (3) who killed his father.
"Dead Ringer": In a lateral logic puzzle, the author gives you a set of seemingly incongruous facts forming a "fair play" mystery. If you can fit the facts together correctly, you can solve the mystery. "Dead Ringer" is a lateral logic puzzle. All the pertinent facts are there. You just have to recognize which ones are relevant and the solution is obvious. At least it's obvious after Ed and Am Hunter explain how the facts fit together. A naked midget is found stabbed to death at the carnival. Later a chimpanzee drowns, and finally a child dies. Through the first two deaths, Ed and Am Hunter mind their own business. The third death stirs them to action, and the mystery is quickly solved. They arrive at the solution independently, but Am gets there a little quicker than Ed.
"The Bloody Moonlight": Ed Hunter, rookie detective with the Starlock Detective Agency, gets his first solo case. He goes to the country to check out an investment opportunity for a wealthy young lady who's appealing for more reasons than the size of her bank account. He has trouble sinking his teeth into the assignment because of a beautiful girl who isn't what she seems, a disappearing body, and a narrow minded sheriff who shoots first and asks questions later. On his way to interview the inventor, who may be in radio contact with Mars or Jupiter, Ed finds a body with the throat torn out. Ed leaves the body, finds a phone, and reports the crime. When the sheriff can't find the body, he beats Ed up, which makes Ed determined to [1] return the favor, and [2] find the body again. The plot thickens as Ed unravels who killed whom, the true identity of his dream girl, and exactly where those radio signals are coming from. He gets everything sorted out, and then confronts the problem of keeping the sheriff from killing him before he can expose whodunnit.
"Compliments of a Fiend": In one of his books on the paranormal, Charles Fort wrote of the disappearance in Mexico of the author Ambrose Bierce. He then mentioned the disappearance (several years later and almost a continent away) of another man named Ambrose, and asked whether there might not be an Ambrose Collector at work. It is against this backdrop that a gentleman calling himself Ambrose Collector telephones the Starlock Detective Agency asking for an operative who had experience with carnivals. Starlock dispatches Am(brose) Hunter, and he falls off the face of the earth. When Ed Hunter begins to miss his Uncle Am, a mutual friend opines that he must have been gotten by the Ambrose Collector. With only this clue to go on, Ed begins the search for his uncle. The investigation lurches along with no apparent progress, but all the while Ed is unwittingly gathering clues. When Ed solves the problem of the missing 45 minutes, the clues fall into place. Now Ed must not only find his uncle, but also survive the discovery.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Fantastic!, September 30, 2008
Fredric Brown definitely doesn't get enough recognition. This particular type of crime story is really well-written and engaging, along with being a good source of odd slang from the earlier part of the 20th century. Truly worth the money and the time you'll spend reading it!
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