Amazon.com Review
Alice Munro has been accused of telling the same story over and over, and to a certain extent the characterization is true. Her subject matter is inevitably the vagaries of love between middle-aged people in some rural Canadian setting, trapped there by the combination of their desires and weaknesses. Or, if not love, then at least the mysteries of relationships as characters struggle to understand each other and themselves. But this thematic single-mindedness can hardly be considered a criticism considering Munro tells stories better than anybody else and with a level of precision matched by few. It would be like criticizing Shakespeare for writing about politics.
Runaway is no exception. The stories take place throughout Canada--northern Ontario, the Prairies, the West Coast, Stratford--and feature women and men drifting in and out of each other's orbits, pulled by forces they don't understand. In "Runaway," a woman considers leaving her husband with the help of a neighbor, but the husband has other plans. In "Chance," a woman leaves her life behind in a quest for a man she met on a train crossing the country. Their intertwined lives play out through two more stories, "Soon" and "Silence," but the path they follow is as unpredictable to the reader as it is to them. In "Trespasses," a small town's women dream of escaping their lives only to find themselves in lives they never imagined.
What really marks the stories is Munro's sense of mood. There's a sense of hidden menace or even violence everywhere in Runaway. It occasionally erupts, but always in surprising and unexpected ways, and with unintended consequences. Munro may be an old-fashioned storyteller, but she understands chaos theory well enough. The same story? Sure. But it's a damn good one. --Peter Darbyshire, Amazon.ca
Often compared to Eudora Welty, Anton Chekhov, and James Joyce, Munro is a brilliant short story-writer. She mines the small towns of her native Ontario for inspiration, penning short stories (30-40 pages each) that possess the depth of novels. Runaway, her tenth collection, contains her trademark unconventional plots and lost characters. Critics agree that the suspense and drama lodged within the characters give each story its power. Like the best writers, Munro involves readers in her characters’ thoughts and actions, "coaxing trust out of our hands before we realize we had it to give away" (
The Oregonian). The tiniest details relate to the largest themes—and most, involving women—are not happy. As the
Seattle Times notes, Munro introduces "tougher and chillier than usual" moments than in previous collections, like 1994’s
Open Secrets. But, even with a darker view of human nature, Munro "sings, and her women are heroic" (
Boston Globe).
Copyright © 2004 Phillips & Nelson Media, Inc.
by Alice Munro
by Alice Munro
by Alice Munro
by Alice Munro
