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194 of 218 people found the following review helpful:
5.0 out of 5 stars
Action of "The Matrix," Politics of Heinlein, July 7, 2005
Yes, there has been a lot of marketing hype regarding the hyper-anonymity of Mr. John Twelve Hawks who, like his countercultural characters in "The Traveler," has supposedly decided to live off "the Grid" and avoid exposing his precious identity in a post-9/11 world where the government has increased its surveillance of citizens under the guise of anti-terrorism paternalism. And yes, one could engage in an endless debate over whether this book is best labeled as speculative fiction, techno-thriller, urban fantasy, or science fiction.
But these issues, while perhaps interesting topics of discussion, are ultimately much less relevant than the fact that this is a highly entertaining thriller, with a premise that will appeal to fans of "The Matrix" franchise and an anti-control theme that will resonate with conspiracy lovers and Robert Heinlein readers. Heinlein once wrote that "political tags - such as royalist, communist, democrat, populist, fascist, liberal, conservative, and so forth - are never basic criteria. The human race divides politically into those who want people to be controlled and those who have no such desire." Mr. Hawks's work fully embraces this same theme as well as the Aldous Huxley-ish viewpoint that science without mysticism is ultimately meaningless.
In the tradition of the best thriller writers, the author manages to avoid the pitfalls common to many first-novelists, juggle multiple points of view, and keep the pages turning with cliffhanger chapters. He also writes with a direct, unpretentious style that aids in the suspension of disbelief and fits well with the technology-laden world he has created. And his characters, particularly Maya and Gabriel, have more depth than the cookie-cutter heroes common to books of this sort.
At times, this book teeters on the edge of becoming an over-the-top amalgamation of too many proven Hollywood elements (martial arts, quantum physics, Buddhist meditation, "Highlander"-esque chases, a "Terminator"-like bodyguard, travel to other dimensions a la "The Matrix," etc.), but the author's palpable passion for the philosophical threads running through the book somehow links everything together in a way that is both entertaining and mentally stimulating.
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246 of 297 people found the following review helpful:
3.0 out of 5 stars
World-class hype - ordinary book, June 30, 2005
The author (whoever he or they might be) knows the conventions of the genre, though I wonder whether the genre this is meant for is really film or print. There's been a tremendous amount of publicity around this book. I even wonder how many of the ecstatic reviews posted are from publicists. Certainly the people determined to make this into a product like Harry Potter or The DaVinci Code are at least as diligent -and perhaps as powerful - as the Tabula who run the world in the book.
The set-up for the story is pretty good. The author postulates the six realms of Buddhist teaching (gods, demi-gods, humans, animals, hungry ghosts, hell) as real places coexisting in the universe. The realm we live in is the human realm, fourth in the numbering system used by the author. OK, an interesting spin on the many realities idea used so well by Philip Pullman in "His Dark Materials".
Our world is controlled by a secret society and the events in the news are staged to keep us ordinary folk distracted and diverted while the people who really run the show do - well we don't get to learn what they actually do except know people who can do things for them everywhere and try to stamp out the Travelers, who are able to do out-of-body travel to the other realms and then come back with insights that make people less like sheep, and the Harlequins, who don't write Romance novels as you might think, but are instead extraordinarily trained and dedicated fighters who protect Travelers. Sort of The Matrix and a few others.
In the time covered by this book, the bad guys have changed their strategy with the Travelers. They want to capture one and use him to communicate better with beings from another realm (we don't know in this book whether and how that will come about, or even which real it is but it doesn't look as if any good will come of it[shades of Peter Hamilton]). They still want to destroy the few(?) remaining Harlequins.
This book, like most first books in trilogies, is primarily set-up for what follows. It's not especially well done in that regard. There are a lot of pages of characters telling each other things that we readers need to know and they aren't especially gracefully worked in to the narrative. The chapters tend to end with cliffhangers, some nicely done.
Maya, the Harlequin we spend most of the book with, has some traces of shading as a character. The other characters are pretty flat.
I'm at something of a loss in assessing this book. The interesting world alluded to in it is not very evocatively created (read Dan Simmons's Hyperion books to see what can be done), as a thriller it's nowhere near "Eye of the Needle" or Tim Powers's "Declare". It's a workmanlike book, no better. It's good to see a major publishing house get behind a work of speculative fiction but this one almost could have been written from market research. It never seems to take pleasure in telling a story. That troubles me.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
This Book Was Hard to Put Down, August 7, 2006
Is the Traveler by John Twelve Hawks the best thing since sliced bread? No. Is it an incredibly original plot? Definitely not. However, it is still a page-turner and combines all of the derivative elements others have noted into a satisfying adventure/martial arts/sci fi novel.
The main protagonist, Maya, is a Harlequin, although a reluctant one-- she has been trained to devote her life to protecting Travelers, people who can shift into alternate universes. However, she doesn't really want to be a Harlequin, but she is forced into it by her father's death. She takes on her assigned duty of protecting Gabriel and Michael because it is her duty, not because of any emotional affection she may have for either of them.
When Michael is captured by the opposition, who want to use him for their own nefarious purposes, she focuses her energy and her fighting expertise on protecting Gabriel. She stubbornly tries to focus on the mission while he just as persistently tries to focus on the human side of things-- demanding that Maya take risks in order to save friends or intervene when a group of road warriors terrorize a waitress and her father at a roadside cafe.
Yes, the symbolism of Michael and Gabriel hits you rather heavily between the eyes (think archangels, folks.) However, I still enjoyed the book. There's nothing wrong with derivative fiction if it's done well and if the author puts his or her own twist on it. John Twelve Hawks accomplishes this in The Traveler, and I look forward to reading the next book in the series.
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