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Altered Carbon (Kovacs) [Audiobook][CD][Unabridged] (Audio CD)

~ (Author), Todd McLaren (Narrator)
4.1 out of 5 stars  See all reviews (224 customer reviews)

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Editorial Reviews

From Publishers Weekly

This fast-paced, densely textured, impressive first novel is an intriguing hybrid of William Gibson's Neuromancer and Norman Spinrad's Deus X. In the 25th century, it's difficult to die a final death. Humans are issued a cortical stack, implanted into their bodies, into which consciousness is "digitized" and from which-unless the stack is hopelessly damaged-their consciousness can be downloaded ("resleeved") with its memory intact, into a new body. While the Vatican is trying to make resleeving (at least of Catholics) illegal, centuries-old aristocrat Laurens Bancroft brings Takeshi Kovacs (an Envoy, a specially trained soldier used to being resleeved and trained to soak up clues from new environments) to Earth, where Kovacs is resleeved into a cop's body to investigate Bancroft's first mysterious, stack-damaging death. To solve the case, Kovacs must destroy his former Envoy enemies; outwit Bancroft's seductive, wily wife; dabble in United Nations politics; trust an AI that projects itself in the form of Jimi Hendrix; and deal with his growing physical and emotional attachment to Kristin Ortega, the police lieutenant who used to love the body he's been given. Kovacs rockets from the seediest hellholes on Earth, through virtual reality torture, into several gory firefights, and on to some exotic sexual escapades. Morgan's 25th-century Earth is convincing, while the questions he poses about how much Self is tied to body chemistry and how the rich believe themselves above the law are especially timely.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Paperback edition.

From Booklist

In a society in which death has been rendered practically obsolete, suicide and murder take on different significances. After a particularly brutal offing, former UN envoy Takeshi Kovacs finds himself "resleeved"--that is, his consciousness has been put in a new body--and hired as a private investigator by Laurens Bancroft, one of twenty-fifth-century society's old rich in Bay City (formerly San Francisco). Bancroft claims he was murdered, but the police say it was a suicide. After Kovacs gets hit at his hotel within hours of being resleeved, he sees the possibility that Bancroft was, in fact, murdered, and that someone wants to keep it very hush-hush. As he investigates, he uncovers a far-reaching conspiracy with ties to the most unsavory characters in his generally unsavory military and criminal past. This far-future hard-boiled detective story is a lovely virtual-reality romp distinguished by a conspiracy whose strands have the potential to generate several successful sequels, which is just what its publicity promises. Regina Schroeder
Copyright © American Library Association. All rights reserved --This text refers to the Paperback edition.

Product Details

  • Audio CD
  • Publisher: Tantor Media; Unabridged edition (January 10, 2005)
  • Language: English
  • ISBN-10: 1400101379
  • ISBN-13: 978-1400101375
  • Product Dimensions: 6.5 x 5.5 x 1.1 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (224 customer reviews)
  • Amazon.com Sales Rank: #1,348,760 in Books (See Bestsellers in Books)

More About the Author

Richard K. Morgan
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Customer Reviews

224 Reviews
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Average Customer Review
4.1 out of 5 stars (224 customer reviews)
 
 
 
 
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105 of 107 people found the following review helpful:
5.0 out of 5 stars Excellent Cyber Pulp Debut, March 16, 2004
By A. Ross (Washington, DC) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)      
Ever since I saw Blade Runner as a kid, I've been in love with the idea of blending science-fiction with crime, and this is a totally compelling mix of the two. Set about 500 years in the future, the story follows Takeshi Kovacs, a former space marine who has been "resleeved" to investigate a suicide on Earth. You see, in the future, one's mind or consciousness can be digitized and stored in "stacks" implanted in the base of your skull. If you commit a crime, your stack is removed and placed in storage for the duration of your sentence (usually decades or centuries), and then you are "resleeved" in a new body. Of course, resleeving costs, and for many people, a new body is like a new car or new house, with monthly payments to keep up lest your body get repossessed...

The flip side of this is that dying is only a temporary thing-unless your stack has been somehow destroyed and there's no backup, then you're subject to "RD" (real death). And if you've got enough money to get into cloning and data storage, one can live a virtually endless and seamless life. It's one of these "Meths" (after Methuselah, just one example of the excellent creation of slang in the book), who has Takeshi remanded and "needlecast" (digitally freighted) from offworld to investigate his alleged suicide in Bay City (aka San Francisco). Takeshi had been in prison, having been captured as a mercenary in a vibrantly kinetic prologue.

The meth, Bancroft, is one of the future elite, weaving elaborate corporate and political webs with others of his kind. Apparently he committed suicide a few weeks ago, but he's convinced it was murder. He's paid heftily to have Kovacs released and resleeved to investigate his death and what happened in the 48 hours leading up to it-48 hours that elapsed between his last stack backup and his temporary death. This is a great setup, as we have a reluctant protagonist grudgingly working on a case for a sinister Bancroft, quickly getting caught up with Bay City PD, Bancroft's hyper-sexy wife, and all kinds of foes.

It's an extremely convoluted tale, with lots of double-crossing, plot twists, hidden agendas, sexual tension (and outright graphic sex), dry tough guy humor, and excellent action sequences. It's so jam-packed it almost gets overwhelming at times, and one wishes Morgan had been able to trim just a little bit here and there. However, he's built a very intriguing and nasty future earth, where-as one might well imagine-a lot of the technology gets channeled into the sex trade. This is great pulp fiction, with great characters, including my favorite: the AI Hendrix Hotel. It's a hotel that runs itself using artificial intelligence, making for a hilarious, yet plausible, character. This is a great genre-blending debut, let's hope the sequel (Broken Angels) is as good.

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48 of 52 people found the following review helpful:
5.0 out of 5 stars Brilliantly realized, August 30, 2003
This is one of the best new SF novels I've read in the last ten years.

It's enough of a treat that Richard Morgan can _write_. The author bio indicates that he taught English as a second language for some fourteen years; he can teach a thing or two to us native speakers as well. His narrative and his dialogue are clean, crisp, and focused, with that sense of heightened reality you get from really good fiction; there's not a word out of place, and there's none of the mannered artificiality of e.g. Frank Herbert's _Dune_.

But it's even better than good writing. Morgan has applied his craft to a brand of fiction that one of the cover blurbs describes as a cross between hard-core cyberpunk and hard-boiled detective fiction. That's an odd description of the genre and makes it sound newer than it is, but it's true that there hasn't been a lot of SF detective fiction. And Morgan's contribution advances the ball considerably.

If you're at all familiar with the genre, you're already thinking of Larry Niven's ARM stories (and maybe, though less aptly, of Asimov's _The Caves of Steel_ and _The Naked Sun_). Well, Morgan's world does owe something to Niven's, but he's got very much his own spin. His main character (Takeshi Kovacs), though arguably more Mike Hammer than Hiro Protagonist despite the snowcrashy backdrop, will remind longtime fen of the wisecracking tough-guy heroes that have populated SF since at least the days of Keith Laumer (not to mention Harry Harrison's Stainless Steel Rat). But he's not just a carbon copy (even an altered one).

And Morgan has found a very interesting way around a problem that has plagued detective fiction since its inception: when your narrative is written in the first person, how do you keep the reader from figuring out that the narrator doesn't get killed? Oh, you can do a Jim Thompson and have the character narrate his own death, but otherwise there aren't too many possibilities.

Morgan has discovered one. As you'll learn within the first few pages, Kovacs has _already_ died at least once, and there's nothing to keep him from dying again, perhaps repeatedly; for reasons that will be clear early on, his death wouldn't keep him from narrating the novel.

The plot is ingenious: it seems that one Laurens Bancroft has committed suicide, but Bancroft himself believes he was murdered and hires Our Hero to investigate. (Yes, you read that correctly; the alleged murder victim wants to know how he was killed.) Beyond that, I'm not going to tell you anything that might spoil your fun.

I _will_ tell you to keep your eyes peeled for a huge number of incredibly cool background details. Like Heinlein, Morgan drops you into the middle of the tale and introduces you to its world in the natural course of the narrative, rather than calling attention to it tourist-fashion. In the process he mentions lots of nifty things that could have been entire novels in their own right (and John W. Campbell would have loved every one of them) -- e.g. computer-automated hotels that upgraded to sentience and bought themselves out from under corporate ownership. Morgan's throwaway ideas are better than most SF writers' main plot points.

I'll also tell you that, as one or two other reviewers have pointed out, there's some fairly graphic sex in this novel -- not to mention some vivid and disturbing violence. It's extraordinarily well-written and I thought it was all quite tastefully handled. But if you haven't got the stomach for such stuff, be warned.

_Very_ highly recommended. If you've spent the last decade or two wondering where all the really good SF has gone, check this one out. It's already on my best-of-recent-SF shortlist, alongside some Alastair Reynolds, China Mieville, Neal Stephenson, and a very small handful of others.
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23 of 25 people found the following review helpful:
5.0 out of 5 stars Outstanding Neo-Sci-Fi Noir, May 27, 2003
Altered Carbon was an amazing first novel for Richard Morgan. This guy has a future! The book is dark and slick. It defintely has a Blade Runner feel to it along with some Matrix and Maltese Falcon (or even China Town)like mystery thrown in for good measure. The hero (Kovaks)can handle himself in a fight (he is enhanced) but is quite witty at the same time. His one liners cracked me up. The technology of sleeving (down loading one's mind through science into another body) is also fascinating and scary. Overall this is a great summer beach book. If you are looking for a good detective novel set in a futuristic Gibson/Blade Runner like society with lots of action and phylosophy concerning the nature of the human soul get Altered Carbon!
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Most Recent Customer Reviews

4.0 out of 5 stars like Asimov on steroids
As a kid, I abolutely loved the Robot Trilogy: The Caves of Steel, The Naked Sun, The Robots of Dawn, but I always wanted the story to move along faster. Read more
Published 12 hours ago by sazerac

5.0 out of 5 stars Gritty. Unique. Man, what a book!
I can't really say anything about this book that hasn't already been said. Several of these reviews outline the plot and Morgan's unique ideas with much more detail and class... Read more
Published 18 days ago by Jason Cooper

4.0 out of 5 stars Good, but sequels are better
I recently picked up all 3 books in the trilogy and listened to them back to back. I found the first one enjoyable, but a little jumbled. Read more
Published 1 month ago by M. Ebert

5.0 out of 5 stars Exquisitely Crafted First Novel
Richard K Morgan is the real deal. He doesn't flinch when it comes to following his premises where they plausibly lead. Read more
Published 2 months ago by Stephen D. Carr

2.0 out of 5 stars Ok but Philip Dick he isn't
Slow. Ponderous pacing. One dimensional characters. And one intriguing idea (resleeving). Too bad most of the atmosphere is a redo from PD (as are some of the character ideas)... Read more
Published 2 months ago by Mandobob

5.0 out of 5 stars Sci--Fi Excellence
A Sci-fi masterpiece - contemporary flowing style with complex well developed characters and multiple layers of plot storyline but not difficult to follow. Read more
Published 5 months ago by Ralph Jarmon

3.0 out of 5 stars One-dimensional, hyper-masculine gritty romp
Richard Morgan's freshman novel lacks the maturity and finesse found in authors of the same genre such fellow Englishmen Iain Banks, John Brunner or Arthur C. Clarke. Read more
Published 6 months ago by M-I-K-E 2theD

5.0 out of 5 stars If you like cyberpunk, you will like this novel!
This start to a three book series is really good. It is highly imaginative, and full of very interesting future possibilities. Read more
Published 8 months ago by Alexander McKelvey

3.0 out of 5 stars Noir marries technobabble ... and they produce noirbabble...
As I don't quite know what to make of this book, I am resolutely sitting on the fence. The fact that I read all of it means it wasn't horrible, but the fact that I was more than... Read more
Published 8 months ago by e. verrillo

4.0 out of 5 stars Seizes you by the Buckyballs
which for those of you who know my work, an other one of my hilarious puns actually featuring altered carbon. Magic. Read more
Published 8 months ago by Pastor of Disaster

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