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Delicate Edible Birds: And Other Stories (Hardcover)

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Editorial Reviews

From Publishers Weekly

Groff follows up The Monsters of Templeton with this innovative and beautifully written collection that covers a wide swath of humanity, from east coast resort towns, to the early 20th century flu epidemic, to WWII Europe. In "Lucky Chow Fun," the narrator, an ungainly but wise 17-year-old girl, watches over her younger sister after their father leaves and their mother tunes out. In "Watershed," a woman reunites with a man and moves back to her hometown, but their happiness is short-lived when a freak accident leaves her husband comatose. Not all stories are gems-the supernatural elements in "Fugue," about a couple tending to a semi-abandoned hotel, don't quite work, while "Blythe," about a housewife who befriends a bipolar eccentric in a poetry class, feels half-baked. Even in the less successful stories, Groff's prose is lovely, and when she nails a story-like the title story about journalists fleeing Nazi-occupied Paris-the results are sublime.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist

Following the publication of Groff’s first novel, The Monsters of Templeton (2008), comes this collection of nine short stories, six of which have never been published. The richly conceived, finely detailed stories offer portraits of smart, daring women who are in search of, in thrall to, or disillusioned by love. In “Lucky Chow Fun,” winner of a Pushcart Prize, Groff returns to the town of Templeton to tell the story of a high-school swimmer who uncovers the sordid sexual secrets of her seemingly idyllic small town. “L. DeBard and Aliette,” included in the latest edition of Best American Short Stories, is a reimagining of the love story of Abelard and Héloïse that sees the couple recast as an Olympic swimmer and his pupil, both of whom suffer through the flu epidemic of 1918. And in the title story, an unconventional female reporter, fleeing the Nazis in rural France along with a band of male correspondents, must strike a sordid bargain with a brutal farmer to secure their safe passage. Vivid tales from a gifted young writer who continues to surprise. --Joanne Wilkinson

Product Details

  • Hardcover: 320 pages
  • Publisher: Voice; 1 edition (January 27, 2009)
  • Language: English
  • ISBN-10: 1401340865
  • ISBN-13: 978-1401340865
  • Product Dimensions: 8.3 x 5.8 x 1.2 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon.com Sales Rank: #310,270 in Books (See Bestsellers in Books)

More About the Author

Lauren Groff
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Average Customer Review
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4 of 5 people found the following review helpful:
4.0 out of 5 stars A Wonderful Collection of Varied Stories about Women, February 16, 2009
By B. A. Chaney (Baltimore, MD USA) - See all my reviews
(REAL NAME)      
Lauren Groff's "Delicate Edible Birds" is a collection of nine short stories that deal with the intimate details of women's lives in the face of adversity. Unlike many story collections, each of Groff's stories is unique--they are all told by women of different ages, perspectives, and stations in life--so you don't feel like you are reading the same short story retold multiple times in a single volume. Groff gives each of her women a strong narrative voice, rich with the emotions attached to their situations.

My favorite stories in this volume included Lucky Chow Fun, in which a small town ripped apart by a sex scandal is chronicled by a high school girl; Majorette, which traces the life of an under-appreciated young woman as she uses baton twirling to aid her growth into a capable woman who raises a confident daughter; and Watershed, the story of a reckless love affair that ends in tragedy. All of the stories in this volume are as different and rich as these three, and they each leave you wishing for just a little bit longer glimpse into these women's lives.

I would recommend this volume of short stories to anyone who enjoys reading stories about strong women in the face of adversity. These stories are rich and memorable. I can't wait to see what is next from the obviously talented Groff.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Almost all of the short stories in this collection somehow manage to cover as broad and bold a canvas as any novel, February 25, 2009
By Bookreporter.com (New York, New York) - See all my reviews
THE MONSTERS OF TEMPLETON, in which Lauren Groff adroitly reimagined her hometown of Cooperstown, New York, and the novels of James Fenimore Cooper, was one of the most widely acclaimed debut novels of 2008. Now Groff follows up its success with DELICATE EDIBLE BIRDS. Almost all of the short stories in this collection somehow manage to cover as broad and bold a canvas as any novel, often exploring the shape of a whole life in just a few dozen pages.

Not surprisingly, given Groff's obvious affinity for history demonstrated in THE MONSTERS OF TEMPLETON, the stories collected here range widely over time and place, which helps contribute to the expansive feel of her short fiction. The opening story, "Lucky Chow Fun," takes place in Groff's fictional Templeton and is set in the present or the very recent past; others, however, explore the ravages of the 1918 influenza epidemic, the mixed blessings of the 1970s women's movement, the dread enfolding Paris's denizens during the Nazi invasion in World War II, and even the vicissitudes of fortune among the privileged classes in an unnamed dictatorship.

Unlike much short fiction, which often conveys a turning point through a single encounter, utterance or even image, Groff's stories frequently find their meaning in the shape of a whole life, reading more like imagined biographies than typical modern short stories. Groff's gift is in imparting meaning and beauty to what could be mere chronicles.

"Majorette," for example, traces the fortunes of three generations of women in the same family, vividly illustrating how their socially acceptable options --- ranging from having a large number of children at a young age to starring as a baton twirler to excelling on the volleyball court --- influence their future directions and their possibilities for happiness." In "Sir Fleeting," a woman's history of failed relationships is contrasted with (and perhaps perpetuated by) her periodic encounters with a mysterious, almost unbelievably romantic figure. In "Blythe," a lonely, bored housewife fails to live up to her own potential when she becomes entangled with Blythe, a beautiful, creative but hopelessly imbalanced young mother when both take a poetry course. The ravages of Blythe's emotional demands on her friends and family are traced over the course of years.

As in "Blythe," a current of sadness and tragedy runs through many of the stories, often relating to the elusiveness of love. In "L. DeBard and Aliette," a champion swimmer and poet, and his pupil --- a fragile, crippled heiress --- secretly fall in love, only to be thwarted by obstacles both natural and human-made. Likewise, "Watershed" is a heartbreaking story about a woman who, after several failed relationships in the big city, returns to her small town and marries a childhood friend, only to perpetuate discord that results in tragedy.

The protagonist in "Watershed" is a storyteller whose pastime is "selecting a few strands from many and weaving them into cloth," but whose penchant for story still can't make sense of the tragedy that befalls her young family. Many of Groff's female heroines share this desire to comprehend the world through story. The young narrator of "Lucky Chow Fun" views her experience through the lens of horrifically dark fairy tales. In the title story, probably the strongest one of the collection, a group of stranded journalists try to find meaning in the unimaginable horrors of war.

These characters often turn to story to find richness, solace and meaning in both ordinary and extraordinary circumstances --- much like Groff herself.

--- Reviewed by Norah Piehl
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4.0 out of 5 stars If stories were edible, I'd live on this., October 27, 2009
I've never read "Monsters at Templeton," apparently Groff's masterpiece with rave reviews posted everywhere by some mighty minds. But I picked up "Delicate, Edible Birds" at the library during a bird phase, where I blindly gathered only books with nature-driven artwork. I returned home to find three bird covers, one butterfly cover and one tree with a bird cover. Odd but true.

Anyway, I hadn't realized the book was a compilation of stories, something normally unappealing to me, and didn't begin reading it until I was finished with the others. But the first few pages in I was already gripped with intrigue, flipping pages like a madwoman. I'm jealous of Groff's prose, how she wrangles words across the page. It's commanding yet subtle. Her stories are devastating, beautiful, cold, heartfelt, all, depending on the page.

I'll pick up "Monsters" on my next library trip and read anything else Groff writes.
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