Angels & Demons (Robert Langdon) (Mass Market Paperback)

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Key Phrases: secret archives, camerlengo nodded, antimatter canister, Vatican City, Peter's Square, Robert Langdon (more...)

Editorial Reviews

Amazon.com Review

It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization.

Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty. --Kelly Flynn --This text refers to the Hardcover edition.

From Publishers Weekly

Pitting scientific terrorists against the cardinals of Vatican City, this well-plotted if over-the-top thriller is crammed with Vatican intrigue and high-tech drama. Robert Langdon, a Harvard specialist on religious symbolism, is called in by a Swiss research lab when Dr. Vetra, the scientist who discovered antimatter, is found murdered with the cryptic word "Illuminati" branded on his chest. These Iluminati were a group of Renaissance scientists, including Galileo, who met secretly in Rome to discuss new ideas in safety from papal threat; what the long-defunct association has to do with Dr. Vetra's death is far from clear. Vetra's daughter, Vittoria, makes a frightening discovery: a lethal amount of antimatter, sealed in a vacuum flask that will explode in six hours unless its batteries are recharged, is missing. Almost immediately, the Swiss Guard discover that the flask is hidden beneath Vatican City, where the conclave to elect a new pope has just begun. Vittoria and Langdon rush to recover the canister, but they aren't allowed into the Vatican until it is discovered that the four principal papal candidates are missing. The terrorists who are holding the cardinals call in regarding their pending murders, offering clues tied to ancient Illuminati meeting sites and runes. Meanwhile, it becomes clear that a sinister Vatican entity with messianic delusions is in league with the terrorists. Packing the novel with sinister figures worthy of a Medici, Brown (Digital Fortress) sets an explosive pace as Langdon and Vittoria race through a Michelin-perfect Rome to try to save the cardinals and find the antimatter before it explodes. Though its premises strain credulity, Brown's tale is laced with twists and shocks that keep the reader wired right up to the last revelation. (May)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Mass Market Paperback: 736 pages
• Publisher: Pocket (March 28, 2006)
• Language: English
• ISBN-10: 1416524797
• ISBN-13: 978-1416524793
• Product Dimensions: 7.5 x 4.3 x 1.8 inches
• Shipping Weight: 15.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (2,384 customer reviews)
• Amazon.com Sales Rank: #92,211 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

254 of 312 people found the following review helpful:

5.0 out of 5 stars A true barnburner!, June 2, 2003

By A Customer

This review is from: Angels & Demons (Mass Market Paperback)

Next to Britt Gillette's "Conquest of Paradise", this is the best book I've read in a long time. I'm a first time Dan Brown reader but I'm hooked! I stayed up all night and didn't quit until I finished, blurry eyed and sleepy. I found myself believing every word and had to stop and remember that it's just fiction! I was amazed at the inside information about the Vatican (especially the library), and I finally got out a map and books from my trip to Rome to see if I could find all the churches. Anti-matter, illuminati, choosing a pope - all of it was fascinating. When I finished, I had to laugh thinking about the fact they never ate, slept or made comfort stops and neither could I. The ending was a total surprise! Anyone who enjoys non-stop action and information shouldn't miss this one.

92 of 112 people found the following review helpful:

5.0 out of 5 stars An absolutely STUNNING Thriller!, April 17, 2003

By	Jeff Edwards "RadioJeff" (Twin Falls, Idaho) - See all my reviews (TOP 500 REVIEWER)

This review is from: Angels & Demons (Mass Market Paperback)

My first introduction to Dan Brown was through his incredible thriller, 'The Da Vinci Code' and figured that I had missed out on his previous works, so I picked up 'Angels & Demons' the day after I finished TDVC. This is in every way it's equal. Every bit as compelling. Every bit as entertaining. Every bit as FUN. If you enjoy solving puzzles -- especially REAL ones, than Dan Brown is an author you NEED to get to know and F-A-S-T.

One of the things which made this book so instantly enjoyable was one of the main characters I already knew, Robert Langdon, world famous Symbologist from 'The Da Vinci Code'. Set aside some time to completely absorb this amazing tale, because once you start it, you will instantly be captured up in this highly addictive story. Robert is suddenly awakened early in the morning by the Director of the worlds leading science center, CERN located in Switzerland asking for advice. Robert is less than interested and hangs up when his fax machine spits out a picture which makes his blood run cold. Within a few hours, he is on a quick trip to Europe (heavy emphasis on the word 'Quick'). A murder has been committed. The victim, one of the most gifted scientist in the world has been brutally killed and the mysterious brand of the secret brotherhood of the Illuminati is left on his chest. NOT just ANY brand either, an Ambigram, a word which can be read the same right-side-up as well as upside-down. But Robert is convinced that the Illuminati have been disbanded for the better part of a century. Even so, his curiosity leads him on a quest which will take up the rest of the day and open up secrets long forgotten and better left buried.

Somehow Dan Brown has introduced the element of Antimatter into the story in such a way as to be totally believable. The substance in actuality has been manufactured in microscopic quantities. It's a power source if harnessed could benefit mankind in untold ways -- however with most things the opposite is also true. In this case Antimatter can also be a weapon of catastrophic proportions. Just a tiny half-a-gram of Antimatter if it came in contact with literally ANYTHING, even air, would create an annhialation equal to a 5 kiloton nuclear explosion. When some of this material is stolen from a lab in Geneva and turns up hidden somewhere inside the walls of the Vatican, the chase is on to find it before it decimates the headquaters of the worlds largest Christian Religion. Oh, and to throw a little curve ball to the plot, the Pope has recently died and the worlds senior Cardinals have gathered for Conclave, to decide who will be elected Pontiff. Along the way, we find out the Illuminati's ultimate goal of destroying the Catholic Church, and suddenly it all seems possible -- frighteningly possible. When 4 of the Senior Cardinals are kidnapped and threatened to be murdered one-by-one until the Antimatter goes critical, the stakes suddenly are as serious as the Church has ever faced.

Let me tell you this: NOTHING is as it seems, and NOBDY is safe from suspicion. I was absolutely convinced that one character was involved in the conspiracy and BOY was I WRONG. The surprises are fast and many, and the trip was one well worth taking. Catholics take note: You MAY be a little unsettled at how the Church is portrayed in 'Angels & Demons' but ultimately I believe the basic idea the author conveys is one of hope, and the Church provides that in many ways. I will be recommending this book (as well as 'The Da Vinci Code') to ALL my friends. HIGHLY recommended, and absolutely INCREDIBLY fun.

27 of 31 people found the following review helpful:

4.0 out of 5 stars Robert Langdon's first adventure as a symbologist-detective, January 13, 2004

By	Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (TOP 10 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: Angels & Demons (Mass Market Paperback)

I read "Angels & Demons" after reading Dan Brown's "The Da Vinci Code," and I have to say that I do not think it matters what order you read the two books although there are clear indications this book was written first (Brown does several examples of blatant foreshadowing, including early on the idea that one square yard of drag will slow a falling body's rate of descent by twenty percent). The two books are similar in that Harvard symbologist Robert Langdon deciphers clues to try and solve one murder while trying to prevent others in a mystery that involves the secrets of the Catholic Church. In this book a physicist is murdered at CERN, the Swiss research facility, and branded will a symbol representing the Illuminati, the centuries old underground organization of scientists who have a vendetta against the Catholic Church. The ancient secret brotherhood has acquired a devastating new weapon of mass destruction and intends to bring down the Vatican (literally).

Which book is better? My initial reaction would be that I liked "The Da Vinci Code" a bit more because so many of the clues were written out. When Langdon has to look over paintings, statues and other visual clues I find myself wishing Brown had supplied photographs in his book so that I could play along looking for clues (he does provide most of the requisite images at his website, but I did not know this until after the fact and I suspect most readers will not want to stop and go online to call up the photographs). Not that I had much success in my endeavors, but I did know that Leonardo Da Vinci wrote in his journals backwards so that I was ahead of Langdon for a half a page at one point. "Angles & Demons" is played out on a larger and more public stage than "The Da Vinci Code," and when you get to the conclusion of this novel you might find it a bit much, but that is one of the reasons they call it fiction.

The biggest question in the debate over these books seems to be whether Brown is attacking the Catholic Church in his novels, which strikes me a bit odd after reading "Angels & Demons" since the Vatican is the target this time around. This novel is more about the long struggle between science and religion than anything else, and the position Brown takes seems to be that the two are ultimately compatible. I did my dissertation on the Scopes "Monkey" Trial of 1925 and in the spectacle of Clarence Darrow cross-examining William Jennings Bryan that is codified by the fictional "Inherit the Wind," history has forgotten that the original position of the Scopes defense was that there Genesis and evolution were compatible. Consequently, I have a lot of sympathy for Brown's position and I think a careful reading of the text offers as strong a critique of science as it does of religion. Certainly that ideal is represented by the man who is murdered to start off the story and whatever faults in the history and theology of the Catholic Church might be discussed, there are just too many men of devout faith in the narrative to support the idea Brown is out to get the Church.

Nor do I have any real concerns with the extent to which Brown is playing with historical "facts." The whole idea here is to create a sense that the pieces of the puzzle fit together. I do not think for a second that these novels are true; all I need is to believe that they are plausible, so telling me that some statue's finger is pointed in the wrong direction if you go to Rome and see it for yourself is not going to matter to me because I understand how far the rules of the game apply to the real world. Even so, I think that Brown's factual foundation is more substantial than we will usually find under such circumstances, which would end up being a plus rather than a minus. Besides, I like all of the flashbacks to Langdon's discussions with his students (more classroom scenes in the future, please).

Solving the puzzles is the key enjoyment of these novels and that part of the creative process makes up for Brown's tendency to overplay his red herrings and to hide his true villains in plain sight. Ultimately the game matters more than the characters or the plot. As soon as you know that there will be four more murders you realize that at least three of them have to happen because the game has to be played out to the end, so it is not until the frantic end game that your attention really perks up and it is at that point that Brown starts unloading a whole lot of really big surprises on his characters and his readers. In the final analysis the point here is neither history nor theology, but to tell an exciting adventure yarn where the hero gets by mainly on his intelligence rather than good looks and/or weaponry. This is a hero I can actually identify with for once and that is fine with me too.