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Review
"A delightful book that provides behind-the-scenes information that can only enhance one's enjoyment of one of Broadway's wittiest musicals." -- Elliot Hayes, literary manager, Stratford Festival
"An indispensable guide to understanding the effect that Shaw's plays can have." -- The Shavian
A delightful book that provides behind-the-scenes information that can only enhance one's enjoyment of one of Broadway's wittiest musicals. -- Stratford Festival
Product Description
Keith Garebian peers behind the curtain of My Fair Lady to reveal the story behind the making of the musical. Beginning with George Bernard Shaw's Pygmalion, Garebian traces the development of the musical idea. We read with interest about Lerner and Loewe's writing difficulties, and about how Julie Andrews and Rex Harrison were selected as leads. Then it's on to a full-dress reconstruction of opening night on Broadway. Garebian's next chapter follows My Fair Lady after its Broadway start, and he concludes with a close analysis of the structure, words, and music of the play.
See all Editorial Reviews
"A delightful book that provides behind-the-scenes information that can only enhance one's enjoyment of one of Broadway's wittiest musicals." -- Elliot Hayes, literary manager, Stratford Festival
"An indispensable guide to understanding the effect that Shaw's plays can have." -- The Shavian
A delightful book that provides behind-the-scenes information that can only enhance one's enjoyment of one of Broadway's wittiest musicals. -- Stratford Festival
Product Description
Keith Garebian peers behind the curtain of My Fair Lady to reveal the story behind the making of the musical. Beginning with George Bernard Shaw's Pygmalion, Garebian traces the development of the musical idea. We read with interest about Lerner and Loewe's writing difficulties, and about how Julie Andrews and Rex Harrison were selected as leads. Then it's on to a full-dress reconstruction of opening night on Broadway. Garebian's next chapter follows My Fair Lady after its Broadway start, and he concludes with a close analysis of the structure, words, and music of the play.
See all Editorial Reviews
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