Songs in the Key of Z: The Curious Universe of Outsider Music (Paperback)

~ (Author) "fremont, New Hampshire, in the late 1960s was a remote, culturally disconnected backwater..." (more)
Key Phrases: New York, Trout Mask, Tiny Tim (more...)

Editorial Reviews

From Publishers Weekly

Sincerity and lack of self-awareness rarely earn musicians platinum status or a spot on MTV. Thankfully, for every manufactured boy band and lip-synching pin-up there are 10 "outsiders"--the earnest, often psychotic and not necessarily ingenious stars in Chusid's enchanting universe. For those who've been bemoaning the shortage of ingenuity on the airwaves, Chusid, a radio personality on WFMU in Hoboken, N.J., profiles 20 darlings of dissonance. Several of them--including Tiny Tim, Captain Beefheart and Pink Floyd's former acid troubadour Syd Barrett--have made a few bangs, but the great majority have enjoyed mere whimpers of success. Take Eilert Pilarm, the Swedish Elvis; Joe Meek, who produced the 1962 instrumental hit "Telstar" before committing suicide; and the Shaggs, three sheltered sisters from Fremont, N.H., who recorded the "aboriginal rock" masterpiece Philosophy of the World. Careful not to ridicule his more eccentrically volatile subjects (e.g., Wesley Willis and Daniel Johnston), Chusid narrates each musician's vital statistics and career with rhythm and respectful wit. Even if readers do not rush out to buy Larry "Wild Man" Fischer's recordings, they will remember his musical achievements (he inspired Frank Zappa's record An Evening with Wild Man Fischer), thanks to Chusid's encyclopedic tags. History, as the director Tony Philputt points out in the introduction, is also made by losers; Chusid has given them a microphone and cranked the amp to 11. 60 b&w photos, 15 line drawings, discography.
Copyright 2000 Reed Business Information, Inc.

From Library Journal

If VH1's Behind the Music were as interesting as Chusid's first, and reportedly last, book, this reviewer would never leave his apartment. A record producer, music historian, and host of WFMU's (Hoboken, NJ) Incorrect Music Hour, Chusid has written a valentine to "outsider" artists, musicians whoDunlike frayed pop icons Phil Spector and Brian WilsonDlack total self-awareness but overflow with earnestness. Among others, Chicago-based schizophrenic troubadour Wesley Willis, former Pink Floyd songwriter Syd Barrett, and street musician Larry "Wild Man" FischerDa man even weirdo Frank Zappa found captivatingDare profiled in a voice many rock writers dream about mastering. The "outsider" genre was in desperate need of a biographer, and luckily Chusid was there to tell each musicians's tale as if he were writing about the next "big thing." He possesses a knowledge of music culture that most contemporary rock critics think they have. Guaranteed: this book will take readers to record stores searching for Chusid's list of musical miscreants. Good luck finding all of them. Recommended for all libraries.DRobert Morast, Pro Rodeo Sports News, Colorado Springs
Copyright 2000 Reed Business Information, Inc.

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Product Details

• Paperback: 272 pages
• Publisher: Chicago Review Press (April 1, 2000)
• Language: English
• ISBN-10: 1556523726
• ISBN-13: 978-1556523724
• Product Dimensions: 8.9 x 5.9 x 0.7 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
• Amazon.com Sales Rank: #545,036 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

19 of 20 people found the following review helpful:

5.0 out of 5 stars I Hear A New World, September 19, 2000

By	Michael Sean (Seattle, WA - US) - See all my reviews

Irwin Chusid's first book is an extremely entertaining, inspiring, and well-deserved tribute to an assorted cast of musical curiosities. More than just weird songsmiths, and certainly way beyond alternative music, these artists defy description. Under the umbrella of 'outsider music' (coined by the author as the musical equivalent of outsider folk art), he offers up twenty intriguing examples for your consideration. Some of these individuals have already achieved a certain degree of fame (Capt. Beefheart, Syd Barrett, Tiny Tim), and some have gained notoriety through the underground community (Wesley Willis, Daniel Johnston, B.J. Snowden, Wild Man Fischer). Some may have been unlucky geniuses (Harry Partch, Robert Graettinger, Joe Meek), and some have stories that remain unresolved, with only the recordings left to speak for themselves (Jandek, Shooby Taylor, Jack Mudurian). All of them, however, share unquestionable sincerity and originality when it comes to their skewed takes on popular music forms. What separates them from other pop oddities like Frank Zappa, the Residents, or Barnes & Barnes is a lack of self-awareness in their work. They don't aim to be weird, but the end result inevitably gets received that way. Although he writes with a healthy dose of humor, he also displays a large amount of respect for them. Fans of way-out sounds may recognize Chusid's name. He's been shining spotlights on fringe music for years, penning liner notes and producing compilations for both Esquivel and Raymond Scott (he's also the director of the Raymond Scott Archives), as well as co-hosting the "Incorrect Music Hour" on the legendary free-form radio station WFMU in New Jersey. This wonderful book is by no means a comprehensive look at any of these names, but merely a well-written sampler that will hopefully inspire you to find out more. Closing out the book, there's a section of artists' discographies to provide an idea of what's out there (and you can marvel at the vast self-released output of Jandek, Johnston, and Willis), and a bibliography featuring plenty of sources for the intrigued reader to do further research (both in print and on the Internet). A fantastic companion CD is also available, featuring tracks by many of this book's subjects (which is highly recommended, in order to fully appreciate what they do).

8 of 8 people found the following review helpful:

5.0 out of 5 stars The Best Book on Outsider Music, Period., May 6, 2002

By	Robert I. Hedges - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

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This book is truly a rarity. Chusid vividly tells the tales of the most incompetant, inept musicians in history with a genuine love and affection that makes this book a true joy to read. It may be my very favorite book of all time.

The concept of "outsider music" is one that I have embraced for years. While I don't deny liking some classical music and traditional album rock (Dire Straits, Lynyrd Skynyrd, etc.), I have always had a place in my heart for the struggling artists that just don't seem to (and never will) get it (like The Shaggs), others that DO get it, they just mock the norm (Brave Combo, PDQ Bach, etc.) and that peculiar group that are seemingly from Mars (Jandek, The Legendary Stardust Cowboy), that possibly get it, but are a so far beyond the norm that nobody pays attention to them.

This book is an unabashed celebration of ineptitude and (seeming) insanity. It is not to be missed, but when purchasing please make sure to buy the CD as well so you can grasp what he is talking about. Of particular note is the section on the famous MSR Song-Poems (where you send them $100 and your lyrics and they record your song) which, to me is the ultimate in outsider music.

I couldn't put it down. I can't recommend it strongly enough. Buy this book. Do it now!

13 of 15 people found the following review helpful:

4.0 out of 5 stars Great Introduction! 1, May 11, 2000

By A Customer

This is a nifty volume, not really definitive on any of its subjects, but a great introduction to some over-looked (and some would say over-rated) musicians. Whether or not you like Jandek, Daniel Johnston, etc., you'll find plenty to be captivated in their stories, which are laid out here eloquently and with a nice dash of humor. Great job, and a great read!