From Library Journal
While finishing his own film, Langer discovered a dearth of hard?and current?facts about festivals to which he might hawk it. Thus, he created this handbook for independent filmmakers and audiences. Seemingly all festivals are included, from Cannes, Berlin, and Sundance to the Hiroshima International Animation Festival and Nordic Film Days. In addition to listing hundreds of venues with address, entry deadline, festival history, ticket price, and average number of films screened, this work contains interviews with six festival directors and an annotated guide to the best theaters. The first chapter, "Best of the Fests: A Completely Biased Guide to the Sixteen Festivals Worldwide That Are Worth the Trip," expresses Langer's penchant for entertaining critique. Of the Cleveland International Film Festival he writes, "Any festival that hosts a seminar entitled `Is Hollywood Killing the Movies?' and then plugs screenwriter Joe Ezsterhas (Showgirls and Basic Instinct) as its featured opening night guest has to be a bit schizophrenic." More detailed and personal than Internet festival sites, this work is well worth the price.?Kim R. Holston, American Inst. for Chartered Property Casualty Underwriters, Malvern, PA
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
If you have patrons who welcome the thought of spending day and night in darkened rooms, eyes glued to the big screen, this book will help them find their next fix. Author Langer is a filmmaker who compiled this directory to film festivals worldwide when he could not find such data gathered in one location. Chapters include "Best of the Fests" (Langer's personal favorites), followed by chapters on North American, European, Asian, African and Middle Eastern, Australian, and South American festivals. Within chapters on geographic areas, there are two lists arranged alphabetically by festival name, one for detailed entries and one for brief entries. It would be more convenient to search an integrated list.
Detailed entries note place, time (e.g., first week of November), background (a descriptive paragraph giving the flavor of the fest), major award winners (although the year is not specified), number of films, celebrity sightings, ticket prices, and, for filmmakers, how to enter a film, contact information, and deadline. Brief entries have an address and often include phone, fax, e-mail, URL, and entry deadline and/or date of festival. Everything's here, from the big and famous (Cannes) to the small and specialized (Insect Fear Film Festival). Six interviews with festival directors are scattered throughout, and a final chapter is a guide to the best art-house movie theaters in more than 100 cities worldwide. The index follows the same arrangement as the rest of the book, with the various festivals grouped under chapter titles. An index listing all the festivals in a single alphabet would be a useful feature in the next edition; as it is, there is no way to locate the Insect Fear Film Festival without first knowing that it takes place in North America (Champaign-Urbana, Illinois, to be exact). Also useful would be a detailed geographic index. Although the book is arranged in broad geographic areas, it is not possible to look up more specific locations, such as Pennsylvania or France. Despite these shortcomings, any library with travel or film reference collections will want to consider adding this guide.
--This text refers to an out of print or unavailable edition of this title.
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