From Publishers Weekly
Mystical formalist, elegant romantic, Vietnam-era protester, translator, maker of sweet memoirs and uneasy dreamscapes, and ecological activist, Merwin has been so prominent for so long that it's hard to believe this rich selection represents the work of just one man. The earliest Merwin—a melancholy 1950s craftsman—gets the first 70 pages, including the bejeweled verse fairy tale "East of the Sun and West of the Sun." The haunting free verse of the next two decades includes the sad, urgent protest poems of
The Lice (1967) and the Pulitzer Prize–winning
The Carrier of Ladders (1970). Merwin's attraction to instinct and mystery drew his poems toward totemic, resonant images, in lines which imitated chants and prayers.
The Rain in the Trees (1988) concerned the forests and coasts of Hawaii, where the poet still lives. His longer, more recent works offer personal memories; "Testimony" (from 1999's
The River Sound) takes 56 pages to run through the poet's whole life. Even there—and in the few, lyrical, controlled new poems at the very end of the volume—Merwin retains a sense of terse whispering, and a graceful attraction to silence; his verse comes, if anyone's does, from "the eye of the mind where we know/ from the beginning that the darkness/ is beyond us."
(Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Migration is an apt title for this generous collection, given that Merwin has migrated far from his boyhood home in Scranton, Pennsylvania. The son of a Presbyterian minister, he studied with R. P. Blackmur and John Berryman at Princeton, and W. H. Auden chose his first book,
A Mask for Janus, as the 1952 Yale Series of Younger Poets winner. But rather than dwell within the precincts of the American academy, Merwin left for Europe, became an adept and prolific translator, and eventually settled in Hawaii, where he cultivates endangered palm trees and works to restore and preserve the wild, endeavors that deepen his already profound rapport with nature, the soul of his work. Merwin has migrated within the universe of poetry, too, moving from solidly constructed, tactile, and dramatic works to airy, abstract, unpunctuated, and contemplative poems, a journey beautifully mapped here in selections from 15 previous collections, capped by a gathering of new poems. Complex, spiritual, and evocative, Merwin is a major poet, and this is a sublime measure of his achievements.
Donna SeamanCopyright © American Library Association. All rights reserved
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