From Publishers Weekly
A former editor at Pantheon Books, Englehardt (The End of Victory Culture: Cold War America and the Disillusioning of a Generation) has penned an opinionated, nostalgic novel about the trials of a seasoned book editor in the information age. Rick Koppes, a literary purist, former commune resident and anti-Vietnam War activist, works at highbrow Byzantium Press. His publishing house has been taken over by German magnate Bruno Hindemann's Multimedia Entertainment, where executive David Marsden, many years his junior, hopes to capitalize on Koppes's lone bestselling author with videos and merchandise ("We want to brand him awesomely"). Koppes's ex-wife, a treacherously bottom-line-minded publishing exec, becomes his boss. He meets his old friend, Larry, a fellow longtime editor, for lunch and learns that Larry has been fired for not bringing in enough money. In his agitated state, Larry berates the waiter at their Vietnamese restaurant, while Koppes wonders silently whether the waiter had been tortured by American soldiers during the war. Woven through these apocalyptic snapshots are laments about the ramifications of electronic publishing and the decline of the reading public. The novel will likely try the patience of any reader not wholly fascinated with the publishing industry; though there are some emotionally vivid passages, the book often gets bogged down in descriptions of the minutiae of the business. Engelhardt seems primarily to be addressing his colleagues, but even those inclined to agree with his view may find his hero self-righteous and unsympathetic.
Copyright 2003 Reed Business Information, Inc.
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Review
"An ex-editor laments the death of the book - by writing a wonderfully observant novel about an editor whose career and way of life are both coming to an end. Having been a senior editor at Pantheon for 15 years, unsurprisingly, has given Engelhardt an easy command of the tone and texture of the publishing world, but the graceful abilities he also demonstrates in bringing character, place, and mood achingly to life must be the gifts of the man alone.... A brilliantly realized cri de coeur, pulsing throughout with life, sorrow, and thought." - Kirkus Reviews (starred review) "A satisfyingly virulent, comical, absurd, deeply grieving true portrait of how things work today in the sleek factories of conglomerate book producers.... [A] skillful novel of manners - of very bad manners.... The scenes are vividly set, and this writer, made of stem scuff, was laughing through his tears. Engelhardt tells us that the love of literature persists even in these frantic times. It is essential to good reading to recognize that novels are true lies - truer and more philosophical than history, as Aristotle said about history. The episodes in Engelhardt's account emit a sense of autobiographical anguish, seasoned with an ironic notch at one corner of his mouth." - Los Angeles Times Book Review "The first thing to notice about The Last Days of Publishing, this interesting new novel about a gifted editor during the death throes of publishing as we've known it, is that it comes to us from a university press rather than a commercial house.... If you have any curiosity about the state of affairs in the publishing world, and, beyond that, the world of ideas, you should read this book." - San Francisco Chronicle "An engaging, at times bitterly funny lament for what [Engelhardt] sees as an endangered industry." - Business Week "Maintains a detached, bemused tone throughout, ultimately making the loss at its center all the more bitter. Engelhardt's unflashy observational style and rueful lit-geek koans ("To be a good editor has... nothing more to do with being a good person than saying "Polly wants a cracker" does with being a good parrot') are a treat for bookish types, and his Armageddon fixation is sure to strike a chord with middle-aged readers." - The Village Voice "Engelhardt has written the rarest of books: a truly intellectual novel. This faux memoir uses the decline of quality book publishing both as landscape and metaphor to explore in ways that are often heartbreaking the failure of the sixties to drastically change the world and the devastating moral and cultural consequences of that failure." - Ariel Dorfman"
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