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The Shifting Point: Theatre, Film, Opera 1946-1987
 
 

The Shifting Point: Theatre, Film, Opera 1946-1987 (Paperback)

~ (Author) "When I begin to work on a play, I start with a deep, formless hunch which is like a smell, a color, a shadow..." (more)
Key Phrases: theatre research, King Lear, The Conference of the Birds, New York (more...)
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Price: $17.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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  Hardcover, August 31, 1987 -- $14.95 $0.96
  Paperback, February 28, 1994 $17.95 $7.79 $2.99

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The Shifting Point: Theatre, Film, Opera 1946-1987 + The Open Door + The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate
Price For All Three: $38.18

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Editorial Reviews

From Publishers Weekly

For the ordinary theatergoer, Shakespeare has become a bit of a bore, Brook maintains. Yet the Bard's "cubism of the theater," his curious splicing of verse and prose, ought to resonate with meaning for us today. Here the well-known director explains the rationale behind his controversial productions of King Lear and Romeo and Juliet. This tapestry of essays, notes and manifestos includes a section on the international, multicultural theater group Brook organized in Paris to reinvent the sounds, gestures and scripts that he feels should animate true theater. He relives the group's three-month journey in Africa, which led to his mounting The Conference of the Birds. Another play in which ceremony and performance fuse, Brook's re-creation of the Indian epic Mahabharata, is also discussed. Several pieces on opera explore ways to revive what he considers an artificial, stagnant form. With its far-reaching perspective on avant-garde and classical theater, this journal will reward even readers who are not familiar with the works discussed.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


About the Author

Peter Brook is one of the giants of twentieth-century theatre, a unique creative genius who, through his groundbreaking productions of "King Lear", "Marat/Sade", "A Midsummer Night's Dream", and especially "The Mahabharata", has virtually reinvented the way actors and directors think about theatre.

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Peter Brook
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The Shifting Point: Theatre, Film, Opera 1946-1987
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