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39 of 42 people found the following review helpful:
5.0 out of 5 stars
The best current ongoing comic book series, October 14, 2000
Brian Azzarrello's 100 BULLETS is the best, most intriguing and most well-thought-out comic book series currently in publication. It starts out seemingly as an episodic series of revenge stories but quickly becomes part espionage thriller and part conspiracy theory yarn. This TPB collects the first two story arcs, both of which are fairly well self-contained. I fully expect readers will find it enjoyable enough that many sequels will follow.The basic premise is that a mysterious man by the name of Mr. Graves arrives in your life and presents you with a briefcase. In the briefcase is a gun, 100 bullets of completely untraceable ammunition and loads of evidence about the person who screwed you over and why. You're given the choice: use the bullets or not. It's up to you what to do from there. You'd think the answer would be obvious and the series would degrade into a Charles Bronsonesque revenge caper. Far from it. The decisions Azzarrello's characters make and how they go about plotting their revenge never fails to surprise. The opening tale is about Dizzy Cordova, a Hispanic "girl from the hood," whose boyfriend and child were killed by crooked cops. She meets Mr. Graves and makes her decision about what she should do with this opportunity to "make things right." Eduardo Risso's art is perfect for this series. He uses darkness and light for maximum effect and is excellent at communicating the emotions of the characters through subtle depictions of body language and facial expressions. I don't know who the Vertigo people at DC Comics found him, but this Argentine (I think that's his nationality) is a serious talent. Having read 100 BULLETS for a year and a half now, I can say that I honestly have no idea where it's headed but that it's a non-stop thrill ride. Great street-level stories with real, in-depth characterization. Gamblers, hoods, assassins, backstabbing business people, bartenders, dirty cops, you name it. They're all in 100 BULLETS and you'll want to read each and every one of their stories.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
A Fistful of Bad Dreams, August 16, 2002
100 BULLETS: SPLIT SECOND CHANCE is the second graphic novel from the award-winning monthly 100 BULLETS comic book put out by DC Comics' Vertigo line. Again, series writer Brian Azzarello keeps the mix violent and unpredictable, fusing the cold shadows of the street with the hot fury of betrayal. The book opens up with a two-part story, "Short Con, Long Odds", about Chucky and Pony, two childhood friends who grow up to be gamblers. Then Agent Graves, the unknown man of mystery who always kicks the stories into high gear, shows up carrying a briefcase loaded with a semi-automatic pistol and 100 rounds of untraceable ammunition. He tells Chucky that Pony set him up for a seven-year fall in prison that he should have taken--at the same time that Pony is stealing Chucky's woman. The biggest risk either of Chucky and Pony ever took was being friends with each other, and that's about to change. "Day, Hour, Minute...Man" offers up a quick peek into the mysterious agency that Mr. Graves works for, and shows Mr. Graves coldly dealing out vengeance of his own. "The Right Ear, Left In The Cold" tells the story of Cole Burns, an ice cream man who sells ice cream and stolen cigarettes out of his truck, and who is much more than he appears to be. Mr. Graves gives him a briefcase and the 100 rounds of ammunition, then tells him that Goldy Petrovic is the man responsible for the burning death of Cole's grandmother in the nursing home. Besides wanting vengeance, Cole also has to deal with another ice cream man trying to take his beat. But most of all, Cole Burns is a man on a mission to find himself. "Heartbreak Sunnyside Up" is another stand-alone tale that is brutal and violent, and all too real. Lilly Roach is a waitress in a diner, and a woman who has lost her teenage daughter to the streets. Then, one day, Agent Graves shows up with the story of what really happened to Lilly's daughter--and a briefcase containing a pistol and 100 rounds of untraceable ammunition. Even the back story in this particular episode resonates with truth and pain directly from the real world. The book wraps with a three-chapter arc, "Parlez Kung Vous", that takes the reader back to Dizzy Cordova, the heroine introduced in the first graphic novel. She's in Paris on assignment, hooking up with a man named Mr. Branch. She has a lot in common with Mr. Branch. He was a reporter, very different from the barrio life Dizzy knew, but he was also offered the briefcase and 100 bullets--only Mr. Branch didn't use them and his life is now in jeopardy. The mystery surrounding the Trust, the Minutemen, and Agent Graves is cleared up a little, but only enough to reveal that more twists and turns are ahead.Besides writing 100 BULLETS, Brian Azzarello has also worked on the HELLBLAZER series, BATMAN/DEATHBLOW, the JONNY DOUBLE mini-series for DC COMICS, and STARTLING STORIES: BANNER, CAGE, and SPIDER-MAN for Marvel Comics. Eduard Risso, the co-creator of 100 BULLETS, has also drawn for BATMAN, the horror anthology FLINCH, the JONNY DOUBLE mini-series, and comic books in his native France. 100 BULLETS: SPLIT SECOND CHANCE continues the same throbbing beat of violence and sharp emotion summoned up in the previous graphic novel. Each volume, so far there are four, stands on its own merits, but there is something to gain by reading them in order. As always, Azzarello's characters are sharply drawn and come across as real people with real problems. Primarily those problems are always about betrayal and the need for vengeance. Azzarello moves easily about the urban landscape of the real world, and his stories echo with current events. His dialogue puts a fine point on what could simply be just a collection of out-for-revenge stories. The characters are torn between the need for vengeance, the loss they're going to suffer when they act on that need or choose not to, and they're torn over the fact that once they follow up on that path to vengeance that their lives are going to be forever changed. Risso's artwork displays those worlds, those streets, and those emotions with knowing ease, while at the same time conveying the heaviness of life to someone living in the shadows. The fact that the vengance stories are only pearls on a string, and that the string is actually part of a much greater story Azzarello is telling is awesome. Readers can start to see the beginning bones of that story in these tales, and the imagination will reach to fill in the other gaps. This graphic novel is definitely recommended to fans of Azzarello and Risso's work. Also, any fans of noir and action movies will find a lot here to whet those appetites in the brilliant dialogue and panels that accompany these hard-edged stories. Comics fans that regularly read Ed Brubaker, Greg Rucka, and Chuck Dixon will find a new favorite author in Brian Azzarello.
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13 of 15 people found the following review helpful:
4.0 out of 5 stars
Interesting Premise, February 22, 2006
This what might be called a "high concept" series in Hollywood lingo. A mysterious man in black shows up and gives you proof that a particular person has wronged you badly in the past, an untraceable gun, 100 bullets, and license to kill that person. What do you do? The answer isn't as simple as one might suspect, as the first two stories demonstrate. In the first one, we meet Dizzy, a Latina gangster just released from jail and bitter from the death of her man and her son in a drive-by shooting. Back on the streets of Chicago after a few years served, she's sad and seeking to live a straight life. But of course, you can't leave the gangster world behind that easily, and her brother's rise to prominence as a local gang-banger sucks her back in. It also doesn't help that the two cops the man in black fingered as having done the drive-by are in her face, giving her a lot of static. The art is pretty nifty stuff, perfect for the genre, with a great muted wash to the colors. The only lame part is that the women are all comic-booky, with huge breasts and bared midriffs -- pretty cheesy. The dialogue never really rings true, as all the "we got bidness", "knowhumsayin'" and "I ain't playin'" sounds more like something lifted from some tired film than it does real life. The characters are the familiar gangster hoodlums types and none are given any interesting nuances, nor does the story get interesting until the last few panels, which leave the door open for Dizzy to reappear later on in the series.
The second storyline is somewhat stronger, as we meet down and out Los Angeles bartender Lee Dolan. The man in black shows up and offers him the chance to get even with the woman who set him up on kiddie porn charges. It's a more far-fetched scenario, but somehow manages to work in a hard-boiled pulp way, as does Lee's character, a loner whose only conversations are with a stripper. Once again, the art is very assured and good, aside from an overabundance of bursting cleavage. The characterization is a little bit stronger, and the storyline just works a little better. There are some oddities here and there, such as the a strange murder and gun battle that takes place behind the characters at one point. A helicopter is blown out of the sky right next to them, but it's not clear why, nor is it clear why they don't notice. This is all perhaps a setup for another story somewhere else in the series, but interrupts the flow of Lee's story. These two stories collect the first five issues of the comic, and an eight-page story from an anthology rounds things off. The lighter side of the man in black's operation is shown in this, as a little old lady comes in to confess her murder, only to be turned away by the cops, who assume she's batty. Overall, it's not pitch perfect, but it definitely established a nice mood and I'm curious to read on to see what the larger motives of the man in black are.
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