Wittgenstein's Mistress (Paperback)

~ (Author)
Key Phrases: inconsequential perplexities, russet cat, garbage disposal area, Willem de Kooning, Martin Heidegger, Van Gogh (more...)

Editorial Reviews

From Publishers Weekly

In this unsettling, shimmering novel, the reader is immediately drawn into the world of a woman who has gone mad because she is the last surviving creature on earth. Sitting at a typewriter in a beach house day after uncharted dayshe keeps no calendar or clocksshe pours out her thoughts on music, art and ancient Greek legends, and remembrances of her travels across the globe in abandoned cars, looking for other living beings. But after a while, some discrepancies creep into her rambling, compelling monologue: an accident that she first says took place in New York now occurs in Leningrad; memories become distorted by imaginings. Were they ever really memories in the first place? By the end of this seamless stream of consciousness, there is no distinction between fantasy and reality, past and present. Markson (The Ballad of Dingus Magee) keeps the reader off balance and finally unsure of even the foundation of his character's madnessperhaps she is alone only because she believes she is.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"A work of genius . . . an erudite, breathtakingly cerebral novel whose prose is crystal and whose voice rivets and whose conclusion defies you not to cry." --David Foster Wallace

"Addresses formidable philosophic questions with tremendous wit . . . remarkable . . . a novel that can be parsed like a sentence; it is that well made." --New York Times Book Review

"I can't think of the last time I held my breath when I read a book, waiting for the author to make one slip. Markson is as precise and dazzling as Joyce. His wit and awesome power of observation make this fictional world utterly convincing. I couldn't put this book down. I can't forget it. While Markson himself would deplore the use of a cliche, all I can say is that this book is original, beautiful, and an absolute masterpiece. Anyone who reads it can't think about the world the same way." --Ann Beattie

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Product Details

• Paperback: 248 pages
• Publisher: Dalkey Archive Pr; Reprint edition (March 1, 2006)
• Language: English
• ISBN-10: 1564782115
• ISBN-13: 978-1564782113
• Product Dimensions: 8.3 x 5.5 x 0.8 inches
• Shipping Weight: 0.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.3 out of 5 stars  See all reviews (26 customer reviews)
• Amazon.com Sales Rank: #81,684 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

18 of 19 people found the following review helpful:

5.0 out of 5 stars Unspeakably magnificent, October 18, 2001

By	Thomas F Wells (Chislehurst Kent UK) - See all my reviews

"Wittgenstein's Mistress" is a complex novel of simple sentences in short paragraphs describing thoughts that are all over the maps of history, the arts and the world itself. Presumably, the novel's structure is inspired by Wittgenstein's "Tractatus," a series of short propositions, sub-propositions, sub-sub etc. presented in a logical sequence culminating in the final proposition, "What we cannot speak about we must pass over in silence." Similarly, the narrator of "Wittgenstein's Mistress," a one-time artist who has come to believe she is completely alone in the world, presents a series of short descriptions of whatever pops into her head as she's typing. Places, people, works of art, episodes of history give rise to anecdotes, apocrypha and tid-bits about other places, people, etc -often inaccurate but always illuminating both our world and hers.

The narrator forms this jumble of information into innumerable weirdly wonderful, laugh-out-loud syntheses. For example, a story that Rembrandt's students painted on his studio's floor images of gold coins, which Rembrandt would stoop to pick up no matter how often the trick was repeated, leads to the recollection that Rembrandt eventually had to declare financial bankruptcy. The narrator then combines these two anecdotes with the fact that Rembrandt lived in Amsterdam as a contemporary of the philosopher Spinoza to produce an imagined conversation between the two famous men in a corner shop. " `Oh, hi, Rembrandt. How's the bankruptcy?' `Fine, Spinoza. How's the excommunication?' "

Sprinkled among these fractured observations are obscure hints as to how and why the narrator has reached the point of what can only be madness. As the insights into her personal history increase in the final pages of the book, a repetitious list of seemingly haphazard commentaries on largely external matters becomes ever more personal. By the time it concludes with its four beautifully poetic lines, the book has created a deep, disquieting pathos made all the more poignant by the narrator's immersion in a world that is a kind of embodiment of Wittgenstein's final proposition.

Like the narrators of "Flaubert's Parrot" (by Julian Barnes) and "Waterland" (by Graham Swift), the narrator of "Wittgenstein's Mistress" takes refuge in a world of facts--in her case cultural scattershot versus the meticulous biographical fact of "Flaubert's Parrot" and local historical fact of "Waterland"--to avoid confronting a terrible personal tragedy. That this novel addresses such a theme with even more originality and craft than those two excellent books makes this a truly magnificent piece of literature.

8 of 8 people found the following review helpful:

4.0 out of 5 stars Highly recommended and not only to art historians!, December 1, 1998

By A Customer

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This review is from: Wittgenstein's Mistress (Reissue) (Hardcover)

I found Markson's novel extremely engaging. Though comparisons to Joyce are inflated (comparing anyone to Joyce would be a mistake) I've never read anything quite like this book. An achingly sad exploration of loneliness and isolation - as well as art and literature - it is also (in places) quite hilarious. I highly recommend it - and not only to people with Art History or English degrees.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Heavens to Betsy, March 15, 2001

By	John P Wixted (Ossining, NY United States) - See all my reviews

My, my, what a book. Such a difficult journey, for me: the endless art, historical and literary references were daunting. And the one-sentence-paragraph style and internal dialogue subject matter so jarring, especially after having just finished reading Infinite Jest (Wittgenstein's Mistress was a DFW recommendation). But I read on, aided by episodes of hilarity (such as the scene in which various painters and cats convene in the narrator's brain, or the speculation about whether Penelope really would have waited around for Odysseus' return) and moments of harrowing poignancy (the gravestone promised by a husband on a son's grave existing in the mind but not in reality). Well, it's hard to describe. But the last twenty or so pages were so intimate and frightening in their sadness as to make you want to reach into the book and hold her head to somehow stop the lonliness. Don't give up on this book.