Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel (Paperback)

~ (Author), Dr. Seuss (Illustrator), Art Spiegelman (Author)

Editorial Reviews

Amazon.com Review

Before Yertle, before the Cat in the Hat, before Little Cindy-Lou Who (but after Mulberry Street), Dr. Seuss (Theodor Geisel) made his living as a political cartoonist for New York newspaper PM. Seuss drew over 400 cartoons in just under two years for the paper, reflecting the daily's New Deal liberal slant. Starting in early 1941, when PM advocated American involvement in World War II, Seuss savaged the fascists with cunning caricatures. He also turned his pen against America's internal enemies--isolationists, hoarders, complainers, anti-Semites, and anti-black racists--and urged Americans to work together to win the war. The cartoons are often funny, peopled with bowler-hatted "everymen" and what author Art Spiegelman calls "Seussian fauna" in his preface. They are also often very disturbing--Seuss draws brutally racist images of the Japanese and even attacks Japanese Americans on numerous occasions. Perhaps most disturbing is the realization that Seuss was just reflecting the wartime zeitgeist.

Dr. Seuss Goes to War marks the first time most of these illustrations have appeared in print since they were first published. Richard H. Minear's introduction and explanatory chapters contextualize the 200 editorial cartoons (some of whose nuances might otherwise be lost on the modern reader). Those who grew up on Seuss will enjoy early glimpses of his later work; history buffs will enjoy this new--if playful and contorted--angle on World War II. --Sunny Delaney --This text refers to the Hardcover edition.

From Library Journal

Few fans of Dr. Seuss's whimsy are likely to be aware that before authoring The Cat in the Hat Theodor Seuss Geisel penned editorial cartoons for the New York daily PM. This new collection presents approximately half the newspaper cartoons that Geisel drafted for the pro-New Deal paper from the start of 1941 (when his main targets were the isolationists who opposed U.S. intervention in European and Asian affairs) until 1943 (when he accepted a commission in the U.S. Army). Minear (history, Univ. of Massachusetts) has done a fine job of selecting, arranging in thematic order, and providing historical commentary for these cartoons, which are full of Geisel's expected visual wit; seeing the early development of his eccentric animal menagerie is a special treat. As Art Spiegelman notes in his introduction, Geisel's Uncle Sam seems to have been practice for what would become the Cat in the Hat. "The prototype for the cat's famous headgear is actually...Uncle Sam's red-and-white-striped top hat! The Cat in the Hat is America!" writes Spiegelman. Recommended for larger libraries.AKent Worcester, Marymount Manhattan Coll., New York
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.

See all Editorial Reviews

Product Details

• Paperback: 272 pages
• Publisher: New Press, The (September 2001)
• Language: English
• ISBN-10: 1565847040
• ISBN-13: 978-1565847040
• Product Dimensions: 9 x 8.9 x 0.8 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (28 customer reviews)
• Amazon.com Sales Rank: #24,722 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #6 in	Books > History > Military > World War II > Home Front
  #14 in	Books > Entertainment > Humor > Jokes & Riddles
  #22 in	Books > Entertainment > Humor > Political

Customer Reviews

Most Helpful Customer Reviews

27 of 29 people found the following review helpful:

4.0 out of 5 stars How the Nazis Stole the World (Almost!), December 24, 1999

By	Joel M Sax (Trabuco Canyon, CA USA) - See all my reviews

This review is from: Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel (Hardcover)

Collectors of Dr. Seuss books will definitely want this volume. I found it eerie to see creatures which later appeared in books like ~Horton Hears a Who~, ~How the Grinch Stole Christmas~, and other favorite books of my childhood turning up in caricatures of Axis powers, racists, war profiteers, and the Fifth Column. But, upon reflection, I must admit that these cartoons mark the origins of the themes of community awareness and social consciousness that distinguish his comedic later works. I would not call this a book to be had on every shelf, but if you grew up with Dr. Seuss and still sneak peeks at those slender volumes up in your attic (or in the clutches of your own children and grandchildren), you will find yourself fascinated by the obvious comparisons.

The book includes explanatory commentary by Richard H. Minear and a chronology of the cartoons.

19 of 21 people found the following review helpful:

5.0 out of 5 stars See Yertle the Turtle in His Earliest Form!, August 14, 2000

By	Professor Donald Mitchell "Jesus Makes Me a P... (Boston) - See all my reviews (TOP 10 REVIEWER)

This review is from: Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel (Hardcover)

I was quite surprised when I discovered this book of over 200 (out of 400 he drew) political cartoons by Dr. Seuss (who became a Doctor only by honorary degree years later, even though he called himself Dr. Seuss at this time). I did not realize that he had been a major producer of propaganda in favor of intervention in World War II and later in favor of winning the war. What is even more surprising is to look at the cartoons and see familiar-looking fish, cats and turtles who show up in all of the most beloved children's stories by Dr. Seuss. Clearly, World War II was essential training for the pro-community, pro-progressiveness stories that three generations have now grown up with.

Dr. Seuss was so enraged by Italian pro-fascist propaganda that he sought a role in political cartooning with P.M., a New Deal liberal daily newspaper in New York. The newspaper did not carry advertising, and cost much more than other papers. As a result, it had a daily circulation of only 150,000. After two years, he volunteered for the service at age 38 and took a job in the Army signal corps creating propaganda movies (some of which won him Oscars).

Most of these cartoons would be ones that anyone would be proud to have drawn, for both their humor and the targeting of those who favored dictatorships and complacency about fascism. On the other hand, Dr. Seuss did a few that are certainly racist (although generally he was antiracist, opposing the ill treatment of blacks and Jews). The focus of his racism were Japanese (lots of slanted-eyes drawings of evil plotting) and Japanese-Americans (one cartoon shows Japanese-Americans picking up explosives after Pearl Harbor).

The book is also interesting for capturing the debates of those years in a fresh and visual way. I wish my studies of World War II in high school had included looking at some of these cartoons and discussing them. Because almost all of us know Dr. Seuss's later work so well, this book has a special usefulness to us in understanding U.S. politics of the time.

A lot of the cartoons are hard to understand unless you have an encyclopedic knowledge of World War II. As a result, I suggest that you read the accompanying essays by Richard Minear that fill in the gaps. There is also a chronology to relate the dates to the events. The cartoons themselves are arranged by subject matter, all the better to tie together with essays. Some may find this ordering (rather than one strict beginning to end grouping) a little confusing. However, compared to most cartoon books, this one is very well documented.

I suspect that people from the Greatest Generation would enjoy receiving this book as a gift.

Overcome your stalled thinking about the politics of today being the way things are by seeing how much our views have changed since World War II! Maybe, just maybe, we have some misconceptions today that we are not aware of like Dr. Seuss did about Japanese-Americans (who were later rounded up into concentration camps). Perhaps our misconceptions relate to ignoring the travails of the poorest 3 billion people on the planet. Think about it.

I was also struck that peacetime uses of Dr. Seuss's talent created much greater work than did wartime efforts. Perhaps that is true for all of humanity. That's another argument in favor of peace.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Dr Seuss vs Yertle the Turtle, October 22, 2000

By	Richard J. Gibson (san diego, california United States) - See all my reviews (REAL NAME)

This review is from: Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel (Hardcover)

This is an extraordinarily important book for educators. My students in universities all over the US tell me that their earliest and most beloved connection to literacy was through Dr Seuss. Yet, to them, Seuss stands outside history, an icon, and when I ask them to make lists of the most important people of the US in the 20th century, they rarely mention him. "He's from everywhere, for all time," one student told me. This book sets that right, as it should be. In the best of traditions, it uses history to do it, combining original documents with interviews, the selection of important material, and a grasp of the social context. Here, we can see that Seuss at least dabbled with the left, and he held racist views, despite his anti-fascist outlook. Perhaps that will help some of my students understand how the US could fight the Nazis--with a segregated military. We learn the source of Yertle and the Who's who Horton hears, connecting whimsy with the material world, a maneuver Seuss both employed and denied. Seuss, author of the anti-racist text, The Sneetches, the lover of literacy, becomes human here, and we are the better for it.