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45 of 45 people found the following review helpful:
4.0 out of 5 stars
One of the 2 best books on MP3, March 28, 2000
O'Reilly's habit of using the word "definitive" in their titles is very irritating - this book is excellent, but it isn't totally definitive. There are chapters on how MP3 works, how to get and play MP3 files and creating your own MP3s (including dealing with playlists and tags), various kinds of software and hardware players, webcasting and servers, and legal stuff. I will focus here on what I see as omissions, but there is much that is good about this book.The part of this book that is bettered elsewhere is the legal stuff - the approach of Bruce Fries in "The MP3 and Internet Audio Handbook" (using case studies) is a more practical approach to what you may and may not do. However, the explanation of SDMI beginning on p.278 is lucid, and well worth a read by the denizens of the mp3.com board, where there is a debate currently raging about exactly how SDMI works. The book is cross-platform, so the author treats Win95/98/NT (but not 2K), Linux, and the Mac and BeOS's in all chapters. In the players chapter you get pictures and descriptions of the most popular models (Sonique has an "incredibly trippy" UI) and a following chapter deals with more advanced topics like equalization, digital conversion, ID3 tags and playlists with descriptions of editors, playing MP3 streams, and skins and plug-ins. Chapter 5 begins with encoding issues including sample rates. Once again Fries' "The MP3 and Internet Audio Handbook" does it better, with a table instead of a verbose explanation. Bit-rates are handled in several places in this book, and only mentioned in passing in this chapter, where the explanation really belongs. Fries' book has several tables on bit-rate, sound quality, and file size. The (very) brief discussion on recording streaming audio doesn't mention either TotalRecorder or Voquette - however, there is an excellent discussion of encoders in this chapter. Chapter 6 has a cursory description of four portable players: the Rio, Nomad, Lyra and I-Jam, but a decent discussion of the different technologies used in these players. Home and car stereo players are also described, and once again the coverage is patchy - coverage of AudioRequest and the Lyndstrom Songbank, but where's the Lansonic? And where is the Raite - arguably the most talked about home player on the internet? Not a mention. Chapter 8, on webcasting and servers, is outstanding. The author treats both the commercial sites and DIY, with the emphasis on DIY. A great resource for anyone thinking of running their own ftp, web server, or internet "radio", and working with SHOUTcast or icecast. Awesome! So to repeat - an excellent but not definitive book - it has its faults but on the whole is a very worthwhile purchase. If you read this and then get the very latest from a message board at a site like mp3.com, you won't go far wrong.
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