Truth in Comedy: The Manual of Improvisation (Paperback)

by Charna Halpern (Author), Del Close (Author), Kim Johnson (Author)

Editorial Reviews

Amazon.com Review
Who would have ever thought that learning the finer points of improvisation could be such fun? The "Harold," an innovative improvisational tool, helped Saturday Night Live's Mike Myers and Chris Farley, George Wendt (Norm on "Cheers") and many other actors on the road to TV and film stardom. Now it is described fully in this new book for the benefit of other would-be actors and comics. The "Harold" is a form of competitive improv involving six or seven players. They take a theme suggestion from the audience and free-associate on the theme, creating a series of rapid-fire one-liners that build into totally unpredictable skits with hilarious results. The teams compete with scoring based on applause. The "Harold" is a fun way to "loosen up" and learn to think quickly, build continuity, develop characterizations and sharpen humor.

From Booklist
The brain wave of three improv gurus, this book is a complete guide to improvisation for both novice and professional actors and comics. An outgrowth of the successful curriculum initiated by two of the authors at the ImprovOlympic, it describes improvisational tools and techniques, from the "Pattern Game" and "The Hot Spot" to the innovative and sophisticated "Harold." Far from an ordinary how-to handbook, this clearly composed authority on comedic improvisation stresses intuitive thinking, listening skills, continuity, characterization, and, most important, teamwork. Numerous testimonials from reputed actors strengthen the text's credibility, already secured by the expertise of its authorship. Sample scenes and games take hilarious twists while illustrating the inevitability of connections and the importance of justification among team members. The authors' primary focus is the achievement of the group mind, and the book's chapter construction necessarily culminates with that creative misnomer known as the Harold. The manual is flexibly designed to allow for easy performance in both acting classes and professional settings and will prove a valuable reference source to actors and directors alike. Kathleen Chrysler

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Product Details

• Paperback: 150 pages
• Publisher: Meriwether Publishing; 1 edition (April 1994)
• Language: English
• ISBN-10: 1566080037
• ISBN-13: 978-1566080033
• Product Dimensions: 8.4 x 5.4 x 0.4 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars See all reviews (43 customer reviews)
• Amazon.com Sales Rank: #15,736 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

4.0 out of 5 stars A focused, helpful improv manual, November 8, 2001

By	Alexander Zalben "x-ball" (Long Island City, NY United States) - See all my reviews

So frankly, most acting books, or books that try to tell you how to "do" art make me want to hit myself over the head, repeatedly. The first half of this book is no different.

It spends a lot of time initially setting ideas up, and talking about what a great guy Del Close was (which he was, but still, it gets to be a bit much). But it all starts to pay off in the second half, when we get into the specifics of the Harold.

Harold is a form of improv unlike any that I've ever seen and participated in, and not to be glib, but it takes improv to the level of art. This book clearly sets out exactly how to perform the Harold: what the idea behind it was; how to interact with your teammates on stage; and how to put together the final product. It's no substitute for actually getting up and doing it, but it's not meant to be.

The book is straightforward, easy to read, and pretty short. Its style is that of an elaborated outline, which makes it simple to follow, as well as to check back for relevant parts when you need them in rehearsal or class.

Truth in Comedy is of course a must have for anyone taking or thinking about taking improv classes. For everyone else, it's a quick read that might make you think differently about improv as an art form. Also, it's pretty funny. Yeah, that too.

12 of 12 people found the following review helpful:

4.0 out of 5 stars Yes, and . . ., November 26, 2002

By	Sean D. Francis "luminousx" (Chicago, IL United States) - See all my reviews

To be honest, I don't know why I wanted this book. I had been spending a lot of time at ImprovOlympic and was even thinking about taking classes there, but I feared my wit wasn't up to snuff. Maybe I thought the book was a surrogate method of learning.

What I discovered is the book was a wonderful manual not only to 'how to improvise' but 'how to brainstorm', 'how to work in groups', and 'how to lead.' Little things like, never deny the reality being created and always add something, the 'Yes, and...' of the book, could be applied to many crisis management situations. Never debate what has been stated, always move forward.

Where is the comedy? That was something I was amazed to learn from this book. Don't worry about it. Sometimes people won't laugh, what is important is what is being created right there at that moment on the stage with the other actors.

14 of 16 people found the following review helpful:

2.0 out of 5 stars If who you know makes you funny..., January 31, 2004

By A Customer

the author of this book is a laugh riot. I had a hard time getting past the name dropping and self congradulatory, over the top story telling. The information that comes later in the book is pretty good, having studied with some of the people Ms. Halpern refers to as if she gave them birth. You are never, however, going to learn the "Harold" from a book. Go take a class and get out on stage. Stage time is everything.