From School Library Journal
Grade 9 Up-These selections were taken from works by well-known and less-familiar playwrights, such as Arthur Miller, Wendy Wasserstein, Steve Martin, and Ntozake Shange. The pieces are not for the fainthearted, as many address dark and rough subjects. Divided into thematic sections such as "Voices of Hope and Longing" and "Voices of Fantasy and Fun," each section begins with direct advice regarding the speeches to come. Pieces vary in weight and length; each one has a brief introduction, often with comments, sometimes quite specific, on interpretation. Lines are numbered for easy reference. In spite of the title, scenes are included as well. The 12-page introduction on the audition process is aimed at beginning actors. There is good advice about stage fright and audition behavior. However, a "classical" selection here is defined as a script written in verse rather than as a work that features the formal use of figurative or poetic language.
Cris Riedel, Ellis B. Hyde Elementary School, Dansville, NYCopyright 2003 Reed Business Information, Inc.
Gr. 8-12. This fine collection of American monologues is notable for its diversity as well as for the high quality of the material. From Mark Twain to Anna Deavere Smith, entries include many ethnicities and situations ranging over the past century. Ratliff groups the monologues not by time period, as is generally done, but by themes, such as "Hope and Longing," "Spirit and Soul," and "Fantasy and Fun." Although this may make browsing more difficult, it also will bring readers to monologues they might have missed. Brief introductions describe the setting of each entry, and clear, broadly spaced text with numbered lines makes for easy reading. The lengthy introduction and discussion of audition techniques may be a little technical for the high-school actor, and there are a few parts intended for persons 40 or older. But most truly are for the young actor and will prove a boon for thespians searching for a fresh, new monologue that has not been done to death.
Debbie CartonCopyright © American Library Association. All rights reserved