Product Details

• Actors: Makoto Ashikawa, Yuuko Daike, Hakuryu, Taro Istumi, Setchin Kawaya
• Format: Color, Dolby, DVD, Letterboxed, Subtitled, Widescreen, NTSC
• Language: Japanese (Dolby Digital 5.1)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: Unrated
• Studio: New Yorker Video
• DVD Release Date: June 27, 2000
• Run Time: 103 minutes
• Average Customer Review: 4.3 out of 5 stars See all reviews (61 customer reviews)
• ASIN: 1567302238
• Amazon.com Sales Rank: #60,227 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Fireworks" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video
A superstar and cultural icon in his native Japan, Takeshi "Beat" Kitano has conquered more than one medium, but he is best known in the West for his remarkable films. Among those, Fireworks is the clear favorite, a taut and enigmatic noir that fluctuates between perfect stillness and savage eruptions of violence.

Kitano plays a cop named Nishi, a determinedly impassive man whose face occasionally ripples with an involuntary tic, hinting at the explosive but contained forces within. Nishi's wife (Kayato Kishimoto) is dying of leukemia, a disease that already killed their child, and he cares for her with a shattering tenderness. While on a stakeout, Nishi takes a break to check in on her, and while he's gone his partner is crippled and another officer is killed. With death hovering at home and a score to settle outside, Kitano's hero sets off on an isolated course to seek justice.

Few filmmakers have understood as well as Kitano has here the irresistible draw of a thriller told with a moody calmness, with an eye toward graceful construction and rigorous composition. The careful, unhurried dispensing of story information also helps keep the focus on Nishi's warrior soul, on his mysterious capacity for the extremes of gentleness and brutality. The story here is the way one man can be the sum of such bold contradictions, and a great story it is. --Tom Keogh

From The New Yorker
The seventh and most sombre work from the Japanese director Takeshi Kitano. The fact that his movies-like his TV appearances, radio shows, and everything else-have become a cult should not be held against the man; he has carved out his own style, clipped and elliptical, and that is rare enough these days. In the new film, which he also wrote and co-edited, Kitano plays Nishi, a policeman on the slide. Some colleagues were shot on duty, and, rightly or wrongly, Nishi takes the blame. Meanwhile, his wife is dying, so he takes her away for a country vacation, which he finances by robbing a bank; despite all the cops and gangsters on their trail, the two of them enjoy a last, almost wordless idyll. No one but Kitano would have thought to combine cold spasms of violence with such a tender portrait of marriage, or to tinge the whole tale with black comedy; if you can take that mixture, and if you can follow the sly complications of Kitano's chronology, you will not be disappointed. In Japanese. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

21 of 22 people found the following review helpful:

5.0 out of 5 stars FIREWORKS Explode, December 7, 2003

By	Edward Lee "ncc1205" - See all my reviews (TOP 1000 REVIEWER)

While some viewers may find FIREWORKS slightly inaccessible, others will clearly be drawn into Takeshi Kitano's brilliant use of sight, sound, and silence to tell this intensely layered story of ex-cop Nishi -- haunted equally by a violent past and an uncertain future with a wife slowly dying of Leukemia.

Having taken an unauthorized break from his police stakeout, Nishi's long-time partner Hirobe is attacked, an event which leaves him paralyzed. Struggling with his guilt, Nishi leaves the police force to spend time caring for his ailing wife. He wants her final days to be the best he can possibly provide, and this leads him to a series of bad choices made involving the Yakuza (Japanese mafia). However, every attempt to bring balance to his life only drives Nishi deeper and deeper into desperation and desperate acts ... all the while maintaining the calm, cool exterior of man with his own sense of justice behind his purpose.

This film is meticulously constructed: each of every scene has purpose, and many of them serve several. As is common to Kitano's films, moments of pure calm are juxtaposed with percussive scenes of unanticipated violence in a way very few films have successfully captured and managed to maintain a message.

23 of 25 people found the following review helpful:

5.0 out of 5 stars Fire and Flower, April 12, 2004

By	Zack Davisson "All Good Things" (Seattle, WA, USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

"Fireworks" is a direct translation of the Japanese title "Hanabi," which combines the two words "fire" and "flower." The title was chosen due to the juxtaposition of the calm beauty of a flower, and the burning intensity of fire, which perfectly captures the feeling of this Beat Takeshi masterpiece.

I was expecting quite a different film, one more packed with violence and action, something more along the lines of a John Woo/Chow Yun Fat creation. Instead, this is a calm, understated and emotional film peppered with miniature explosions like...fireworks. The pacing of the film is typical of Japanese storytelling, patient and quiet allowing enough time for a story to build fully and characters to live and die on the screen.

Takeshi gives such a complete performance, saying everything with a glance or a movement. Dialog is almost unnecessary, although when it does come it punctuates the scene fluently. He is equal parts warrior and lover, tender and hard. Kayoko Kishimoto delivers an equally wonderful performance as Miyuki, Nishi's wife, dying of leukemia yet able to charm with a smile.

Visually, the movie is stunning, full of creative scenes and transitions. Takeshi knows when to have the action appear off-camera, and when to focus. The use of nature as an element in the film is beautiful, as the story moves from snow to sea to mountain.

Takeshi "Beat" Kitano is one of Japan's greatest modern filmmakers, and "Fireworks" is one of his greatest film. A stunning film.

13 of 14 people found the following review helpful:

5.0 out of 5 stars Outstanding movie, but this DVD is CUT!!!!!, April 13, 2004

By	C. Garcia "ackoocheemoya" (Henderson, NV) - See all my reviews (REAL NAME)

Fireworks (released internationally as "Hana-Bi") was the seventh film directed by Takeshi Kitano, Japanese comedian, novelist, essayist, short story writer, poet, critic, musician, cartoonist, painter and filmaker.

Kitano (always credited as "Beat" Takeshi as an actor) wrote the screenplay and stars as Nishi, a tough cop struggling to cope with the recent death of his daughter while caring for his leukemia stricken wife. One day, at his partner's urging, he takes a break from a stakeout to visit his wife at the nearby hospital where she's being treated. In his absence, things go terribly wrong; his partner is left crippled and another officer is killed.

Kitano plays Nishi like a man holding the weight of the world on his shoulders, struggling to maintain composure in the wake of a tragedy that has shattered the lives of people close to him. The quiet dignity with which he carries himself is compromised only by an occasional facial tic, which we see while he listens to his ex-partner reveal that his family abandoned him after the shooting and later when the dead officer's widow pours her heart to him about the emotional and financial difficulties of raising her daughter alone.

Hoping to make his wife's final days more pleasant, he borrows money from a local Yakuza, but when he falls behind on the interest payments, he becomes the subject of harrassment and threats. Determined to correct everything that's gone wrong, Nishi decides to rob a bank to pay back the Yakuza and take care of his wife, ex-partner and the widow of the slain officer. The situation escalates out of control, resulting in an understated, but powerful climax.

This film won the Golden Lion award for Best Picture at the 1997 Venice International Film Festival and propelled Kitano to the forefront of Japanese cinema. It's considered by many critics and fans to be Kitano's best movie, though I consider his 2002 release "Dolls" (unavailable on U.S. DVD) to be a strong contender for that distinction.

Now, the problem with this DVD. The transfer itself is fine. The film is presented in its original aspect ratio of 1.85:1 with clear, well translated subtitles and some nice features. However, the disc is inexplicably missing aproximately 4 minutes of footage. Why a company like New Yorker Films, which specializes in art house releases, would release a truncated version of such a seminal work, is anyone's guess, but American companies have not been kind to Kitano's works. Any DVD released stateside of his films has a much better version overseas. I strongly urge anyone interested in this film to look for the uncut Korean special edition DVD (under the original title "Hana-Bi"), which is NTSC and region free (despite being labled Region 3 on the box)), so it will play on any North American DVD player. It has excellent subtitles and even costs a few dollars less than the incomplete American version.