Zen Flesh, Zen Bones (Shambhala Pocket Classics) (Paperback)

~ Paul Reps (Author)
Key Phrases: Buddha Shakyamuni, Chinese Zen, Soyen Shaku (more...)

Editorial Reviews

Review

"Clear and entertaining...paradoxical or mixed up in that still clear Zen way." -- Chicago Review

"Wraps up Zen as neatly as is possible." -- The Japan Times --This text refers to an alternate Paperback edition.

Product Description

First published in 1957, Zen Flesh, Zen Bones introduced a generation of Americans to Zen (selling over 600,000 copies). Included here are four Zen and pre-Zen classics: 101 Zen Stories, The Gateless Gate, The Ten Bulls and Centering.

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Product Details

• Paperback: 285 pages
• Publisher: Shambhala (November 22, 1994)
• Language: English
• ISBN-10: 1570620636
• ISBN-13: 978-1570620638
• Product Dimensions: 4.5 x 2.7 x 0.6 inches
• Shipping Weight: 4 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (46 customer reviews)
• Amazon.com Sales Rank: #318,650 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

35 of 35 people found the following review helpful:

5.0 out of 5 stars Highly recommended, February 7, 2000

By	Giuseppe A. Paleologo "gappy" (Riverdale, NY United States) - See all my reviews (REAL NAME)

This review is from: Zen Flesh Zen Bones (Hardcover)

Of all books about Zen, this is most unassuming I've seen. There is no theory or abridged version of zen philosophy. The stories are carefully chosen and gracefully translated. They leave the reader in a state of wonder, curiosity and puzzlement. What I liked in this book is that it is not trying to educate the reader by teaching him a doctrine. It seems to me that it is true to the zen spirit in this respect. A little literary gem.

23 of 23 people found the following review helpful:

5.0 out of 5 stars Worth a dozen other books on Zen, January 12, 2002

By	Dennis Littrell (SoCal) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)    (COMMUNITY FORUM 04)

This may be the most beloved of all Zen books in English. It is a little volume to treasure, to reread and to ponder, to take delight in and to laugh at and laugh with. It is a compilation of four smaller books:

First there are 101 Zen stories. These are the best and most classic of the stories, many of them so familiar that they are now part of American culture as well as Zen culture. The stories constitute lessons in life, insights into our nature and ways to enlightenment or how one has wandered off the path--or better yet, how there is no path and no wandering. Unlike many Zen tales, which can be deeply mystifying to non-initiates, most of the ones presented here are luminous.

Paul Reps and Nyogen Senzaki, who are the transcribers, begin with the famous tale of Zen master Nan-in overflowing a visiting professor's tea cup to illustrate how filled the professor is with himself, so filled he cannot learn anything new. Included are two of my favorites, (1) that of Tanzan and Ekido, the former a monk who carried a pretty girl across a muddy road and his monastic friend who could not let go of her in his mind; and (2) the parable attributed to the Buddha about a man hanging over a cliff holding onto a vine being gnawed on by two mice (one black and one white--yin and yang, perhaps), with a tiger above and another below, and a luscious strawberry. How sweet it tasted indeed! By the way I have recently learned that a variant of this story comes from the Mahabharata as reported by Georg Feuerstein in The Essence of Yoga (1974). There the mice are rats (still black and white) and the man is hanging from a tree over a pit in which waits a giant serpent. He is drinking honey.

Next there is a presentation of the Buddhist classic about koans, their answers, and a commentary called "The Gateless Gate" by the Chinese master Ekai (also known as Mu-mon,1183-1260 c.e.). The spirit of The Gateless Gate" is irreverent and mischievous. The central idea is that the truth lies somewhere beyond the thesis and the antithesis--or, that which can be said and that which cannot be said do not include the whole of it. Most of Mu-mon's comments are deliberately non-rational, but here is one in the form of a poem that expresses the essence of Zen in a nutshell:

It is too clear and so it is hard to see.
A dunce once searched for a fire with a lighted lantern.
Had he known what fire was,
He could have cooked his rice much sooner.

The third book is the famous search for the bull from Taoism which ends in no bull, no search-all transcended, which is an allegory of life and a symbolic representation of learning to meditate. Zen has added here two extra frames which I will not comment on.

The fourth book is something Reps calls "Centering" from an ancient Sanskrit manuscript. It is said to be four thousand years old and purports to be Shiva guiding Devi in enlightenment. There are 112 ways. Its yoga-becoming-Zen feel is really startling. Here are three examples:

8. Attention between eyebrows, let mind be before thought. Let form fill with breath-essence to the top of the head, and there <shower as light>.

15. Intone a sound, as a-u-m, slowly. As sound enters soundfulness, <so do you>.

26. Unminding mind, keep in the middle--<until>.

The book title comes from a story about the first Zen patriarch, Bodhidharma, who rewarded a couple of his disciples for their apperception by saying the one has his flesh and the other had his bones. A third monk won the "contest" by remaining silent. About him, Bodhidharma said, "you have my marrow."

All four books are wonderful, and there is not a speck of dust on any page.

21 of 21 people found the following review helpful:

5.0 out of 5 stars Better than a whack on the head?, July 7, 2000

By	Gary Sprandel (Frankfort, Kentucky) - See all my reviews (REAL NAME)

This review is from: Zen Flesh Zen Bones: A Collection of Zen and Pre-Zen Writings (Paperback)

I am sure the Zen masters of this book, would give me a whack on the side of my head, for writing a review, but here goes. The book brings together 4 original Zen sources. The first, 101 Zen stories, presents koans and parables. These can be confusing and amusing, such as the Sound of One Hand Clapping, and One-finger Zen. The Gateless Gate, by Mumonkan, further adds to the syncopation, by offering seemingly random arguments about some of the koans, and then concludes with a Zen students criticism of the rascal Mumonkan. So, the first two sections may be a multiple layered koan ... and one is left mildly uneasy about the use of words for teaching Zen. The 10 Bulls section and the Woodblock illustrations are beautiful poetry, more accessible, and metaphors for the stages of enlightenment. Finally, Centering, is a transcript of a pre-Zen document, 4000 years old from Kashmir. It is surprising Zen like, for example a favorite: "When in worldly activity, keep attentive between the two breaths, and so practicing, in a few days be born anew" . A great source book, without interpretation.