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148 of 149 people found the following review helpful:
4.0 out of 5 stars
A remarkable collection, December 29, 2001
Fourty-two poets read their own work on three CDs. The accompanying text is a large and rather weighty book with a chapter for each of the poets. Each chapter includes a one-page biography, a two or three page essay on the works, and several representative poems including those read on the CD. Poetry fans of all stripe will be fascinated by the readings, which range from early (and difficult to understand) recordings by Lord Tennyson to fairly recent (and good quality) recordings by Sylvia Plath. Some of the recordings are quite rare and hard to find; others have been widely available for many years.The great interest in this collection, of course, is the opportunity to actually hear a great poet--and possibly one of your own favorites--read their own work. And the result can be disconcerting, magical, and sometimes both. The earlier poets found in the collection do not read their poems so much for content as they do for rhyme, giving the rythms of their work emphasis above all else; later poets, however, are prone to read very dramatically, sometimes to the exclusion of all else. And there are a number of suprises. Carl Sandburg reads with a significant accent and such a lilt that he often sounds as if he is about to flow into song. Gertrude Stein and Dorothy Parker, two poets as different as night and day, have unexpectedly rich and warm voices. e.e. cummings reads very, very slowly--almost to a point at which you'd like to shake him by the shoulders and ask him to speed it up! Interestingly, it becomes increasingly obvious to the listener that a poet is not necessarily the best reader of his own work, for some are clearly more successful readers than others. The recordings, be they good or bad, are always interesting. The same cannot be said for the text. The short biographies of each poet are reasonable, but the essays concerning their works are a very mixed lot. Some are quite interesting, addressing elements in both the poetry and the poet's reading of it; a few are so completely spurious that one wonders why the editors bother to include them at all. (I also find it a bit frustrating that two personal favorites--Marianne Moore and Stevie Smith--are not included in the collection, but this of course is a matter of personal taste.) In spite of the very occasional short-comings in the text, POETRY SPEAKS would be an ideal purchase for both budding and lifelong poetry lovers. It would also be ideal for the English teachers, literature professors, and librarians in your life. Since none of the editorial reviews actually include the poets found in this collection, I note them here: Lord Tennyson; Robert Browning; Walt Whitman; William Butler Yeats; Gertrude Stein; Robert Frost; Carl Sandburg; Wallace Stevens; William Carlos Williams; Ezra Pound; H.D.; Robinson Jeffers; John Crowe Ransom; T.S. Eliot; Edna St. Vincent Millay; Dorothy Parker; e.e. cummings; Louise Bogan; Melvin B. Tolson; Laura Riding Jackson; Langston Hughes; Ogden Nash; W.H. Auden; Louis MacNeice; Theodore Roethke; Elizabeth Bishop; Robert Hayden; Muriel Rukeyser; William Stafford; Randall Jarrell; John Berryman; Dylan Thomas; Robert Lowell; Gwendolyn Brooks; Robert Duncan; Philip Larkin; Denise Levertov; Allen Ginsberg; Frank O'Hara; Anne Sexton; Etheridge Knight; and Sylvia Plath.
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82 of 88 people found the following review helpful:
5.0 out of 5 stars
You can hear Tennyson, Frost, Plath and MORE!, November 3, 2001
This is just amazing! This poetry and audio CD collection (there are THREE audio CDs in the book) lets you hear lots of different poets reading their own work. There's Auden and Bishop and Langston Hughes and Yeats. It's incredible. I don't know where they found all of these different poets. And the book has essays by some of the best poets around. Billy Collins has an essay, and Richard Wilbur, and Pinsky. So you can listen to and learn about the poets you know (like T.S. Eliot or Sylvia Plath) or you can discover somebody completely new to you (like Melvin Tolson). All in all, the best poetry collection I've ever seen!
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47 of 51 people found the following review helpful:
2.0 out of 5 stars
Not a bad effort, fills a hole, April 23, 2003
By A Customer
I love poetry and I love hearing poets recite their own work. I can't think of another CD which brings together such a broad collection of recordings. It really is an idea whose time has come. This collection has exposed me to some poets I didn't know before, has deepened my appreciation for some that I had barely heard of, and has given me a real feeling for how tastes in poetry reading change over time. So basically it is a good book/cd set. If you have a lot of money, or if you have been yearning for this kind of thing for a long long time (as I had), then you might consider getting it. Now the problems. Interspersed with the poetry tracks are tracks of a really dorky sounding narrator (that would be Charles Osgood) giving you a bio on the poet who follows. He sounds like a cheesy voice-over speaker from an overproduced tv documentary. He is so annoying that I cannot bear to let the CD run, as I do my other recorded poetry CDs. And who wants to keep listening to bios, anyways? It's as if the CDs were made to be listened to only once. I have the terrible feeling that the editors thought this narration would be helpful for high-school teachers. I cannot even imagine being forced to listen to his voice while sitting in class . . this kind of thing is what made high school intolerable. Especially when you move from Osgood's narration to someone like Etheridge Knight reciting, the disparity couldn't be more disheartening. When I want to listen to the poems, then, I have to sit by the player or keep a remote in my hand to keep skipping the narration tracks. It really has dampened my appreciation for this effort, since my favorite way to listen to poetry is while washing dishes (hands occupied). I wish they had decided just to let the poets speak for themselves. The biographical information is in the book, anyways. I rated the set so far down because my sense is that in their effort to make it 'accessible,' the editors of this set overprocessed it. The text layout and the presentation of information (what information they choose to provide as well as the way of providing it) have a sterile, commercial feel (even forgetting the narration on the CD). The book is far too heavy. The editors could have included all the same poets, all the essays, biographical information, etc. in a much simpler set, in paperback perhaps, with clean lines and normal book paper, and they would have created an instant classic. It's disappointing that poetry lovers would have such bad taste. So get it, but don't expect to be really happy with it.
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