Headlong Hall (Hardcover)

by Thomas Love Peacock (Author), Ray Bradbury (Introduction)
Key Phrases: little butler, three philosophers, Squire Headlong, Sir Patrick, Headlong Hall (more...)

Editorial Reviews

Review
As for having characters lecture on life, what a vice it is! And always unsatisfactory, even in the hands of Dr. Mann. Peacock and the early Huxley did it best... THE NEW YORKER

Product Description
Headlong Hall was an instant success upon its anonymous first appearance in 1816. Like most of Peacock's novels, it assembles a group of characters - Mr Cranium, Miss Poppyseed, Mr Treacle and others - who, while eating and drinking to abandon, discuss topics which were then of interest to Peacock and his circle of intellectual friends. Some of the figures are thinly-disgused portraits of contemporaries (Mr Escot, for example, is widely thought to be modelled on Shelley); others embody current views of the age, and are held up to scorn. There is a minimum of plot, but much discussion in a unique and lively style, and with burlesque Rabelaisan humour; throughout, Peacock uses the work to parody contemporary thinking in a variety of disparate areas, including utilitarianism, vegetarianism, aesthetics, music, poetry, art criticism, and so on. In the meantime there is dancing and drinking and falling in love. This edition contains an introduction by America's master of science fantasy, RAY BRADBURY, who adds his own special touch to this feast of ideas and language.

Product Details

• Hardcover: 94 pages
• Publisher: Camden House (December 21, 1997)
• Language: English
• ISBN-10: 1571132600
• ISBN-13: 978-1571132604
• Product Dimensions: 9 x 5.8 x 0.5 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
• Amazon.com Sales Rank: #6,024,007 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars Early 19th-century satire at its most erudite and witty, May 31, 2005

By	Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

I daresay that no less a personage than Destiny herself foresaw to introduce me to the works of Thomas Love Peacock. While perusing the stacks of English Literature holdings at my library, I literally bumped into this book with my elbow, saw that it was misshelved, and also noticed the fact that Ray Bradbury had seen fit to write an introduction to it. How could I not examine this little book, given such circumstances? It proved to be a most fortuitous meeting, as I quite enjoyed my short adventure at Headlong Hall.

Peacock, it seems, was a venerable man of letters, a man of great wit and fancy who catered not to the popular imagination but principally produced works of prose and poetry for those of a scholarly, even antiquarian, mind. Headlong Hall, first published anonymously in 1816, is the first of Peacock's several novels; the book exists not so much to tell a story as to engage in discourses upon a myriad of subjects with something of a satirical air. Seeing as how Peacock wrote during the first half of the nineteenth century, some of his satirical passages relate to politics and social thinking I am wholly unfamiliar with in this day and age, but there remains plenty to delight those who love a good display of sagacity. Peacock could not only pontificate about all manner of subjects, he could land jibes from both directions upon the lot of them. There is a taste of Plato in his delineations of philosophical debates, yet the entire pageantry of pedantry found in Headlong Hall is always tempered by the affability of the host (Squire Headlong) and the liberal distribution of spirits among all parties. Don't expect to fall in love with any of the book's characters or engage your emotions to any significant degree (despite Peacock's insertion of a modicum of romance) with the story, for this is a book of ideas as represented by somewhat satirical characters.

What you have in Headlong Hall is a gathering of intellectuals by Squire Headlong, who has developed a desire to be seen as a man of taste. He seems to enjoy nothing better than a spirited debate among the learned - he doesn't really care what anyone has to say, though. Everyone gets to talk, and it doesn't really matter that no one actually listens because the parties involved consist predominantly of the types of men who enjoy hearing themselves talk in the first place. By way of example, you have Mr. Foster, a "perfectabilian" who extols the wonders of progress in the world, and Mr. Escot, a "deteriorationist" who lauds the goodness of the "natural" man, impugns progress at every turn, and basically consigns all of mankind to the compost heap of history. In between these two, there is Mr. Jenkinson, a "statu-quo-ite" who finds balance in everything. There are other parties joining in the fun, including a scattering of writers and critics, but those aforementioned afford one a good sense of the story's nature.

It's amazing to see a writer argue opposite sides of any given debate so effectively. Peacock has no trouble tolerating a fool, although he tends to poke a little fun while doing so. Peacock himself was seemingly no fan of popular ideas or the boastings of high-minded intellectuals, but it is hard to identify what he himself believes from the pages of this novel. I should also mention the prose itself, for it can be rough going at times. Peacock was a most educated man, and he uses more than his share of "big words" that mean nothing to me (who among you can readily define such words as philotheoparoptesism or osseocarnisanguineoviscericartilaginonervomedullary and use them in a sentence?). He also liberally sprinkles Latin and Greek quotations in the text, most of which (at least in the edition of the book I read) are not translated for the modern reader. Overall, though, Headlong Hall is a most extraordinary short novel that will appeal primarily to those with a scholarly bent and an appreciation for subtle humor and satire.