Product Details

• Actors: Giancarlo Giannini, Mariangela Melato, Riccardo Salvino, Isa Danieli, Aldo Puglisi
• Directors: Lina Wertmüller
• Format: Closed-captioned, Color, DVD, Letterboxed, Widescreen, NTSC
• Language: Italian (Dolby Digital 1.0)
• Subtitles: English
• Region: All Regions
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Fox Lorber
• DVD Release Date: November 19, 1997
• Run Time: 116 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (53 customer reviews)
• ASIN: 1572521767
• Amazon.com Sales Rank: #24,057 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "Swept Away" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Lina Wertmüller (Seven Beauties) made this pointed, 1975 comedy-drama about class and sex conflicts. Mariangela Melato plays a rich woman marooned on an island with a crude sailor (Giancarlo Giannini). The two initially assume their accustomed class relationship with one another--she expects service, he grumbles about it--but then a revolution takes place and the subjugation is reversed. The film comes down on you like a hammer, but Wertmüller adroitly traces the shifting nuances of the relationship, and the two stars are excellent. Numerous scenes stick in the memory many years after one viewing. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

27 of 29 people found the following review helpful:

5.0 out of 5 stars Socio-political and sexual critique couched as love story ... Excellent DVD transfer from Koch-Lorber, May 21, 2006

By	dooby - See all my reviews (TOP 1000 REVIEWER)

This review is from: Swept Away (Digitally Remastered Edition) (DVD)

"Travolti da un insolito destino nell'azzurro mare d'agosto" (Swept Away by an Unusual Destiny in the Blue Sea of August), to give it its convoluted original title, was meant as an allegory on social and class injustice as much as a battle for dominance between the sexes. It is one of Lina Wertmuller's finest films and is the one which most closely fuses her main themes of socio-political and sexual injustice.

Rich, upper-middle-class, Raffaella (Mariangela Melato), a loud-mouthed and opinionated Social Democrat from Milan, and the pampered jet-set clique she hangs out with are on a yachting holiday in the Mediterranean. They are served by a crew of poor working-class, dark skinned southerners, one of whom, Gennarino (Giancarlo Giannini), a card carrying communist, cannot abide her whiny bitchiness. As luck would have it, they end up marooned on a deserted island. Torn from their worldly moorings, they undergo a role reversal as the rich, pampered lady has to literally prostrate herself before the menial servant in order to survive. This role reversal is portrayed graphically and very brutally and will certainly have feminists and even many men cringing in disgust, especially in our era of extreme political correctness. She is smacked, beaten, almost raped, made to grovel and finally forced to acknowledge him as her "Master". Incredibly, she slowly falls in love with him. To the point where she no longer wants to be rescued when a passing ship sails within sight of their island "paradise."

The bleak ending following their rescue, where she leaves him for the privileged lifestyle she had previously been accustomed to, is pessimistic and sad and points to how things never really change in the end - the poor will always be poor, the rich rich and not even love can break through that barrier. One final irony is revealed at the end when the dominatingly abusive Gennarino is shown as a meek, almost henpecked husband, set upon by his jealous wife when she finds out that he has had an affair with the woman while marooned on the island. The closing shot of him timidly carrying her bags as he walks a respectful 2 paces behind her is unforgettable. Not at all the "Master" he made himself out to be on his little island utopia.

Much of the socio-political implications will be lost to American audiences who will see it purely as a satirical battle of the sexes. On the level of a love story it is bittersweet if not downright sad. On the level of sexual equality, it pokes a finger at the concept of male domination. On the socio-political level it is a parable and a warning that tables will turn and that the oppressed will one day arise and the ruling elite will get a taste of the injustice that they have meted out for so long.

Previously released in 1997 in a deplorable transfer by Fox-Lorber, it has finally been restored and remastered to almost pristine condition by its successor, Koch-Lorber Films. It is presented in its original 1.85:1 aspect ratio (enhanced for widescreen TV). The film was deliberately shot in soft focus and exhibits a small amount of grain but other than that, it boasts gorgeously saturated colors, deep, rich blacks and nary a nick in a film that is over 30 years old (1974). The azure-blue hues of the Mediterranean sea and sky are a joy to behold. The original Italian mono track is included as well as 2.0 Stereo and Dolby Digital 5.1 remixes. The sound is not that great but more than adequate for its purpose. This is after all a dialogue driven movie and Raffaella does sound obnoxiously shrill. Optional English subtitles are included. There are no extras save for some Koch-Lorber trailers. "Swept Away" comes in the same transfer as that found in Koch Lorber's Lina Wertmuller Collection but avoid that if you can. Only "Swept Away" and "Summer Night" have been fully remastered. It'd be wiser to wait till Koch-Lorber comes round to restoring and remastering the other films before getting them.

12 of 13 people found the following review helpful:

5.0 out of 5 stars Madonna remake rumor hopefully unfounded, July 10, 2002

By	Drew Hunkins (Madison, WI United States) - See all my reviews (REAL NAME)

For those who loath foreign films, put that prejudice aside and check out this sensational movie. Giannini and Melato make the best screen couple since Bogart and Bergman. Swept Away is filled with witty, intelligent dialogue, hilarious banter and breath-taking scenes of the Mediteranean. It's also fairly politically literate, which is a rarity in Hollywood these days, it's also rare in most other movie making outlets.

The plot sounds as formulaic as humanly possible, but wait! This one is different. It's got a style and panache that barely any other films can match. Sure it was controversial (the misogynistic violence is quite disturbing) but Lina Wertmuller offers up a masterpiece that should not be ignored. It's easily her best and most enjoyable movie. Some would argue Seven Beauties is her best, but I respectfully disagree.

To see this one on a large screen would be quite an experience, just looking at it on my regular television made it seem as if I were cruising the Medeteranean right along with them. They just don't make movies like this anymore, and especially not in Hollywood. When recommending foreign films to your friends you cannot go wrong by pushing this video into their hands.

Wertmuller rightly deserves to be considered one of the world's finest directors (a label that often eludes her, as I feel she's somewhat underrated) with this and other fine productions under her belt.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Wertmuller is amazing, April 11, 2004

By	Dusk2Dawn - See all my reviews

Director Lina Wertmuller's provocative film takes the class struggle to a desert island where only the man and the woman exist. Wertmuller's scenario is that of the man assuming the role of ruler and the woman one of worker-slave, and this becomes a love relationship. Naturally, the man is the one most reluctant to go back to the society where he is worker-slave and the woman is ruler over him! The black humor is wonderful because it is visual, via the camera angles and shots, and it is beautifully filmed. I'm afraid the new version, from what I've heard,(and I will not pay to see it)meddles with the ending and hence changes the meaning of the film. With a world-class filmmaker like Lina Wertmuller, why fix what isn't broke and do a remake of a perfectly fine work of art?