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3 of 3 people found the following review helpful:
4.0 out of 5 stars
An entertaining Spider-Man adventure, July 15, 2001
Having been a Marvel comics fan for over a decade, and a Spider-Man fan for a bit longer, this character has been a regular presence in my life from childhood to present. His classic origin, major villains, and everyday struggles make him the flagship Marvel character, and it's hard to get bored of him. But when I read the prequel to Goblin's Revenge, Carnage in New York (by David Michelinie and Dead Wesley Smith), I was disappointed. I thought it was lackluster in relation to Michelinie's own work on Amazing Spider-Man, and compared to Smith's solo novel, Venom's Wrath. So, seeing Smith cruising solo on this one again, I was anxious to see if he'd be able to hold my interest and perhaps even surpass the quality of Venom's Wrath. I needn't have worried. Smith recovers from the pacing problems of Carnage in New York and does an excellent job of gradually introducing characters, elements, and antagonists for Spider-Man throughout Goblin's Revenge. The story picks up immediately where Carnage in New York left off - immediately after Spider-Man gave the vial of insanity-inducing serum to Reed Richards, someone stole it from him. And Spider-Man has to find out who (the Fantastic Four happen to be out-of-town during the adventure). Meanwhile, Spider-Man has to deal with several enemies. For one, his fatigue: he can't sleep because he is plagued by horrible nightmares of New York City drowning in blood. Then, he begins to see the deceased Norman Osborn around town, and even spots the Green Goblin flying around. Naturally, this plays havoc with his mind, and he begins to torture himself with images of Gwen Stacy's death (in a very convincing psychological conflict, I might add). As if to make it worse, Lifestream Technologies (who created the serum) hires a group of soldiers to apprehend Spider-Man, making his maneuvering throughout the city extremely difficult. And finally, someone helps Carnage escape from the Vault, and the madman returns to New York City for a rematch. Each of these events occur in rapid succession, quickly building the opposition. It's clearly shaping up to be a slaughter for Spider-Man, and that's how some of his best stories are written. He's the hero who works best as an underdog, coming back against unbeatable odds. But Smith makes sure to maintain realism by introducing chance elements and coincidences that take out some of his antagonists - thus making Spider-Man's inevitable triumph a bit easier to swallow. However, since Norman Osborn was supposed to be dead, the revelation of who's behind the Green Goblin mask turned out to be a weak explanation. Nonetheless, it seemed like the real Goblin, and the dynamic between him and Carnage was actually pretty believable. I thought it was exactly how these two psychos would interact. I especially loved the Three Stooges-style fighting in the final battle. I enjoyed Goblin's Revenge a great deal more than its prequel, Carnage in New York. Where I felt the first novel was acceptable but not necessary, I think this one is essential. Smith has a great handling on Spider-Man's character, and he knows the mechanics of pacing well enough to build suspense and maintain the reader's interest throughout the novel. I recommend Goblin's Revenge quite highly.
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by Keith R. A. Decandido
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