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Editorial Reviews
From Publishers Weekly
In this literate essay collection, Walker (Black, White and Jewish) brings together male and female writers to ponder the male figure in its various poses: ill, robust, young, aged, confident, emotionally spent. The result is a book that portrays masculinity as a fluid mosaic, giving added resonance to contributor Caitríona Reed’s claim that "the Navajo have at least forty-nine gender designations." Elsewhere humor writer Bruce Stockler, in "No Means No," uses agile diction to portray the frenetic schedule and social stigma attached to being a stay-at-home dad—for four children, including triplets. And Meri Nana-Ama Danquah, in an essay that uses narrative twists to surprise readers with thoughtful analysis, ambivalently describes Ghana, a country where men link pinkies while chatting in bars because Ghanaian society accepts the display of physical affection between male friends. Almost half of the writers are African American (two others are gay men), and a recurring theme involves the shedding of machismo associated with that culture. Most of the essays are well crafted—an exception being Michael Moore’s hollow rant "The End of Men"—and a number of them chronicle a personal transformation from a limited view of masculinity to one imbued with nuance and so-called femininity. These awakenings are sometimes cloying and may make readers yearn for a defense of the red-blooded man—which they’ll glimpse in the excerpt from Anthony Swofford’s acclaimed Gulf War memoir Jarhead. But overall the anecdotes and insights will keep readers engaged, even if they cast only occasional light on an imagined future.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Walker, author of the memoir Black, White, and Jewish (2000), has put together a timely and profound anthology. One wonders what changes could occur in our society if such texts were read and openly and sensitively discussed among boys and girls who are on the verge of entering the limiting spaces we call "manhood" and "womanhood." Walker's introductory essay offers poignant and insightful observations about our reactions as parents, children, and peers to the process of becoming a "man." Other striking pieces include a mother's questions about her three-year-old son's insistence that he's a girl; a man's reflections on his childhood and the experiences, role models, and expectations that shaped him; a privileged young black man's life of trying to fit in while remaining true to his belief in peace over violence; and a transsexual's search for self beyond stereotype. Walker has done society at large a great service by bringing forth these voices, these views. Now if only society will listen. Janet St. John
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
In this literate essay collection, Walker (Black, White and Jewish) brings together male and female writers to ponder the male figure in its various poses: ill, robust, young, aged, confident, emotionally spent. The result is a book that portrays masculinity as a fluid mosaic, giving added resonance to contributor Caitríona Reed’s claim that "the Navajo have at least forty-nine gender designations." Elsewhere humor writer Bruce Stockler, in "No Means No," uses agile diction to portray the frenetic schedule and social stigma attached to being a stay-at-home dad—for four children, including triplets. And Meri Nana-Ama Danquah, in an essay that uses narrative twists to surprise readers with thoughtful analysis, ambivalently describes Ghana, a country where men link pinkies while chatting in bars because Ghanaian society accepts the display of physical affection between male friends. Almost half of the writers are African American (two others are gay men), and a recurring theme involves the shedding of machismo associated with that culture. Most of the essays are well crafted—an exception being Michael Moore’s hollow rant "The End of Men"—and a number of them chronicle a personal transformation from a limited view of masculinity to one imbued with nuance and so-called femininity. These awakenings are sometimes cloying and may make readers yearn for a defense of the red-blooded man—which they’ll glimpse in the excerpt from Anthony Swofford’s acclaimed Gulf War memoir Jarhead. But overall the anecdotes and insights will keep readers engaged, even if they cast only occasional light on an imagined future.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Walker, author of the memoir Black, White, and Jewish (2000), has put together a timely and profound anthology. One wonders what changes could occur in our society if such texts were read and openly and sensitively discussed among boys and girls who are on the verge of entering the limiting spaces we call "manhood" and "womanhood." Walker's introductory essay offers poignant and insightful observations about our reactions as parents, children, and peers to the process of becoming a "man." Other striking pieces include a mother's questions about her three-year-old son's insistence that he's a girl; a man's reflections on his childhood and the experiences, role models, and expectations that shaped him; a privileged young black man's life of trying to fit in while remaining true to his belief in peace over violence; and a transsexual's search for self beyond stereotype. Walker has done society at large a great service by bringing forth these voices, these views. Now if only society will listen. Janet St. John
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
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Inside This Book Citations: This book cites 19 books | 7 books that cite this book Explore: Citations | Concordance | Text Stats Key Phrases - SIPs: binuclear families, david coates, rebecca walker Key Phrases - CAPs: New York, San Francisco, San Quentin, Los Angeles, United States (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | |