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Editorial Reviews
Amazon.com
"Our ridiculously fallible language becomes a lesson in how God's grace works despite and even through our human frailty. We will never get the words exactly right. There will always be room for imperfection, for struggle, growth and change. And this is as it should be." With observations like this one, Kathleen Norris, author of Dakota and The Cloister Walk, has again provided a salutary corrective for contemporary Christians in Amazing Grace: A Vocabulary of Faith. The book is about how she learned to use religious words, such as "incarnation," "idolatry," and "evangelism." Norris is a feminist, a theological conservative, a sophisticate, and a country bumpkin. And she's one of the few living Christian writers who can be described as truly great. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
When poet Norris (The Cloister Walk) found her way back into church in the early 1980s, she was unsettled by what she calls the "vaguely threatening and dauntingly abstract" vocabulary of the church. Many of the words, like "Christ," seemed to her code words churchgoers used out of convenience when they could not find other words to use. Other words?like "salvation," "conversion," and "dogma"?seemed to Norris to be too abstract to reflect meaningfully her own experience. In this "vocabulary of faith," Norris draws upon her considerable poetic skills to refashion the vocabulary of the church into her own religious vocabulary. In each of these meditations, Norris uses anecdotes and humor to invest these words with fresh meanings. On "Salvation," for instance, she tells the story of an acquaintance who had become relatively successful in a new venture with his business partner. But, when Norris's friend realizes that his partner will go as far as committing murder to succeed, he leaves the partnership and returns home. Norris describes this victory as the beginning of salvation, "to make sufficient," because her friend "realized the road he was on was not sufficient; it could lead nowhere but death." In "Conversion: The Scary Stuff," Norris retells the story of Jacob's wrestling with the angel to demonstrate the struggle we all undergo in seeking the face of God. Norris's lyrical prose rings with clarity and grace as she brings life to her experience of the church's vocabulary.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
"Our ridiculously fallible language becomes a lesson in how God's grace works despite and even through our human frailty. We will never get the words exactly right. There will always be room for imperfection, for struggle, growth and change. And this is as it should be." With observations like this one, Kathleen Norris, author of Dakota and The Cloister Walk, has again provided a salutary corrective for contemporary Christians in Amazing Grace: A Vocabulary of Faith. The book is about how she learned to use religious words, such as "incarnation," "idolatry," and "evangelism." Norris is a feminist, a theological conservative, a sophisticate, and a country bumpkin. And she's one of the few living Christian writers who can be described as truly great. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
When poet Norris (The Cloister Walk) found her way back into church in the early 1980s, she was unsettled by what she calls the "vaguely threatening and dauntingly abstract" vocabulary of the church. Many of the words, like "Christ," seemed to her code words churchgoers used out of convenience when they could not find other words to use. Other words?like "salvation," "conversion," and "dogma"?seemed to Norris to be too abstract to reflect meaningfully her own experience. In this "vocabulary of faith," Norris draws upon her considerable poetic skills to refashion the vocabulary of the church into her own religious vocabulary. In each of these meditations, Norris uses anecdotes and humor to invest these words with fresh meanings. On "Salvation," for instance, she tells the story of an acquaintance who had become relatively successful in a new venture with his business partner. But, when Norris's friend realizes that his partner will go as far as committing murder to succeed, he leaves the partnership and returns home. Norris describes this victory as the beginning of salvation, "to make sufficient," because her friend "realized the road he was on was not sufficient; it could lead nowhere but death." In "Conversion: The Scary Stuff," Norris retells the story of Jacob's wrestling with the angel to demonstrate the struggle we all undergo in seeking the face of God. Norris's lyrical prose rings with clarity and grace as she brings life to her experience of the church's vocabulary.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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