Amazon.com Review
Patrick Henry is a scholar of early Christianity who taught at Swarthmore College and now runs an ecumenical institute in Minnesota, yet he can't say exactly what his book's title means. In other circumstances, imprecise authorial intent might be annoying. But in
The Ironic Christian's Companion, such imprecision is actually refreshing. And even though Henry can't quite bring himself to say what "ironic Christianity"
is, he's quite articulate when describing what it's
like. Ironic Christians, he says, have "an instinctive, abiding suspicion of no-loose- ends answers." They "inhabit a world that is more 'as if' than 'just like,' a world fashioned by a God of surprises."
Henry, who writes like a grandfatherly Kathleen Norris, calls his grab- bag book of autobiographical sketches, literary anecdotes, and spiritual meditations a "field guide" for Christians who seek amazing expressions of grace. With passages such as the following, Henry begins to build a reputation as a latter-day Audubon of the spirit:
Over and over again grace has come off as irony: an off-balance deflating of my pride, sometimes as funny as vaudeville slapstick; a gentle dismantling of my despair (when I'm really hopeless nothing is scarier than hope, so grace has to be indirect, sneaky; clarity when I'm too confused and confusion when I'm too clear.
--Michael Joseph Gross
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Henry, executive director of the Institute for Ecumenical and Cultural Research at St. John's Abbey and University in Minnesota, writes in a breezy, conversational style that is likely to have considerable popular appeal. He describes his book as a "field guide," an allusion that should tip readers both to its exploratory tone and to its inherent invitation to exploration. Those who can comfortably meander among ambiguity, puzzlement and questions posed with varying degrees of clarity will find the approach congenial. As the title implies, "irony" is the guiding metaphor, both influencing and influenced by Henry's "conversation partners," ranging from Edwin Abbott (author of the science fiction classic Flatland), Lewis Carroll, Erasmus, Keats, and Milan Kundera to Mark Vonnegut, who was a student of Henry's. The range is dazzling. The experience of reading this book is something like sitting at the kitchen table with a garrulous uncle: connections and significance aren't always clear, but many of the stories are entertaining. And the sitting is therapeuticAfor Uncle Patrick as well as his audience. Particularly in recurring references to the suicide of Henry's father, there is a sense of working through a constant experience of loss and ambiguity: "All that is solid melts into air." For the author, this calls not for despair but for exploration motivated by wonder. Henry identifies sources as "conversation partners," and he includes an "index" for pointers to God presented in the order in which they appear in the book. Those who require "neat, brief" answers rather than fieldwork are well advised to stay at home and heed Henry's warning that "this book is not for you."
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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