From Publishers Weekly
An African-American woman gets more and less than she bargains for as she falls for a man with a child in the latest romantic drama from Johnson-Hodge (Some Sunday; Butterscotch Blues). When accountant Dajah Moore meets corrections officer Rick Trimmons, the attraction is instant. There's just one problem: Gina Alexander, the mother of Rick's four-year-old daughter, Kanisha. For Kanisha's sake, Rick still lives with irresponsible, hard-partying Gina, who is several years his junior. His feelings for Dajah spur him to end the relationship, but things don't exactly go smoothly from there. Dajah and Rick argue constantly, and unemployed Gina is a relentless irritant manipulating, blackmailing and stealing from Rick, using Kanisha as her trump card against him. Then he devises a scheme to purchase a two-family home so that he can be closer to his daughter; of course, once they move in (Rick downstairs, Gina and Kanisha up), it's a complete disaster, and Dajah finds herself running out of ways to "deflect the drama." When Gina gets arrested and loses custody of Kenisha, she resolves to better herself, but her renewal could be what finally forces Rick and Dajah apart. Despite clichd prose, much of it devoted to the woes of supporting characters, Johnson-Hodge moves easily and realistically between the middle-class world of Rick and Dajah and the seedier realm in which Gina operates. More importantly, she has created characters that, despite their flaws, readers will actually care about.
Copyright 2002 Reed Business Information, Inc.
From Booklist
Dajah Moore is an average woman in an average coffee shop moments away from an extraordinary encounter. When she meets Rick Trimmons, she knows this could be the start of something special. For Rick, the feeling is mutual. The catch? Rick's number one love is his four-year-old daughter, and his number one complication is her mother, Gina, who isn't about to let Rick just walk out the door. Johnson-Hodge offers a poignant and lyrical tale of dreams lost, dreams deferred, and dreams reborn. Dajah, Rick, and the supporting cast discover how easy it is to lie to themselves, and how much they can learn once they recognize and accept the truth. This is a good book, which could have been great if Dajah had truly undergone a traditional journey of growth as a lead character really must. Instead Dajah, already well adjusted at the beginning, winds up being a foil for the more dramatic changes other characters endure.
Nina DavisCopyright © American Library Association. All rights reserved
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