Conversations with William S. Burroughs (Literary Conversations Series) (Paperback)

by Allen Hibbard (Editor) "Corso: What is your department?..." (more)
Key Phrases: electric brain stimulation, floating needle, soft machine, Naked Lunch, New York, The Wild Boys (more...)

Editorial Reviews

From Library Journal
These two books reveal the breadth of Burroughs's preoccupations and literary appeal. His last journal contains 168 entries and spans from November 1996 to three days before his death in July 1997. In it, he returns to well-worn themes like the rise of the police state, the pernicious effects of U.S. narcotics laws, and the superiority of cats over humans. Although he was in fairly good health as he was writing, his thoughts also turned frequently to death--no surprise given the recent loss of old friends like Herbert Huncke, Timothy Leary, Allen Ginsberg, and Calico, his favorite cat, who died four days before the journal opens. The book is sprinkled with allusions to literary figures ranging from Shakespeare to Walter de la Mare to Mario Puzzo. The Burroughs we encounter here may have lost some of his gleam, but he has not yet turned to rust. For all serious literary collections. In the latest installment of Mississippi's "Literary Conversation" series, Hibbard (English, Middle Tennessee State Univ.) collects 22 interviews spanning 35 years. They range from a playful piece by Allen Ginsberg and Gregory Corso, first published in the Journal for the Protection of All Beings (1961), to "Grandpa from Hell," an interview that appeared in the L.A. Weekly in 1996. Sources for the interviews include Esquire, Penthouse, and Rolling Stone as well as scholarly journals like Modern Language Studies--a diversity that reflects Burroughs's status as both a serious literary figure and a popular icon. Like most collections of interviews, Hibbard's contains a good deal of repetition, but his chronological arrangement provides a clear window into Burroughs's changing consciousness over half a lifetime. For public and academic libraries.
-William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 2000 Reed Business Information, Inc.

Product Description

Although a rather shy, private man, William Burroughs gave a good many interviews during his lifetime, some in prominent publications, others in obscure forums. The interviews collected here provide an aperture into the philosophies, methods, and quirks of a man who wrote Queer, Junky, Naked Lunch, Nova Express, Cities of the Red Night, My Education, and many other works.

When he died in 1997, Burroughs was likely one of the most widely recognizable figures in contemporary American literature. His image circulated on album jackets, in Nike commercials, and in films, as though proving his notion that pictures and words are viruses, invading any receptive host, taking hold, and replicating themselves.

Not surprisingly, the topics Burroughs touches upon are wide-ranging: his relationships to the Beats, legends surrounding his personal life, drugs, gay liberation, collaboration, the cut-up technique, science fiction, politics, conspiracy theory, censorship, cats, guns, David Cronenberg's movie adaptation of Naked Lunch, shotgun art, dreams, and life in Lawrence, Kansas, where he spent his last years. From these interviews emerges a full, undiluted portait of a writer who is difficult to capture in biography.

Speaking of the Paris Review interview Alfred Kazin calls Burroughs "an engineer of the pen, a calmly interested specialist of the new processes. When Burroughs makes philosophic and scientific claims for his disorderly collections of data, we happily recognize under the externally calm surface of the interview, the kind of inner frenzy that is his genius--and which, in all of us, his books make an appeal." Kazin's view applies as well for the other interviews in this collection.

Allen Hibbard is an associate professor of English and the director of graduate studies at Middle Tennessee State University. He is the author of Paul Bowles: A Study of the Short Fiction and of many articles.

Product Details

• Paperback: 234 pages
• Publisher: University Press of Mississippi (March 21, 2000)
• Language: English
• ISBN-10: 1578061830
• ISBN-13: 978-1578061839
• Product Dimensions: 8.9 x 5.8 x 0.7 inches
• Shipping Weight: 14.7 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #771,413 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

4 of 5 people found the following review helpful:

4.0 out of 5 stars You'll Know Burroughs, January 14, 2002

By	A.Trendl HungarianBookstore.com "RIP MJ" (Glen Ellyn, IL USA) - See all my reviews (TOP 500 REVIEWER)

"Conversations With William S. Burroughs" might be more than most readers interested in the Beats might care to read. However, if you find the life of a writer as intriguing as his writings, you'll love this.

As a student of the Beat style (particularly how Kerouac merged poets into music), I was curious to learn more about the people of the movement.

"Conversations With William S. Burroughs" feeds into the pretensions of Burroughs' personality. There's the obvious cross-pollinating in here, showing how Corso, Ginsberg, Ferlingetti, Kerouac all fed each other compliments. Owning a lot of the pop-philosphy which eventually ruined the Beats... discussing issues he didn't care about in 'real life'. It is hard to tell what Burroughs finds interesting, and what he really believed in.

This isn't the best you'll read on Burroughs, but it is essential to get into the full look of the writer's pensive life. He seems more introspective than his counterparts, but just as politically-minded.

I recommend "Conversations With William S. Burroughs."

Anthony Trendl

1 of 13 people found the following review helpful:

5.0 out of 5 stars What Could Be Better?, April 14, 2000

By A Customer

This review is from: Conversations with William S. Burroughs (Literary Conversations Series) (Hardcover)

Who can't love a book in which WB tells all?