From School Library Journal
Grade 9 Up–What distinguishes Willis's work from the many other guides to world religions? In a word, personality. Alphabetically arranged encyclopedic entries note sources (not pronunciation), and provide cross-references. The volume's wide scope includes Norse myth, Mithraism, ley lines, Kwanzaa, and Merlin; Santeria, Hasidism, and Sufis are mentioned but not indexed. American orientation makes Mormonism's entry five times that of Jainism, Dwight Moody's longer than Mahatma Gandhi's, and John Eliot's longer than both. B.C.E. replaces B.C., but the Western Wall appears as "Wailing Wall," and Judaism's view of the Fall is missing. There is an entry for abortion but none for homosexuality, and spotty coverage of ethno- or primal religions (but sympathetic entries on Gaia, Ghost Dance, and Feminist Theology). Entries on the Benedictines and Ten Commandments are misleading, and the Archbishop of Canterbury should not be called "Reverend Williams." Nevertheless, this is a fascinating book because it is suffused with an individual mind. Entries are intellectually expanded by unexpected quotations and connections challenging readers to think or to smile. Many questions are raised and left open-ended. Willis has a distinctive voice, and a lucid and engagingly immediate style. He is especially enlightening on Buddhism and Hinduism. The occasional black-and-white photos and engravings are adequate, but the book's appeal lies in its lively writing and thoughtful, personal approach.
–Patricia D. Lothrop, St. George's School, Newport, RI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
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Product Description
A labor of love, "The Ties That Bind" is an encyclopedic examination of the people, places, events, and recordings significant in the artistry and thirty-plus year career of one of Americas most eminent and enduring rock icons. Ranging from the Academy Awards to Warren Zevon and all points in between (including the mighty E Street Band), the encyclopedia examines all aspects of the Springsteen universe, including artistic, intellectual, and personal relationships, influences and the influenced, significant others, career evolution, recordings, side ventures, political forays, geographic bases, and, of course, legendary shows and venues.
With 300 entries (plus sidebars) and 100 photos (many previously unpublished), this is the first book that systematically and objectively chronicles Springsteens life and music. Plus, "The Ties That Bind" provides lists of concert appearances, television appearances, and E Street Band tribute bands and tribute albums; the text of Springsteens Rock & Roll Hall of Fame speeches; and a lyric index, amid other comprehensive indexing.
Damon Gough (Badly Drawn Boy) and Mike Mills (of R.E.M.) each contribute the nicely written forewords.
Award-winning journalist, Gary Graff, is assisted by an elite ensemble of music writers hailing from Backstreets magazine, Rolling Stone, No Depression, and elsewhere, including Chris Phillips, Steve Knopper, Robert Santelli, Daniel Durchholz, Erik Flannigan, Robert Bader, Michael Norman, Jonathan Pont, Lynne Margolis, Matt Lee, and Jeffrey Zaslow.
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