Surface Decoration for Low-Fire Ceramics: Underglazes & Glazes * Maiolica * Slip Trailing * Grafitto * Terra-Sigillata * Photo Decals * Overglaze Enamels( A Lark Ceramics Book) (Paperback)

by Lynn Peters (Author)

Editorial Reviews

Product Description
“A well-presented book...recommended for high school and beyond.”—School Arts. “Will ask and answer every possible question you have in a clear and direct manner. No tool or technique is overlooked.”—Guassardo National Ceramics. “A well-illustrated guide to decorating techniques.”—Ceramics Monthly.

Product Details

• Paperback: 144 pages
• Publisher: Lark Books (December 2001)
• Language: English
• ISBN-10: 1579902707
• ISBN-13: 978-1579902704
• Product Dimensions: 11 x 8.6 x 0.4 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 4.7 out of 5 stars See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #971,083 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

61 of 65 people found the following review helpful:

5.0 out of 5 stars Best resource for learning low-fire clay decoration, June 14, 2000

By	Angel Lee "Liocorno Amethyst Moonstone" (Cleveland, OH United States) - See all my reviews (TOP 500 REVIEWER)

This review is from: Surface Decoration for Low-Fire Ceramics: Slips, Terra Sigillata, Underglazes, Glazes, Maiolica, Overglaze Enamels, Decals (Lark Ceramic Series) (Hardcover)

This is absolutely the best resource for learning low-fire clay decoration. The book is in full-color & is packed beautiful example pieces. The author covers everything you need to know in an easy to understand manner. Surface decoration techniques include slips, terra sigillata, underglazes, glazes, maiolica, china paints, decals, & lusters. Formulas for some of these are included by volume & percentage. Seven step-by-step projects that demonstrate use of slips, sgraffito, cutouts, decals, underglazes & maiolica help you to apply what you have learned. A glossary, cone-firing range chart, & resource list are a great bonus. Numerous examples of each style are given in individual galleries throughout the book. I found them all an inspiration. Captions for each piece give information on the artist, clay type, technique & cone.

39 of 40 people found the following review helpful:

5.0 out of 5 stars A high-fired endorsement of this low-fire instructional., June 6, 1999

By A Customer

This review is from: Surface Decoration for Low-Fire Ceramics: Slips, Terra Sigillata, Underglazes, Glazes, Maiolica, Overglaze Enamels, Decals (Lark Ceramic Series) (Hardcover)

As a ceramics instructor at a small art school, I am constantly searching for a suitable text for my students, even going so far as to consider authoring one myself! Fortunately, the world has been spared my awkward diction, and has been blessed with this wonderful instructional text by Lynn Peters. I have been an admirer of Peters' work for some time now, and was delighted to see that she had documented her pursuits. The anecdotal theme of the text even had me reading for its literary quality alone! The photos are wonderful, and provide fantastic insight into the actual process of creating ceramic art. I highly recommend this tome to all instructors and students, and will continue to do so until Peters blesses us with my desired sequel! Kudos!

26 of 26 people found the following review helpful:

5.0 out of 5 stars Absolutely the most valuable and honest book on low-fire, March 27, 1999

By	Tina Miller "[e-mail]" (Plano, Texas USA) - See all my reviews (REAL NAME)

This review is from: Surface Decoration for Low-Fire Ceramics: Slips, Terra Sigillata, Underglazes, Glazes, Maiolica, Overglaze Enamels, Decals (Lark Ceramic Series) (Hardcover)

I stumbled on this book when I heard a sales clerk call it "brand new." As a student of maiolica, I read anything that I can find. Lynn Peters has written a book that surpasses any other on low-fire ceramics. As a college professor (ceramics), she instructs with perfect explanations, including discussions of the pros and cons of materials, both old and new, and she inspires with great photographs. I was spellbound as I read it from cover to cover all night. The greatest asset of this book is this: under each photograph of the ceramic art is a list of the clay, the techniques, and the firing cone. All the guess work is eliminated. This is rare in an industry that is finally (!) changing to the artists' advantage. Almost always Lark Books selects excellent work for publication, and this book shows pure class.