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Editorial Reviews
Review
“...invaluable resource for aspiring artists...I can’t think of a better book for this purpose.” -- Crafts Report
“...this book will certainly prove to be a valuable guide to the visual arts.” -- Stephen Doherty, editor-in-chief, American Artist
“an intelligent and selective overview of the art world...highly suitable for younger artists on the threshold of professional life.” -- Dore Ashton, critic, author of The New York School
Product Description
Thoroughly updated and expanded, this classic handbook teaches emerging artists all the strategies they need to know for selling artwork on their own or through dealers.
“...invaluable resource for aspiring artists...I can’t think of a better book for this purpose.” -- Crafts Report
“...this book will certainly prove to be a valuable guide to the visual arts.” -- Stephen Doherty, editor-in-chief, American Artist
“an intelligent and selective overview of the art world...highly suitable for younger artists on the threshold of professional life.” -- Dore Ashton, critic, author of The New York School
Product Description
Thoroughly updated and expanded, this classic handbook teaches emerging artists all the strategies they need to know for selling artwork on their own or through dealers.
The book's new sections target today's vital issues: creating a web site; obtaining copyright/trademark protection on the Internet; coping with censorship of controversial art; and dealing with the new realities of funding sources. Additional chapters tell how to find galleries, arrange exhibitions, apply for grants, land survival jobs doing custom decorative art or teaching, and other relevant topics.
See all Editorial Reviews
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Inside This Book
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First Sentence:
Artists aren't people who simply create art and then drift off into oblivion: they want their work to be seen and to receive some sort of reaction from those who see it. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
slide registry, rental galleries, state arts agencies, local arts agencies, art advisors, potential collectors, consignment agreements, artist statement, grant seekers, arts endowment, show sponsors, art consultants, public art projects Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York City, United States, Copyright Office, San Francisco, Los Angeles, Art Institute of Chicago, North Carolina, Jackson Pollock, General Services Administration, New Jersey, New England, New Mexico, Alexander Calder, Robert Rauschenberg, American Crafts Council, Foundation Center, South Carolina, Sue Viders, Sylvia White, Jack Beal, Martin Mull, Pablo Picasso, Prix de West, Alex Katz, Andrew Wyeth New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Artists aren't people who simply create art and then drift off into oblivion: they want their work to be seen and to receive some sort of reaction from those who see it. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
slide registry, rental galleries, state arts agencies, local arts agencies, art advisors, potential collectors, consignment agreements, artist statement, grant seekers, arts endowment, show sponsors, art consultants, public art projects Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York City, United States, Copyright Office, San Francisco, Los Angeles, Art Institute of Chicago, North Carolina, Jackson Pollock, General Services Administration, New Jersey, New England, New Mexico, Alexander Calder, Robert Rauschenberg, American Crafts Council, Foundation Center, South Carolina, Sue Viders, Sylvia White, Jack Beal, Martin Mull, Pablo Picasso, Prix de West, Alex Katz, Andrew Wyeth New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 94
books:
See all 94 books this book cites
43
books
cite this book:
See all 43 books citing this book
- Violet Clay: A Novel by Gail Godwin on page 257, page 258, and page 264
- Legal Guide for the Visual Artist by Tad Crawford on page 144, Back Matter (1), and Back Matter (2)
- Mark Rothko (Museum of Modern Art) by Peter Howard Selz on page 151, page 232, and page 254
- Corporate Art Consulting by Susan Abbott in Back Matter (1), and Back Matter (2)
- Business And Legal Forms for Fine Artists (3rd Edition) by Tad Crawford in Back Matter (1), and Back Matter (2)
See all 94 books this book cites
- The Artist-Gallery Partnership: A Practical Guide to Consigning Art by Tad Crawford in Back Matter (1), Back Matter (2), and Back Matter (3)
- How to Make Money as an Artist: The 7 Winning Strategies of Successful Fine Artists by Sean Moore in Back Matter (1), and Back Matter (2)
- How to Grow as an Artist by Daniel Grant in Back Matter (1), and Back Matter (2)
- Legal Guide for the Visual Artist by Tad Crawford in Back Matter (1), and Back Matter (2)
- The Fine Artist's Career Guide, 2nd Edition: Making Money in the Arts and Beyond (Business and Legal Forms) by Daniel Grant in Back Matter (1), and Back Matter (2)
See all 43 books citing this book
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47% buy the item featured on this page: The Business of Being an Artist, Third Edition $13.57 |
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18% buy How to Survive and Prosper as an Artist, 5th ed.: Selling Yourself Without Selling Your Soul $12.24 |
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13% buy I'd Rather Be in the Studio! $16.47 |
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