Most Helpful Customer Reviews
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23 of 23 people found the following review helpful:
5.0 out of 5 stars
Excellent, but not for the casual swordsman, September 29, 2003
This is an excellent book. Grzegorz and Bart are to be commended for their fine work translating this important medieval fechtbuch. The book contains some of the most important material on medieval unarmed combat and is an absolute must for anyone working in that area. It also contains many plates on longsword, messer and a range of other weapons. What this book is: An excellent translation of a significant and well illustrated medieval fechtbuch. What this book isn't: It isn't a guide to medieval fencing. Wallerstein is primarily illustrations. With minimal text and no interpretation, it's up to you to work out what's being done in the plates. If you're like me, this is great. If you're beginner, expecting a book teaching you medieval swordsmanship, this is not that book.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
A fine treatment of an important manuscript, February 20, 2003
Messrs. Zabinski and Walczak have made a great contribution to the study of Historic European Martial Arts with their translation and analysis of the 'Codex Wallerstein'. This fascinating 15th Century German manuscript contains illustrated fighting techniques for the hand and a half knightly sword (the longsword), close quarters combat both unarmed and with a dagger, combat with the messer (a falchion-like short sword), and for fighting in the full armour of the day. The original plates from the manuscript are presented side by side with both modern German and English translations. Definitely a must-have for the sword practitioner or student of the late Middle Ages - it certainly has served *this* researcher well in my own ongoing study of German fighting arts.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Excellent Resource for the Practicing Medieval Swordsman as Well as Historian, August 1, 2006
One of the great challenges of studying medieval forms of the martial arts is the fact that there is no school anywhere that preserves the actual fighting techniques of this era intact. While some of the techniques have survived, the decline of the necessity for a gentleman post Renaissance to be a man of arms as well as letters and learning has resulted in much knowledge being misplaced, lost and forgotten. As a result, modern schools of medieval martial arts can, and will, teach you basic techniques, but, as opposed to some of the better preserved Renaissance arts with the epée or rapier, most of the material tends to be appropriate for and focused on purely theatrical fighting. As such, this fighting manual of the late medieval period is invaluable, particularly due to the accessibility of the techniques contained therein.
While others may find this volume a bit advanced for the novice of medieval swordsmanship, I find the pictures and descriptions eminently understandable (and I'm certainly a novice). Frankly, learning any martial art through a book is a bit of a challenge, but, in this case, the manual is extremely easy to follow, which accounts in large part for its popularity in the 15th Century. The text focuses on the REAL art of the fighting man, centering on applications of the long sword, dagger, falchion and unarmed combat, and it's neither "chivalrous" in the modern sense of the word, nor pretty. The techniques within are designed for the professional fighting man, and the full emphasis is on surviving a fight, and not looking pretty while you do it. As such, in using the techniques, you will get cut, without a doubt - some of the holds, particularly in unarmed versus armed combat, and such put your bare skin on the edge of the opponents blade. However, they do increase the likelihood of being the one to walk (or stagger, or stumble) away from the encounter.
From the perspective of one only interested in the historical aspects, the book is fascinating in that it presents facsimiles of the original plates from the book, with a Latin alphabet version of the old German text on each plate, as well as modern German and English translations of the text. It's also fascinating, again, in that this was designed for the professional warrior, and the presumed context in which it would be read, and intent and value system of the reader of the day, is vastly different from what many hold as misconceptions of the period.
Highly recommended!
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