Amazon.com Review
"My primary reason for writing this book," explains
Victoria Griffin at the beginning of her fascinating study
The Mistress, "is self-examination." Writing as a "mistress", Griffin is keen to focus on the personal, cultural, and historical dimensions of her role: "As long as there is Marriage," she concludes, "there will also be the Mistress." Conjuring up the quasi-mythical dimensions of an arrangement between men and women that, in one form or another, has existed for centuries, Griffin tracks her subject back through the figures of Hera (the wife) and the followers of Aphrodite (the women claimed by love and passion) in order to reconsider the changing role of the mistress in late-20th-century culture. Drawing on the lives of a number of creative, often unconventional, women--
George Eliot,
Rebecca West, and
Jean Rhys amongst others--Griffin complicates the emotional scripts allotted to those who play out the drama of a ménage-à-trois. As such, she offers a cogent challenge to the conventional image of the mistress as a wife-in-waiting, a woman hoping to displace her lover's family in the name of her own. Passion--and relationships--are more complex than that. This book explores the act of being a mistress in terms of a different way of living: a refusal, or inability, to conform to social demands, certainly, but also a commitment to a love that resists possession.
--Vicky Lebeau, Amazon.co.uk
From Library Journal
Griffin, a writer, poet, translator, and mistress of an important British financier, has crafted a readable but uneven history of the institution of mistresses. Drawing on myth and fact, her examples attempt to explain the characteristics of the "mistress type," the relationship between husband and wife, and society's ideals of propriety and fidelity in marriage. Simultaneously, she uses the narrative as a personal examination of her notions about being a mistress. Consequently, readers are unable to tell what is serious psychohistorical research and what is colored by Griffin's own feelings and individual experiences. Too, Griffin does not include examples from non-Western cultures, such as the geisha. Footnoted sporadically, her narrative depends upon secondary texts and published letters and diaries. This is interesting reading for a general audience, but scholars and students should use the standard women's histories (such as Olwen Hufton's The Prospect Before Her, Knopf, 1996) or the numerous books that deal with the mistress in a certain era, place, or by type (e.g., royal, presidential).AJenny Lynn Presnell, Miami Univ. Libs., Oxford, OH
Copyright 1999 Reed Business Information, Inc.