Amazon.com Review
Gordon Seegerman is a public defender whose somewhat lackadaisacal attitude toward his job is understandable--misdemeanors don't have the inherent drama of big-time felonies, and the arena in which Seegerman plies his trade is the criminal equivalent of small claims court--jaywalkers, graffiti artists, sidewalk spitters and willy wankers. It's one of the latter--Harold Dunn, arrested for exposing himself to an eight-year-old girl in the women's dressing room of a local department store--whose refusal to cop a plea comes at a very inconvenient time for our hero, conflicting as it does with his real career opportunity--performing with his Barry Manilow tribute band, the Mandys, in front of the Great Man himself.
There's more to Dunn than a dirty raincoat--he's an accountant with a charity called G.O.D., an ex-alcoholic who owes his second chance to the group, especially its founder, a saintly woman whose son, Dunn implies, has set him up as a patsy to cover his own sins, which run to embezzlement, shady real estate deals, and money laundering. That may explain why Dunn's being held in a high security area of the local jail, and why the prosecuting attorney--who happens to be Gordon's former girlfriend--stubbornly refuses a deal of any kind. Then a wealthy stranger bails Dunn out of jail, a witness in his case turns up dead, murder charges are filed against him, and Gordon suddenly has to act like a real lawyer. Schaffer tosses in a few subplots in case this one doesn't catch the reader's interest, but they don't do anything to pick up the pace. --Jane Adams
From Publishers Weekly
In criminal defense lawyer Schaffer's first novel, a disappointing attempt at a comic legal thriller, a California public defender is shouldered with a routine flasher case that quickly complicates his life. "Misdo-man" Gordon Seegerman is overworked but unambitious; his passions lie with Barry X and the Mandys, his Barry Manilow cover band, and he worries that the case will interfere with the biggest gig of his musical career. Seegerman loses hope for a speedy disposal of the case when he faces his formidable ex-girlfriend, Sylvie, the ADA prosecuting the "willy wanker," Harold Dunn. She discovers Dunn's history of lewd behavior and presses for extended prison time, but Dunn refuses a plea and claims he was set up. Then the accused is bailed out by a mysterious friend, and one of the chief witnesses winds up dead. In the meantime, Seegerman stumbles onto a shady charitable organization named G-O-Dan that may connect everyone, and uncovers property investment shenanigans. Schaffer peoples the novel with an oddball but stereotypical cast: Seegerman's band, a standard array of socially disenfranchised, talented musicians who help him solve the case; the suspect local legal establishment; and Seegerman's Alzheimer's-addled father, a former police detective. Schaffer aims for comedy throughout (e.g., Seegerman's near-pathological devotion to Barry Manilow), but the book's illogical plot turns and awkward structure make for a wearying read that devolves into a contrived narrative of a misdemeanor trial.
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