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Fledgling: A Novel
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Editorial Reviews
From Publishers Weekly
Starred Review. The much-lauded Butler creates vampires in her 12th novel (her first in seven years) that have about as much to do with Bram Stoker's Dracula as HBO's Deadwood does with High Noon. They need human blood to survive, but they don't kill unless they have to, and (given several hundred years) they'll eventually die peacefully of old age. They are Ina, and they've coexisted with humans for millennia, imparting robust health and narcotic bliss with every bite to their devoted human blood donors, aka "symbionts." Shori is a 53-year-old Ina (a juvenile) who wakes up in a cave, amnesiac and seriously wounded. As is later revealed, her family and their symbionts were murdered because they genetically engineered a generation of part-Ina, part-human children. Shori was their most successful experiment: she can stay conscious during daylight hours, and her black skin helps protect her from the sun. The lone survivor, Shori must rely on a few friendly (and tasty) people to help her warn other Ina families and rediscover herself. Butler, keeping tension high, reveals the mysteries of the Ina universe bit by tantalizing bit. Just as the Ina's collective honor and dignity starts to get a little dull, a gang of bigoted, black sheep Ina rolls into town for a species-wide confab-cum-smackdown. In the feisty Shori, Butler has created a new vampire paradigm—one that's more prone to sci-fi social commentary than gothic romance—and given a tired genre a much-needed shot in the arm. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The Washington Post's Book World/washingtonpost.com
If vampires rose up as frequently as stories about them, we'd have to wear garlic necklaces every night. Tales about these suckers have been around for hundreds of years, of course, but in 1897 Bram Stoker's Dracula sunk its teeth deep into the collective imagination and spawned a thousand descendants. At this late date can anyone draw more blood from the story? "Buffy" gave up the ghost in 2003. The WB drove a stake through the heart of her spinoff, "Angel," the next year. "Dracula: The Musical" closed on Broadway in January. Anne Rice now writes about Jesus, for Christ's sake.
Starred Review. The much-lauded Butler creates vampires in her 12th novel (her first in seven years) that have about as much to do with Bram Stoker's Dracula as HBO's Deadwood does with High Noon. They need human blood to survive, but they don't kill unless they have to, and (given several hundred years) they'll eventually die peacefully of old age. They are Ina, and they've coexisted with humans for millennia, imparting robust health and narcotic bliss with every bite to their devoted human blood donors, aka "symbionts." Shori is a 53-year-old Ina (a juvenile) who wakes up in a cave, amnesiac and seriously wounded. As is later revealed, her family and their symbionts were murdered because they genetically engineered a generation of part-Ina, part-human children. Shori was their most successful experiment: she can stay conscious during daylight hours, and her black skin helps protect her from the sun. The lone survivor, Shori must rely on a few friendly (and tasty) people to help her warn other Ina families and rediscover herself. Butler, keeping tension high, reveals the mysteries of the Ina universe bit by tantalizing bit. Just as the Ina's collective honor and dignity starts to get a little dull, a gang of bigoted, black sheep Ina rolls into town for a species-wide confab-cum-smackdown. In the feisty Shori, Butler has created a new vampire paradigm—one that's more prone to sci-fi social commentary than gothic romance—and given a tired genre a much-needed shot in the arm. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The Washington Post's Book World/washingtonpost.com
If vampires rose up as frequently as stories about them, we'd have to wear garlic necklaces every night. Tales about these suckers have been around for hundreds of years, of course, but in 1897 Bram Stoker's Dracula sunk its teeth deep into the collective imagination and spawned a thousand descendants. At this late date can anyone draw more blood from the story? "Buffy" gave up the ghost in 2003. The WB drove a stake through the heart of her spinoff, "Angel," the next year. "Dracula: The Musical" closed on Broadway in January. Anne Rice now writes about Jesus, for Christ's sake.
How strange to find Octavia E. Butler digging up the old bones of this legend. As the first African American woman to make a name for herself in science fiction and the winner of a MacArthur genius grant, she seems an unlikely victim of Dracula's allure. But, as we might expect, her new novel, Fledgling, doesn't just resurrect the pale trappings of vampire lore, it completely transforms them in a startlingly original story about race, family and free will.
"I awoke to darkness," the narrator begins. She's naked, badly burned, starving and without any idea where or who she is. She comes upon a group of homes destroyed by fire, but nothing looks familiar amid the cloud of pain and confusion. She can remember basic concepts only by trying to articulate what's missing: a bed, shoes, food. As a narrator, she couldn't seem more helpless, more vulnerable, more innocent. Then she chases down a deer and eats it. We're not in Kansas anymore.
Welcome to the creepy story of Shori Matthews, a 53-year-old vampire who looks like a 10-year-old black girl. Suffering from amnesia, she makes a desperate narrator as we follow her on a dangerous journey of self-discovery and survival.