From Publishers Weekly
Entekhabifard, an Iranian-born journalist now living in the U.S., opens her intriguing memoir on January 16, 1979, the day the Shah fled Tehran. She'd just turned six, so she didn't understand the tumult; she knew her parents preferred the Shah to Khomeini's mullahs, but neither of them discussed leaving Iran. She explains, how, instead, they adjusted. Mother and daughters observed
hijab when necessary and, like others, learned not to attract the attention of the revolutionary guards. A poet, Entekhabifard took advantage of the Khatami regime's reformist climate to start work as a journalist. When political winds shifted, she was jailed for three months, where she cultivated a romantic attachment with her interrogator. His passion secured her release, but soon she realized she had to leave Iran, and him, and try a career in America. Rather than narrate her story chronologically (which would emphasize a repression-to-freedom theme), Entekhabifard intercuts accounts of various incidents, so that heavier stories—like her romance with her interrogator—emerge gradually. In the end, hers is a strangely disorienting account of that period.
(Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Iranian journalist Entekhabifard's enlightening memoir traces her childhood in Tehran, during the mid-1980s when Iran was at war and dubbed an "outlaw state" by the international community. She recounts her family's monarchist leanings and her work as a reporter for
Zan, one of Iran's most prestigious newspapers, which leads to her imprisonment for being "a monarchist and an American spy." Entekhabifard enriches her story with details of her family's everyday existence and descriptions of living in constant fear of their being exposed as antirevolutionaries. Only years later do they learn what they actually escaped, the "silent murder of thousands of political prisoners." Entekhabifard exposes the conditions of prostitutes in Qom, and dares to investigate the mysterious and ongoing killing of intellectuals. Perhaps the most bizarre aspect of her riveting self-portrait is her fake romance with her prison interrogator, which eventually results in her release. Entekhabifard brings unique courage and insight to her practice of journalism, for which she and her family have paid a dear price.
Deborah DonovanCopyright © American Library Association. All rights reserved
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