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Editorial Reviews
From Publishers Weekly
Brash comedy and a surprising bitterness fuel this unsparing account of Diller's drive to make it big. Born to elderly parents in Lima, Ohio, in 1917, Phyllis Ada Driver was blessed with neither beauty nor wealth. At 20--and already pregnant--she married Sherwood Diller, a handsome, selfish ne'er-do-well who became the "Fang" in her comic monologues of domestic life; the couple had five children. Nearly 40 when she began her performing career, Diller turned a knack for relentless self-deprecation into a nightclub act. She performed in The Poets' Follies of 1955 with poet/painter/composer Weldon Kees and Beat writer Lawrence Ferlinghetti. But women were a novelty in the bar-based world of stand-up comedy, and plenty of humiliating club engagements ensued. Diller persisted, though, and while her male colleagues (Milton Berle, Don Rickles, Lenny Bruce) were pioneering 1950s "insult comedy," she turned the venom on herself and reaped its rewards. Eventually shedding her dud husband, Diller became a superstar--and the first one to go public about her plastic surgery ("I was a walking billboard for plastic surgery," she observes wryly). Retired from show business since 2002, Diller retains a dedicated fan base and an enormous interest in the world that spawned her. And considering she's the original "He's just not into me" girl, a pioneering desperate housewife, might this be the time to launch a comeback?
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
From housewife to humorist, Phyllis Diller has been making millions laugh for five decades with her groundbreaking comedy. Now the laughter continues with her uproarious autobiography.
Like a Lampshade in a Whorehouse recounts the story of how, against all odds, Phyllis Diller became America's first successful and best-loved female stand-up comic. She began her professional career at age thirty-seven, in spite of the fact that she was a housewife, mother of five, and working at a radio station due to her husband's chronic unemployment. Now, fifty years later, after two traumatic marriages; extensive cosmetic surgery; numerous film, television, and stage appearances; and separate careers as an artist and piano soloist with symphony orchestras, Phyllis Diller finally tells her story.
With her trademark laugh, incredible wit, and self-deprecating humor, Phyllis Diller has etched her way into comedic history. And while her wild hair and outrageous clothes may make her look "like a lampshade in a whorehouse," her strength, self-belief, perseverance, and raucous sense of humor are what make her truly unforgettable.
See all Editorial Reviews
Brash comedy and a surprising bitterness fuel this unsparing account of Diller's drive to make it big. Born to elderly parents in Lima, Ohio, in 1917, Phyllis Ada Driver was blessed with neither beauty nor wealth. At 20--and already pregnant--she married Sherwood Diller, a handsome, selfish ne'er-do-well who became the "Fang" in her comic monologues of domestic life; the couple had five children. Nearly 40 when she began her performing career, Diller turned a knack for relentless self-deprecation into a nightclub act. She performed in The Poets' Follies of 1955 with poet/painter/composer Weldon Kees and Beat writer Lawrence Ferlinghetti. But women were a novelty in the bar-based world of stand-up comedy, and plenty of humiliating club engagements ensued. Diller persisted, though, and while her male colleagues (Milton Berle, Don Rickles, Lenny Bruce) were pioneering 1950s "insult comedy," she turned the venom on herself and reaped its rewards. Eventually shedding her dud husband, Diller became a superstar--and the first one to go public about her plastic surgery ("I was a walking billboard for plastic surgery," she observes wryly). Retired from show business since 2002, Diller retains a dedicated fan base and an enormous interest in the world that spawned her. And considering she's the original "He's just not into me" girl, a pioneering desperate housewife, might this be the time to launch a comeback?
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
From housewife to humorist, Phyllis Diller has been making millions laugh for five decades with her groundbreaking comedy. Now the laughter continues with her uproarious autobiography.
Like a Lampshade in a Whorehouse recounts the story of how, against all odds, Phyllis Diller became America's first successful and best-loved female stand-up comic. She began her professional career at age thirty-seven, in spite of the fact that she was a housewife, mother of five, and working at a radio station due to her husband's chronic unemployment. Now, fifty years later, after two traumatic marriages; extensive cosmetic surgery; numerous film, television, and stage appearances; and separate careers as an artist and piano soloist with symphony orchestras, Phyllis Diller finally tells her story.
With her trademark laugh, incredible wit, and self-deprecating humor, Phyllis Diller has etched her way into comedic history. And while her wild hair and outrageous clothes may make her look "like a lampshade in a whorehouse," her strength, self-belief, perseverance, and raucous sense of humor are what make her truly unforgettable.
See all Editorial Reviews
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