From Publishers Weekly
Perhaps a respite from the flood of work on these two writers is in order. Not that there's anything particularly wrong or especially bad about this effort; it merely demonstrates that for the moment there's little to add on the subject. For here are all the old familiar places (Paris, the French Riviera, Key West, Hollywood, peopled with all the old familiar faces) Gerald and Sara Murphy, Maxwell Perkins, John Dos Passos, Archibald MacLeish, Brett Ashley, Zelda, Hadley, Pauline, all coming and going in what have become virtually set pieces in the long-running drama of the lost generation. The oft-told anecdotes include, for instance, Fitzgerald's blunder in allowing a Hemingway boxing match to run too long, Fitzgerald's anxieties about the size of his penis, Fitzgerald's editing of The Sun Also Rises. And then there's Hemingway's bullying, his resentment of Zelda, the drinking, the letters of praise and recriminations, the jealousies, the insecurities. Only the most passionate devotee of Fitzgerald, the greatest fan of Hemingway, the true aficionado of the expatriates can possibly be interested in reading it all over again. As for the interested but uninitiated, many other sources (the Hemingway/Fitzgerald letters, their own memoirs and autobiographical ruminations, the countless critical studies and biographies)Aincluding Donaldson's own far superior work on Hemingway (By Force of Will) and Fitzgerald (Fool for Love)Awould provide a better starting place. (Nov.)
Copyright 1999 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
This anemic and unnecessary volume chronicles the often tempestuous relationship between the two writers. Donaldson, who has written well on both subjects in the past, unfortunately offers no new insight here; the book is a catalog of well-known facts about the duo's lives and work presented in a style as flat as last week's beer. Fitzgerald, one of American letters' most gifted sons, emerges as little more than a groveling toady who tirelessly promotes Hemingway's work while casually allowing his own career to founder. All this has appeared before in numerous top-shelf biographies, especially Matthew J. Bruccoli's superior Fitzgerald and Hemingway: A Dangerous Friendship (LJ 9/1/94). Though Donaldson chronicles Hemingway's many slights to Fitzgerald in his stories, he fails to include the most recent slam, which appears in Hemingway's True at First Light (LJ 5/1/99), even though he notes the book's release. The lack of an index further detracts from this volume's usefulness. Not recommended.AMichael Rogers, "Library Journal"
Copyright 1999 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
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