From Publishers Weekly
Flashdance, Fame, 9 1/2 Weeks, The Right Stuff, Top Gun, The Terminator-all are standard references when talking about classic Hollywood films from the Reagan years. The proprietor of London's Reel Post Gallery, Nourmand here offers another ten-year stock taking (Film Posters of the 40s; Film Posters of the 50s; etc.), again with graphic designer Marsh as collaborator. Many of the 131 full-color illustrations are full-page (the book is 9 1/4 x 11 1/2); the reproductions are sharp enough to read almost all of the credits and fine print, though the colors could be brighter. For anyone who lived through the era, the images will seem familiar, so ubiquitous were they (and are now, in the video store aisles), so there are almost no surprises here.
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Product Description
The 1980s was a decade in which filmmakers pulled put all the stops to dazzle audiences and make them jump out of their seats. And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films.
It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of
The Terminator; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see
Ghostbusters; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of Mozart in
Amadeus; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for
Blade Runner; and many more.
The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakersfrom Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenboroughwho continually managed to keep our eyes riveted to the screen.
Edited by Tony Nourmand and Graham Marsh.
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