Most Helpful Customer Reviews
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3.0 out of 5 stars
Surprised Oprah Hasn't Picked This One, May 6, 2009
Because JENNY is horribly dark and depressing. The setting is Rome, around 1905-1910, and Jenny Winge is a beautiful, blonde, twenty-something painter. The reserved Jenny hangs out with a lively, bohemian crowd of fellow artists, including her special friend and roommate, Fransiska (Cesca) Jahrmann. Enter Helge Gram, a somewhat dorky fellow Norwegian, who latches onto Jenny. Her friends protest, but eventually come to accept him because of Jenny's love-me-love-my-dog attitude.
Jenny and Cesca have many discussions about their choices in life, namely to be 1) a spinster righteously dedicated to her artistic work 2) a fallen woman, because nice girls don't, or 3) a shrewish housewife who has no life of her own and slaves for her husband.
Jenny eventually succumbs to Helge's smothering attention, becoming engaged to him, but never following through with a sexual relationship. They return home to Norway, where Jenny meets his horribly dysfunctional parents, and the strain of the insanity and lies ends their relationship.
Then, worried that she is frigid and perhaps looking for a father figure, Jenny becomes involved in a sexual relationship with Helge's father, Gert Gram.(!) Jenny gets pregnant and moves to a rooming house in Germany to have the baby in secret.
The baby dies after six weeks, and Jenny enters a spiral of depression. Even moving back to Rome does not help and she begins drinking excessively, After a run-in with her former fiancée, Helge, that may or may not have been rape, Jenny slits her wrist and dies.
While this book contains excellent (though bleak) writing, and many insights into the souls of the characters, it was obviously written when Undset was very young. It may simply be the mindset and attitude of the time, but I believe that the author knew nothing about sex, sexual relationships, pregnancy or childbirth. The scenes are too vague and ridiculous.
Undset did know Rome, and the best thing about this book was the lovely descriptions of the Eternal City as it was a century ago.
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10 of 16 people found the following review helpful:
3.0 out of 5 stars
Early Undset novel, July 13, 2003
Later, Sigrid Undset would become a peer of Dostoevsky -- see Mitzi Brunsdale's comments on Undset's magnificent quartet, The Master of Hestviken, in her 1988 study. But Undset's early novel Jenny shows the Norwegian Nobel Prize winner as the peer of Turgenev. Jenny is worthy of comparison with something like Turgenev's "First Love" as a tale of the loss of youth and of eros (present or absent), but from the point of view of a woman who is not in love, rather than the point of view of the man who is in love. There is a suggestion, too, of Turgenev's characteristic interest in cultured, somewhat amoral, and vaguely political artist-poet types who have left their northern homelands (for Turgenev, Russia; for Undset, Norway) for southern Europe. Emphatically Jenny is not to be thought of as a Turgenev imitation, though. For one thing, Undset's novel deals -- in some of its best pages -- with its heroine's maternal yearnings and grief, something one wouldn't look for in Turgenev. The Russian had a somewhat effeminate fondness for poetic melancholy (amusing satirized by Dostoevsky in Demons); in Jenny, "might have been" hurts people more. There are flat patches of descriptive writing -- here, she is no rival of the Turgenev who wrote the lovely outdoors anecdote "Bezhin Meadow" -- and one must admit that one could become impatient with these rootless would-be artists, as one was meant to, I suppose. In later works, Undset achieved a greater synthesis of romanticism and stern, classical truthfulness.
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