Amazon.com Review
Former
Newsweek editor John Taliaferro calls Mount Rushmore "one of the nation's most luminescent beacons of democracy," ranking up there with the Liberty Bell and the Statue of Liberty. Yet comparatively little is known about its remarkable genesis. Taliaferro wryly notes that pop singer Cher "honestly believed that the sculpture was a natural formation." He tells the story of how Rushmore was conceived and built, and why controversy surrounded the project from the start.
Great White Fathers is about the meaning of public art, the rise of automobile tourism, and the development of kitsch culture. At its center is Rushmore's feisty sculptor Gutzon Borglum, who waged an energetic campaign on behalf of his artistic vision and then carved the faces of four presidents into a mountainside. Taliaferro discusses every conceivable aspect of the monument, from the filming of Alfred Hitchcock's
North by Northwest (a minor hullabaloo) to the Native American activists who have threatened it (a more significant one) to recent suggestions by conservatives that Ronald Reagan's image be added (not yet one only because it hasn't approached reality).
Great White Fathers is an engaging blend of travelogue and history; vacationers willing to spend umpteen hours driving all the way to the Black Hills of South Dakota would be wise also to invest a few in this fascinating book.
--John J. Miller
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
On page one of this history of Mt. Rushmore, Taliaferro proposes to answer "the questions that any archaeologist would ask": Who are the men represented, how were they chosen, how were they carved, by whom, who visits this shrine? In the end, this overly modest mission statement is the only false note in an impressive work. Like the outsized sculptures blasted out of a granite mountainside, this history, by a former Newsweek editor, is massive, descriptive yet never blandly representational and filled with characters as fully realized as the Mt. Rushmore busts. The central figure is Rushmore's "father"-sculptor Gutzon Borglum (1867-1941), a fascinating study in contradictions: a great talent, but a hopeless businessman; a patriot who was also a bigot; a family man who lied about his parentage and ditched his first, much older wife to marry a younger woman who could bear children. Taliaferro (Tarzan Forever: The Life of Edgar Rice Burroughs) also uses the story of a monument as a springboard from which to explore the tensions within the American dream: an empire built on slave labor and on land stolen from the Indians; reverence for the common man combined with an infatuation with larger-than-life heroes; a love of the landscape that often takes a backseat to the quest for profit. Like Borglum, Taliaferro set himself a Sisyphean task and has produced a work that is both inspiring and thought provoking. 8 pages of b&w photos not seen by PW.
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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