The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient (Unknown Binding)

~ (Author) "AT A BAR CALLED SUPER PUSSY, in the heart of Asia's throbbing sex capital, Bangkok, a young woman in a white vinyl thong bikini, spreading..." (more)
Key Phrases: geesha girls, geisha world, pleasure quarters, Hong Kong, United States, Miss Hoa (more...)

Editorial Reviews

From Publishers Weekly

Prasso, a former Business Week Asia editor, asks if Westerners can look objectively at the Eastern region, blinded as they are by "issues of race and sex, fantasy and power." It's this worldview-one the author admits succumbing to and feeling a "sense of loss" in giving up-that clouds cross-cultural relations. Prasso's ambitious agenda focuses on both Asian women and our perceptions of them, exploring the historical and pop cultural roots of the "Asian Mystique" and ending with a "reality tour of Asia." Her stories about the lives of Asian women from diverse cultures and socio-economic backgrounds are compelling. The Japanese woman who inspired Arthur Golden's Memoirs of a Geisha shares her distaste for the novel's "misinterpretation" of her "flower and willow world." A Chinese investment banker struggles with modern demands and traditional expectations. With the author in tow, a Filipina prostitute navigates a seedy red-light district. Prasso has an almost voyeuristic fascination with sexual mores, and the result is a frank, at times graphic, exploration of how some Asian women cope with stereotyping-and with Western males looking for one-night stands. But when the author moves from reportage to social anthropological analysis, the book loses focus. Self-conscious ruminations, such as the incongruity of dancing with Filipina prostitutes to Madonna's "Like a Virgin," sometimes intrude and distract. In addition, Prasso never really gets a grip on the Asian Mystique's effects on foreign policy, concluding, not surprisingly, that it is "much harder to measure and more difficult to prove." Nevertheless, Prasso's work and travels have opened her eyes, and this book might do the same for others.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Prasso, who has lived in Phnom Penh and Hong Kong and written for Business Week, nearly turns the fascination of Western men with Asian sexuality into a subject of numbing correctness. Fortunately, though, her determination to explore "our relationships and interactions, our misconceptions and stereotypes" doesn't suck the life from her compelling topic--perhaps because she is not above taking readers into the girlie bars of Bangkok and Manila, the personals ("Red Hot Asians") of the Village Voice, the cinemas and TV screens of West and East, even the home of Mineko Iwasaki, who inspired Arthur Golden's best-selling Memoirs of a Geisha. Using this frame of reference effectively, Prasso explains the symbiotic nature of Western fantasy and Asian fulfillment--often to great profit--of that fantasy, the roles that Asian women play and defy in the West, even the dangerous implications of this still-active fantasy upon global politics. Especially interesting are her observations on the emasculated role of Asian men in Western media--picture, for instance, Jackie Chan even kissing a Western woman. Alan Moores
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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Product Details

• Unknown Binding: 464 pages
• Publisher: PublicAffairs (May 1, 2006)
• Language: English
• ISBN-10: 1586483943
• ISBN-13: 978-1586483944
• Product Dimensions: 8.1 x 5.4 x 1.1 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (39 customer reviews)
• Amazon.com Sales Rank: #55,889 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

18 of 19 people found the following review helpful:

4.0 out of 5 stars Timely, Fascinating Though Somewhat Myopic Book on Asian Stereotypes, August 7, 2005

By	Ed Uyeshima (San Francisco, CA USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

This review is from: The Asian Mystique: Dragon Ladies, Geisha Girls, & Our Fantasies of the Exotic Orient (Hardcover)

As the Asia editor for Business Week with fifteen years of experience on that continent, author Sheridan Prasso has a wellspring of observations to contribute to Western misconceptions about Asia, most of which are routinely based on fantasy, positive or negative. As a Japanese-American myself, I am quite familiar with many of them, as even transplanted Asians experience the same stereotyping. The impact can be felt on the diplomatic and business fronts, but the most common application of these myths is the area of personal relations, in particular, the "yellow fever" that some Western men have in idealizing Asian women as feminine, attentive and seductive.

Prasso seizes on "Madame Butterfly" as the archetypal story of Western notions about the Asian mystique: a delicate Japanese woman with undying love for a dashing American naval officer. It is the loyal, self-sacrificing Asian beauty who is betrayed by a fickle Westerner. The fable continues to regenerate in various iterations such as "South Pacific" and "Miss Saigon". In fact, women are either passive and sexually obtainable geishas, or cruel, domineering "dragon ladies" like Tsu Hsi, the empress dowager of China, who was falsely rumored to be bedding men forty years her junior. Asian men don't get off any easier, as they have been branded vulnerable and emasculated when they aren't considered sneaky and inscrutable.

Prasso divides her book into two halves. The first part analyzes the mistaken notions that Westerners have about Asia and how Asians often reciprocate by catering to such stereotypes. For instance, at a nightclub in Bangkok, Prasso surveys white male customers who are greeted with the available flesh of delicate Asian bodies and drawn by a cultural dynamic akin to a candy store. She astutely sees this experience of Asia as not only fantasy-inducing but also "remasculating", i.e., engendering feelings of masculinity or dominance which these Western men may have found diminished in their own cultures. The author delves quite a bit into Hollywood images of Asians. She recounts the tribulations of Margaret Cho, a caustic, gay-friendly Korean-American comedian who was told by ABC executives to act ''more Asian" on her short-lived sitcom.

However, Prasso's more blanket statements about racist stereotyping seem rather myopic when it comes to Hollywood's historic treatment of Asians. By documenting Asian film roles through the decades, she says flatly that Hollywood has been the "incubator and firing kiln" for misreadings of Asia, but I feel she may be mistaking cause for effect as producers were more likely to capitalize on prejudices that already existed due to more pervasive influences like WWII. She makes another shaky broadstroke in the political arena when she states that US officials have underestimated the military might of Asian leaders and nations, but I don't feel it's directed to Asia as much as any developing nation with a tendency toward nuclear armament as we have witnessed the ongoing bloody insurgency in Iraq.

Perhaps because she lets her observations speak for themselves, the second half is more intriguing as it offers conversations with contemporary Asian women without mystique, whether they are housewives in Japan, bar girls in the Philippines, flight attendants on Cathay Pacific Airways or college students in China. This is where Prasso's interviewing skills shine as she gets women to talk about deeply personal issues. By the end of the book, the author reveals them as human beings, prone to the same frailties, resilience and misconceptions as people anywhere. One interesting subject is Mineko Iwasaki, who inspired Arthur Golden's wildly popular bestseller ''Memoirs of a Geisha." She talks about her life as a geisha and contrary to the subservience one associates with that profession, she also talks about the lawsuit she filed against Golden for defamation of character.

I am somewhat disappointed that Prasso separates herself so completely from her subjects, not expressing a sense of commonality with the women she interviews. Having lived in Cambodia, Hong Kong and Japan as a single white female, Prasso acknowledges being part of a group sometimes "guilty of racist sour-grapeism," of feeling overlooked and betrayed by Western men who are chasing Asian women. Yet, you are not left with an understanding of why she is so intrigued by the Asian mystique herself. Regardless, this is a fascinating book well worth the time to read and absorb. Prasso achieves her primary goal and that is to make clear the destructive nature of stereotypes about Asia and how they shape social, cultural, and political perceptions that are ultimately detrimental.

11 of 12 people found the following review helpful:

4.0 out of 5 stars You know you've touched a nerve when people get THIS defensive., May 26, 2008

By	Pristine Angie at www.d332.com (NYC) - See all my reviews

No one likes to be called out on his or her game. And this book calls all parties out on their prospective games.

Much as countless women (from a particular economic group) found a term to identify their discontent after reading Betty Friedan's 1963 book Feminine Mystique, Asian Americans will undoubtedly find in Prasso's book The Asian Mystique, a cohesive explanation of the strange behavior and perception towards Asians from the West.

Prasso does an excellent job documenting the visual etymology of the Asian Mystique in the popular imagination of the West, starting from Aphrodite, through centuries when China and Japan closed its doors to foreigners- forcing outsiders to "roll their own" and create a persona out of hearsay and thrice-removed tales - till present times, where Hollywood entertainment, mainstream media, and the Internet (including Amazon reviews) controls visual perception as fact.

Prasso points out that in the last hundred years , Asian actresses had only two roles available to them (dragon lady, or vixen prostitute (see Live Free or Die Hard for proof), but that's still one more option than what is available to the Asian actor. A chapter on the systematic emasculation of Asian men in the mainstream West deserves praise as this is something that has been discussed for many years in the Asian-American online community; actors like Jet Li, Jackie Chan, and Chow Yun Fat are allowed entry onto American screens and near Caucasian actresses, but are never allowed to kiss or touch any of them.

One of the most valuable items Prasso points to is the discrepancy between general Asian etiquette (that of "giving way to get your way") versus Western values (aggressive affirmation of the self as a declaration of individual need). This method of the East is often mistakenly perceived as a sign of weakness, giving rise to the sense of superiority among Westerners. (It doesn't help the Asian mystique that our culture often communicates through making a statement obliquely.) Prasso believes that the resulting false sense of complacency among Westerners will lead to dire consequences.

Throughout the book, white males with Yellow Fever (every single Asian American I have met in the US in the past thirty years have come across these men) and men who exotify and visit the lesser (economically) developed Asian countries for sex, are accurately portrayed as sad, overweight, balding, unattractive men who are well past their prime. These men, who are fed up with the strong, opinionated, materialistic women of the West find acceptance and adoration in young, attractive Asian girls who "see" them as being in a league with Tom Cruise and Brad Pitt purely because of their skin color. Personally, I feel this is an important aspect of the book; there are as many exotifications of the West (in the Asian perception) as there are in the inverted scheme. What is less obvious is the subtext of what constitutes "The Western Woman" today, and why they are making "The Western Man" (who wants to return to the "good ol days" - which in itself is an exotification- when he had more power) run in the direction of the economically depressed East. If these males, stricken with Yellow Fever, were to visit cosmopolitan Asian countries, Asian women who are financially well-off, and are tenfold more materialistic than Western women, would not even grace them with a glance. Prasso does state in the opening of the book that "it is as much about us as it is about Asia."

Along the way, the book explores historical milestones that mark Asian identity in the Western consciousness; the 1882 Chinese Exclusion Act; the Japanese Internment camps in the US during WWII; and the evolution of Madame Butterfly from the original Madam Chrysantheme. An interview with Mineko Iwasaki reveals as much as the real Sayuri's bio, whom Memoirs of a Geisha was partially based on. A look into war bride Nguyen Thi Hoa's bio, the notorious concept of the "Cathay Ten," Thai working girls, Okinawa Koku-jo (Okinawa girls who exotify and fetishize black men), Bangkok, and Indonesia visits follow. A strong chapter on female politicians from Japan, Hong Kong, Korea, and the Philippines puts a reader in awe at life stories of individuals who have overcome odds and male oppression to attain success and visibility.

The book concludes with a somewhat misleading chapter. While I fully agree with the author in the observation that many Asians are guilty of reinforcing, utilizing, and cashing in on their mystique to get ahead, I felt mystified at the closing sentences. First, there is the sentence "some of the most successful, upstanding businesswomen of Asia know the game (utilizing mystique to their advantage) too....;You've got to use what you've got, right?' she said. Her sentiments are far from unusual." This implication indirectly diminishes the conscientious work and success stories presented in the previous chapter. Second of all, pointing out the vested interest in portraying prostitutes and sex workers as victims for the sake of funding seemed petty. Organizations created to help sex workers, regardless of what country they focus their assistance on, depends on the message of victimization for donation and sustenance. To say that organizations issue reports of victim-hood in the interest of making money is not merely defining the nature of the institution, it is negating the importance of abolishing violence and helping to regulate aid to the unfortunate sex workers in every country.

But I'll let these go. Because if I didn't, it would be like asking people to throw out a book just because a single Shogun reference was not accurate.

22 of 28 people found the following review helpful:

5.0 out of 5 stars Simply amazing, April 26, 2005

By	alainviet "alainviet" (Indianapolis, IN United States) - See all my reviews

This review is from: The Asian Mystique: Dragon Ladies, Geisha Girls, & Our Fantasies of the Exotic Orient (Hardcover)

As a Viet Kieu, I am impressed by Sheridan's knowledge of Asian women and i read with delight and deep interest her book "Asian Mystique." It is well written, concise and deep in knowledge as well as in thought. No one in the past has dug deeper into the Asian woman psyche than she has in her book.

Asian women are far from being simple or submissive, as the tale goes. They are not only subtle and gentle, but also complex, goal oriented, calculating and can be domineering. They have been known to topple kings, emperors, and governments in the past without even holding officially a position of power. They therefore are not weak, but simply display self-controlled inner strength. In Vietnam, they are known as the Noi Tuong (Minister of the Interior: they run and control the household) compared to the Ngoai Tuong (man: Foreign Minister dealing with outside business). Their real power lies in their pulling the strings behind the scenes, in an unsuspected, unacknowledged, and at times Machavellian manner.

The author's book, which attempts to unravel the Asian woman psyche, is an important tribute to the often misjudged and underestimated Asian women. It is a work of art and labor as well as a literary achievement. In time I'm sure it will turn out to be a bestseller.