From Publishers Weekly
For three summers, field biologist Norment (
In the North of Our Lives) lived in a stand of spruce called Warden's Grove in the Canadian Northwest Territories, studying the breeding habits of a songbird known as Harris's sparrow. In this affecting book, he meditates on the desire for wilderness and solitude that drew him to such a remote place, and he tells what it's like to be alone for hours in a silent, forbidding environment observing an animal in its natural habitat. For him, scientific research can contribute as much to an emotional, subjective relationship with the natural world as do art, literature, music, and poetry; even taxonomy, often considered nothing more than the prosaic science of naming and classifying living things, has poetry. The official Latin name for Harris's sparrow, for example, means the banded thrush with the whistle-like song, which beautifully evokes the essence of this little bird. As he reports on what he learned from his patient observation and reflects on the months he spent attempting to understand the birds' minds as well as his own, Norment eloquently affirms the beauty of biological fieldwork as a vital way to pay attention to the world and be connected with something outside the self.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Norment recounts his three seasons studying the Harris’s Sparrow in a remote section of Canada’s Northwest Territory in a way that is appealing both for its ornithological insight and extraordinarily personal revelations. Given his often solitary sojourns in nature, opportunities for comparisons to Thoreau abound, but Norment not only observes and describes the sparrows; he also ruminates on the scientific naming of things, which he compares to a map connecting all living creatures. He witnesses the mournful death of a musk ox and performs a postmortem to satisfy his need to understand what has gone wrong in the wild. His own contribution to the unnatural death of wildlife is a source of inner conflict. He wonders if museum specimens might represent nothing more than “our species’ passion for collecting things” and can only accept the need to collect and study while also lamenting the loss of so many living things. Norment is a man of conscience, and his book will speak to all who have a passion for wild things. --Colleen Mondor
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