At last, a life story with everything but the movie stuff edited out.
CONFESSIONS OF A MOVIE ADDICT chronicles a love affair with film from the 1930s through the beginning of the new millennium. In addition to revealing personal movie-related experiences, film critic Betty Jo Tucker describes encounters with such veteran actors as Mickey Rooney and Charlton Heston, as well as with current stars like Angelina Jolie, Billy Crudup, Guy Pearce, and Brendan Fraser. This amusing memoir also contains the following ADDED ATTRACTIONS: a Movie Addiction Checklist; a compendium of books and Web sites for movie fans; selected interviews; photos; and reviews (as posted on KOAA Online) of more than 70 films released during 2000 and 2001 A.D.
Warren Epstein, film critic for The Gazette in Colorado Springs, writes, I hate Betty Jo Tucker. As a fellow Colorado film critic, Ive loathed her for years. Sure, you can call it professional jealousy. But see it from my perspective. We all go to a film festival. Most of us get an article or two out of it. Betty Jo gets an adventure. She ends up being served dinner by the filmmakers, for heavens sake! Well, now I have to put up with her new book, Confessions of a Movie Addict, and, believe me, its about as Betty Jo as it can be. She takes us behind the scenes of the entertainment industry, sharing her favorite celebrity interviews and revealing her personal connections and passions for the movies. As if we care. (OK, the mishap at her first porn film had me laughing. But just a little.) Youll probably read this book and fall in love with Betty Jo. Fine! See if I care.
Liz Larrabee, author of Random Pieces: Vignettes from the Thirties and Liz Larrabees Book, says, Betty Jos passion for movies, the insights she brings to her reviews and interviews, and her marvelous talent for taking you right along with her into the theater make Confessions of a Movie Addict a must-readeven for non-addicts.
My problem began with Frankenstein. I remember being a frightened six-year-old hiding under the seat at Clynes Theater in Pueblo, Colorado, hoping for protection from that scary monster on the big screen. Despite my terror, I couldnt stop peeking. Both horrified and amazed, I became hooked on movies then and there. This addiction continued throughout my childhood and adult life. I even fell in love with my husband because he resembled a certain handsome actor, and we named both our children after movie stars. As I enter my seventies, Im still a practicing movieholic. Luckily, because I write film reviews now, I see more movies than ever.
During grade school, my cousins and I spent most of our weekends at the Clyne and the Avalon, two movie houses located across the street from each other in a working class neighborhood called Bessemer. Both theaters always scheduled a double feature plus added attractions which included one cartoon, a serial, film previews, and a newsreel. Wide-eyed, we enjoyed every offering while gorging ourselves on popcorn, Milk Duds, and ice cream bars. Sometimes we went from one picture show,which is what we called the theatres then, directly to the other. We were insatiable when it came to movies and goodies.
When we were a bit older, we hopped on a streetcar for a bumpy ride to one of the downtown cinemas. We loved the Chief because of its lavish red and gold interior-but preferred the Mains more buttery popcorn. The Colorado usually offered a double feature which was hard to resist. And sometimes we stopped off at the Mesa Junction to take in another flick at the Uptown, famous for its bank night giveaways.
Reacting to my obsession with film, my mother actually tried to land me a part in a movie. After hearing about MGMs search for a young girl to star in National Velvet, she sent the studio a picture of me on a horse.
Unfortunately, that role went to Elizabeth Taylor, who sells perfume now. I recall she appeared earlier in Lassie Come Home, a film I didnt get to see all the way through. Because Ruella, my sensitive little sister, made too much noise sobbing over the collies misfortunes, we had to take her home in the middle of the movie. I forgave her-a few years later.
Its not surprising my first work experience came about as a result of movie mania. Heres a glimpse into the mind of that naïve 14-year-old as she pondered employment possibilities:
Ive just gotta earn some money this summer. Those movie magazines cost an arm and a leg, but I cant live without them. Photoplay is running a story about Rita Hayworth this month, and I think Modern Screen has an interview with Glenn Ford. Im not sure whats in the others, but I know itll be great stuff. Guess I better get a job. Grandma wants me to try babysitting or housework. But why should I ruin my last summer before high school doing things I hate? What else do I know how to do? Cooking is definitely out. I better stay away from the kitchen after that last goof. I still think Mother shouldve explained what she really meant when she asked me to check the baked potatoes by putting a fork in them. Wow, did she let out a yell when she opened the oven and found a fork in all eight spuds!
Too bad theres no movie studio in Pueblo. Im not old enough to be an usher down at the Uptown Cinema. Ill just have to think of something else. What about teaching tap dancing to the neighborhood kids? Tapping is great fun and Ive taken lessons ever since I could walk. Hmm, how much should I charge? Im not very good at math, but I need about $5 a month for my magazines. If I can talk even three parents into letting me give their kids one lesson a week, Ill ask for one dollar a lesson. That will be enough for a few movies as well as all the magazines I can read. What a neat plan!
Im proud to say three precocious toddlers made their Pueblo show business debuts at the end of that summer with a shuffle step, shuffle step, shuffle step, ball change routine-to the tune of On the Good Ship Lollipop. According to six smiling parents, the first dance recital of these Shirley Temple wannabes was a huge success. As for me, I was just happy to earn enough money for my precious movie magazines.
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