Most Helpful Customer Reviews
|
|
14 of 18 people found the following review helpful:
3.0 out of 5 stars
Solid treatise on Christianity and culture, June 26, 2001
Christians are not that much different than non-Christians when it comes to consumption of popular culture. All but the most legalistic watch many of the same movies, listen to the same music, and watch the same TV shows as everyone else. Romanowski realizes this, and with this book (along with others he has written) he analyzes the culture from a Christian perspective and gives the Christian, who is in the world but (hopefully) not of it, valuable tools for being a cultural critic. I would have rated this book higher, but for me it doesn't break a lot of new ground, and the appendices concerning an analysis of the movie "Titanic" could have been better utilized on a movie with more depth and meaning (even though I do admit that, like everyone else, I cried at the end of the movie). On the other hand, you've got to love a book with a chapter entitled "Christians Who Drink Beer" (even though, personally, I don't). Others who haven't read widely in this field like I have would surely give it a higher rating, because it is a very competent, easy to read book on an important subject.
|
|
|
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Good Read on God and Pop Culture, December 21, 2007
William Romanowski is Professor of Communication Arts & Sciences at Calvin College. He teaches courses on film, communication and cultural studies, and is a well respected authority on the interaction of Christianity and popular culture. He has written numerous articles and a handful of books on popular culture, with an emphasis on film. The thesis of Eyes Wide Open is that "Christians should help preserve the best features, improve the weakest parts, and eliminate the worst traits of popular art" (21).
Romanowski goes about defending his claim in a very engaging way. He speaks of modern day Christians who propose to shun all `evil' things such as movies, rock music and dancing, yet they are just as immersed in popular culture as the next person, only in the form of a ghettoized Christian subculture. The reality is that very few truly avoid popular culture, only prefer those elements of it which are, or appear to be sterile and safe. It is within this context that Romanowski argues for discernment. He believes strongly that this oversimplification has created Christians who have no idea how to discern good from bad, truth from error. The easiest way for evangelicals to make judgments is to simply count swear words, violent acts and sexual innuendos. Romanowski notes the Biblical mandate to cultivate: to create and tend to culture. Cultural forms, like anything else in creation, are corrupted by sin and in need of transformation, and we do a disservice to everyone when we make rigid divisions between sacred and secular. It is a sign of secularization that we would even think to label activities in God's world as secular.
The popular arts aid us in cultural communication (reflecting cultural ideals), social criticism (challenging or dealing with culturally contentious issues), social unity (when we've all seen the same movie) and collective memory (the way we view history is shaped by pop culture). This is what pop culture should be doing, but Romanowski notes that the primary venue for popular film in western culture is the melodrama, a dramatic genre with oversimplified depictions of good and evil, with prepackaged endings that end in "domestic bliss or harmonious community" (111). These melodramatic categories absolutely dominate the "Christian, family-friendly" genre and Romanowski wants to challenge this. The Biblical narrative conveys no such clear cut pattern, and he argues that this emphasis on sentimentalism indicates assimilation to, rather than a break from mainstream popular culture.
Christians who want to engage popular culture need to keep these things in mind. We are called to discern beyond whether something is "family-friendly" or not. The presence of violence and swearing and even sex is not always anti-Christian, but can very well be a catalyst for a story of redemption. And what we see as a story of redemption is often brazen individualism where someone pulls themselves up by the bootstraps and defeats the odds. This tells more about the autonomous human than redemption that can only come from God.
So beyond a "Jesus' per minute" scale and an "f-bomb count," Christians are called and even mandated to discern truth from error in popular culture. We are not to become mere consumers, but people who take seriously the message presented in a piece of popular art. He offers a helpful "matrix" for analyzing popular culture which lists questions to ask, but I feel that so many Christians are so far out of this discussion that more direction is needed. Romanowski presents a full analysis of Titanic through this matrix, also helpful, but I wish he gave further direction on how we can practice this act of discernment as Christians. We are conditioned to think that the acceptable Christian films are G, PG, and occasionally PG-13 (The Passion of the Christ excluded, of course), and we need time to learn to see God's beauty in culture again. In light of these facts, I would recommend this book to individuals and even church small groups. I hope it will help us all keep our eyes open a little wider.
|
|
|
3.0 out of 5 stars
Interpreting popular culture as a Christian, August 24, 2008
Romanowski does an excellent job of analyzing different facets of popular culture (movies, television, and art) through the eyes of a Christian. He shows how careful Christians should be in determining what to watch or listen to, straddling the fence between acquiescence and blanket condemnation.
I'm currently reading a book about Christian living that contains a chapter entitled "How to Choose Wholesome Entertainment" and included this analogy: imagine that you are about to eat a tasty piece of fruit but then you notice that part of it is rotten. What do you do? You could throw away the entire fruit (similar to the blanket condemnation of popular culture by some fundamentalists); you could eat the entire fruit, including the rotten part (similar to the acquiescence of popular culture), or you could cut the rotten part of the fruit away and eat the good part. The question then becomes, how close to the rotten part do you cut?
|
|
|
Most Recent Customer Reviews
|