Mother, Come Home (Paperback)

~ Paul Hornschemeier (Author, Artist)

Editorial Reviews

From Publishers Weekly

Hornschemeier's Forlorn Funnies comics series has been something of an underground hit in art-comics circles. His first book collection is a grimly melancholic domestic tragedy, written from the point of view of a young boy named Thomas who's dealing with the death of his mother by retreating deep into a fantasy world while his father gradually collapses into insanity. Hornschemeier has been compared to Chris Ware, and while the two cartoonists have a few obvious points of similarityâ€"a fondness for flat, muted colors, relentless depressiveness and understated drawing that captures the solidity of objects with a few linesâ€"Hornschemeier has a unique sense of formal invention and a gift for subtleties of facial expressions. The metaphor that drives this work is symbolic logic, both the philosophical kind that obsesses the father and ultimately destroys him, and the logic that Thomas imposes on the baffling world by turning everything into simple symbols, like the lion mask he wears to play at being powerful. Hornschemeier renders Thomas's imaginary reinterpretations of his real life in a different style from the rest of the book: childlike single-line drawings, representing everyone as animals. And the metafictional conceit that frames the book doesn't fully come into focus until the final page. The plot is a real three-hanky weeper, but Hornschemeier leverages some of its heaviness into bittersweet absurdity. He's a talent to watch.
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From School Library Journal

Adult/High School–Collecting two issues of Hornschemeier's "Forlorn Funnies" series, Mother, Come Home is a stand-alone retrospective tale of family tragedy told by Thomas Tennant, who lost his mother to cancer when he was seven. The story opens after her death, with his professor father struggling to maintain some sense of comfort and equilibrium for himself and his son. Thomas, occasionally donning a superhero cape and lion mask, fights to keep things together by cleaning up after his father, lying to the college when his dad misses yet another class, and tending his mother's garden. Needing more help than his son can provide, the father checks himself into residential care. Forced to move in with an uncle and aunt, Thomas copes by entering a bright, cartoonish fantasy world where everything is how he wants it. His fantasies drive the heart-wrenching climax when he "rescues" his father from the care center. The simplified forms and muted earth tones of the artwork alongside dark and serious themes create links to Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth (Pantheon, 2000), but Hornschemeier wields that rare gift of layered subtlety. Be it an almost imperceptible change in facial expressions or the slow death of a flower, he says significant, moving things in a few panels that would take pages to convey in a novel. But the book's greatest strength is the story itself and the lessons it offers for life, loss, and, most importantly, how to move on.–Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product Details

• Paperback: 128 pages
• Publisher: Dark Horse; 2nd edition (February 4, 2004)
• Language: English
• ISBN-10: 1593070373
• ISBN-13: 978-1593070373
• Product Dimensions: 9.1 x 6.7 x 0.5 inches
• Shipping Weight: 12 ounces
• Average Customer Review: 3.8 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #669,078 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars The wood between the worlds..., March 29, 2004

By A Customer

Phenomenonal book! The drawings are clean and crisp, but there is something about the way that the prose manages to be at once straight-forward and surreal that reminds me of Edward Gorey. Great, sad, compelling.

3 of 3 people found the following review helpful:

5.0 out of 5 stars subtle, effective, gorgeous, September 5, 2006

By	J. N. Brandel "appreciator" (chicago) - See all my reviews (REAL NAME)

Hornschemeier is not the type of guy or author to go for the easy, in-your-face type of story-telling. He's in it for the more interesting subtleties that emerge from the space in between. He is masterful with the moments of intense, complicated, nameless emotions that arise from the interaction with sparse dialogue and stark illustration. He allows the reader to figure out what the reader feels, he does not condescend. I loved it.

4 of 5 people found the following review helpful:

5.0 out of 5 stars Listen to me., February 7, 2006

By	C. R. Agnew (Mechanicsburg, PA) - See all my reviews (REAL NAME)

I'm not sure what a lot of this complaining is about. Paul Hornschemeier doesn't draw like chris ware or tell stories like Chris Ware. For that I'm glad, because his is a more direct storytelling style than Chris', who has a more design first manner to his work. Hornshemeier is far more fluid and almost ambient. That said, it was not a surprise to me that part of the soundtrack to this book's creation was Sigur Ros. He is able to keep up a mood of melancholy and foreboding throughout this book that isn't something that you can enjoy in the same way as the maniacally glib Bendis, but is good and worth reading.