From Publishers Weekly
Starred Review. Though it never goes for the gross-out effect, this memoir is not for the squeamish. "You begin to learn to heal the living by dismantling the dead," says Montross, and though her recollections encompass all of her medical training, the narrative backbone of the story is her semester-long dissection of a human cadaver, from opening up the ribcage to removing the brain from the skull. Montross was a poet and writing teacher before she decided to become a doctor, and she peppers her account of the dismantling of her cadaver, Eve—so named because she has no belly button—with arresting imagery: to test the heart's semilunar valves ("little half-moons that work passively and without musculature"), she and another student take the organ to a sink and run tap water through it. Performing her own dissection leads Montross to explore the history of studying anatomy through corpses, which brings tantalizing detours to medieval Italian universities and saints' shrines. But she also recounts her earliest encounters with living patients, such as a heart-wrenching consultation with a man suffering from Lou Gehrig's disease, who can communicate only by blinking. Her thoughtful meditations on balancing clinical detachment and emotional engagement will easily find a spot on the shortlist of great med school literature.
(June 25) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
How lucky we are that a poet decided to become a physician. Although all physicians share a personal history of countless hours in the human anatomy lab, only a rare few, I suspect, would be able to so deftly illuminate this transforming and peculiar experience. Montross is a master of detail, so much so that I was shocked to find myself hovering over my own cadaver in medical school again, holding a scalpel as if for the first time. --
Katrina Firlik, MD, Neurosurgeon and author of Another Day in the Frontal LobeThe physician, like the sculptor, approaches the human body with reverence and admiration. Carried a little further, it becomes worship. In
Body of Work, an unflinching memoirist conveys the process, both emotional and intellectual, by which human anatomy is mastered by the doctor-to-be. It should be read by anyone with aspirations for a life in medicine. --
Richard Selzer, author of Mortal Lessons, The Doctor Stories and Letters to a Young DoctorThis is a book about crossing the bar. The anatomies discussed here are diverse and gripping, and remind me of the essays of Richard Selzer, which is a high compliment indeed. --
Edward Hoagland, author of Compass Points
See all Editorial Reviews