From Publishers Weekly
This wistful, episodic second novel by Swann (
Serious Girls) is made up of vignettes about four sibling "flower children" whose parents are Pennsylvania farm country back-to-the-land hippies. Swann portrays the free-floating '70s coming-of-age of these four siblings—Lu, Maeve (who narrates much of the novel), Tuck and Clyde—who delight in running freely in the countryside, but grow embarrassed by the unconventional practices of their politically active, casual-dressing parents. Their parents, Sam, a Harvard graduate, and Dee, a gardener and artist, built their own house, and though they aim to raise their children in an ideal world "in which nothing is lied about, whispered about, and nothing is ever concealed," the parents separate, and subsequent storylike chapters delineate their children's sometimes rocky confrontation with the world of TVs, junk food and schoolyard cliques. The parents' transient love interests make impressions on the children: Dee's live-in boyfriend, Bobby, avenges the shooting of the children's dogs by local hunters; later, the children set out to rid themselves of Sam's latest squeeze, a glamorous but dim-witted psychologist. Swann wisely forgoes childlike stream-of-consciousness narration in favor of lean, direct storytelling, a choice that makes this more substantial and rewarding than the vast majority of coming-of-age novels.
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Review
A spellbinding novel-in-stories about the progeny of Harvard-educated hippies . . . Swann evokes the wonder of childhood with an almost hallucinatory precision. --
Vogue Hypnotic. . . Swann's writing is mesmerizing . . . readers won't soon forget the portraits of flower children struggling to bloom in a very different world from the one in which they were first planted. --
People (four stars, Critic's Choice)I thought about this book when I wasn't reading it, and I looked forward to returning to it and delving further. I was left wanting to know more about this family of unique characters. Like a missing friend who lives far away, but visits regularly. Not loss, anticipation. --
Indianapolis Star-Press Maxine Swann is extraordinary at getting right down into the warm, funny, surreal, and heartbreaking folds of childhood and family life that are so rarely captured. Her writing is immaculate and completely transporting: serene and lively, lush and bare, with that magical, seemingly effortless quality that only the very talented of writers seem to possess. I didn't want this book to end. It is mesmerizing. --
Eliza Minot, author of The BramblesMaxine Swann's
Flower Children is a work of stunning lyricism and intense originality. It tells a story many of us have been waiting to hear: what happened to those children brought up in the wake of the dream of the '60s. What is remarkable about Maxine Swann's answer to that question, is that it never shies from complexity, and speaks in a voice of astonishing power and texture. --
Mary Gordon, author of PearlProvocative . . . Swann deftly and vividly encapsulates the flip side to an eccentric upbringing. --
Providence JournalSwann expertly handles the complex emotions of both boys and girls as they progress in age to adolescence and adulthood . . . Swann is a restrained, elegant writer, who lets her sentences build slowly, as if she were assembling a structure brick by brick. I nearly emptied my pen of ink underlining passages. --
Bookforum[Flower Children] is full of the visceral pleasures and anxieties of childhood --
LA Times Book Review
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