The Brief Wondrous Life of Oscar Wao (Hardcover)

by Junot Díaz (Author) "They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just..." (more)
Key Phrases: final daughter, Santo Domingo, Jack Pujols, Secret Police (more...)

Editorial Reviews

Amazon.com Review
Amazon Best of the Month, September 2007: It's been 11 years since Junot Díaz's critically acclaimed story collection, Drown, landed on bookshelves and from page one of his debut novel, The Brief Wondrous Life of Oscar Wao, any worries of a sophomore jinx disappear. The titular Oscar is a 300-pound-plus "lovesick ghetto nerd" with zero game (except for Dungeons & Dragons) who cranks out pages of fantasy fiction with the hopes of becoming a Dominican J.R.R. Tolkien. The book is also the story of a multi-generational family curse that courses through the book, leaving troubles and tragedy in its wake. This was the most dynamic, entertaining, and achingly heartfelt novel I've read in a long time. My head is still buzzing with the memory of dozens of killer passages that I dog-eared throughout the book. The rope-a-dope narrative is funny, hip, tragic, soulful, and bursting with desire. Make some room for Oscar Wao on your bookshelf--you won't be disappointed. --Brad Thomas Parsons

From Publishers Weekly
SignatureReviewed by Matthew SharpeAreader might at first be surprised by how many chapters of a book entitled The Brief and Wondrous Life of Oscar Wao are devoted not to its sci fi–and–fantasy-gobbling nerd-hero but to his sister, his mother and his grandfather. However, Junot Diaz's dark and exuberant first novel makes a compelling case for the multiperspectival view of a life, wherein an individual cannot be known or understood in isolation from the history of his family and his nation.Oscar being a first-generation Dominican-American, the nation in question is really two nations. And Dominicans in this novel being explicitly of mixed Taíno, African and Spanish descent, the very ideas of nationhood and nationality are thoughtfully, subtly complicated. The various nationalities and generations are subtended by the recurring motif of fukú, the Curse and Doom of the New World, whose midwife and... victim was a historical personage Diaz will only call the Admiral, in deference to the belief that uttering his name brings bad luck (hint: he arrived in the New World in 1492 and his initials are CC). By the prologue's end, it's clear that this story of one poor guy's cursed life will also be the story of how 500 years of historical and familial bad luck shape the destiny of its fat, sad, smart, lovable and short-lived protagonist. The book's pervasive sense of doom is offset by a rich and playful prose that embodies its theme of multiple nations, cultures and languages, often shifting in a single sentence from English to Spanish, from Victorian formality to Negropolitan vernacular, from Homeric epithet to dirty bilingual insult. Even the presumed reader shape-shifts in the estimation of its in-your-face narrator, who addresses us variously as folks, you folks, conspiracy-minded-fools, Negro, Nigger and plataneros. So while Diaz assumes in his reader the same considerable degree of multicultural erudition he himself possesses—offering no gloss on his many un-italicized Spanish words and expressions (thus beautifully dramatizing how linguistic borders, like national ones, are porous), or on his plethora of genre and canonical literary allusions—he does helpfully footnote aspects of Dominican history, especially those concerning the bloody 30-year reign of President Rafael Leónidas Trujillo. The later Oscar chapters lack the linguistic brio of the others, and there are exposition-clogged passages that read like summaries of a longer narrative, but mostly this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Diaz.Matthew Sharpe is the author of the novels Jamestown and The Sleeping Father. He teaches at Wesleyan University.
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Product Details

• Hardcover: 352 pages
• Publisher: Riverhead Hardcover; 1 edition (September 6, 2007)
• Language: English
• ISBN-10: 1594489580
• ISBN-13: 978-1594489587
• Product Dimensions: 8.6 x 5.8 x 2.1 inches
• Shipping Weight: 12.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars See all reviews (395 customer reviews)
• Amazon.com Sales Rank: #4,429 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

394 of 414 people found the following review helpful:

5.0 out of 5 stars "I did all I could and it still wasn't enough.", September 29, 2007

By	Gregory Baird (Morristown, NJ) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

"You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest."

Meet Oscar de León. Once upon a time, in elementary school, Oscar was a slick Dominican kid who seemed to have a typical life ahead of him. Then, around the time he hit puberty, Oscar gained a whole lot of weight, became awkward both physically and socially, and got deeply interested in things that made him an outcast among his peers (sci-fi novels, comics, Dungeons & Dragons, writing novels, etc.). A particularly unfortunate Dr. Who Halloween costume earns him the nickname Oscar Wao for the costume's resemblance to another Oscar: playwright Oscar Wilde (Wao being a Dominican spin on the surname). His few friends are embarrassed by him, girls want nothing to do with him, and everywhere he goes Oscar finds nothing but derision and hostility. And he's not the only person in his family suffering through life: his mother, a former beauty, has been ravaged by illness, bad love affairs, and worry regarding her two children; and his sister Lola, another intense beauty, has been cursed with a nomadic soul and her mother's poor taste in men.

The kicker about the de León family? They just may be the victims of a bona fide curse (a particularly nasty one at that, called a fukú) as a result of their history with Rafael Trujillo, a former dictator of the Dominican Republic renowned for his brutality, and whose enemies uniformly met with disastrous ends one way or another (historical details about Trujillo and the history of his reign are scattered throughout the novel, a tidbit that may turn some off of the book, but rest assured that Díaz is so utterly entertaining a writer that they are a joy to read). The de Leóns are on a collision course with disaster, but can they break the curse before it's too late?

"you can never run away. Not ever. The only way out is in."

Embroiled in all this mess is Yunior, our primary narrator and Oscar's former college roommate (not to mention the philandering ex-boyfriend of Lola, the novel's other narrator), whose experiences with the de León clan will haunt him for the rest of his life. His attempts to help Oscar become more popular fail, as do his tries to escape Oscar's grasp. "These days," he remarks at one point, "I have to ask myself: What made me angrier? That Oscar, the fat loser, quit, or that Oscar, the fat loser, defied me? And I wonder: What hurt him more? That I was never really his friend, or that I pretended to be?"

Oscar is far and away the most poignant character to come along in a great long while; in my book he's every bit as memorable as Ignatius J. Reilly, Holden Caulfield, Randall Patrick McMurphy, and other literary giants. Furthermore, "The Brief Wondrous Life of Oscar Wao" is a phenomenal novel that is hysterical, hypnotic, heartwarming and heartbreaking in equal parts (and quite often at the same time). The plot is a madcap high-wire act balanced with astonishing dexterity by Junot Díaz. If he has a misstep it is in the denouement, which is rather sudden and slightly lacking in clarity for an otherwise thorough novel. Nonetheless, I loved, loved, loved this book. And, naturally, I highly recommend it.

Grade: A

139 of 152 people found the following review helpful:

3.0 out of 5 stars Be patient, it warms up, February 3, 2008

By	D. Kanigan (CT, USA) - See all my reviews (TOP 500 REVIEWER)

The story opens by exploring the life of a Oscar, a promising young Dominican child growing up in New Jersey who morphs into an overweight, unpopular way-out-there nerd who is desperate to lose his virginity. The story goes on to explore the lives of Oscar, Oscar's mother (orphaned, faced class & race discrimination, unrequited love, assault), sister (angst to leave Mother's persistent negativism and see the world) and Mother's family (persecuted by Dictator). The first half of the book was challenging to read as the author uses footnotes and many Spanish language phrases that are not translated (and frustratingly so...and perhaps herein lies the not-so subliminal message to me that I need to learn Spanish). These language challenges, coupled with the weaving back and forth from the present to the past and between multiple characters made the storyline challenging to follow and impacted my enjoyment of the story. That being said, I appreciated author's integration of the political, social and economic history of the Dominican Republic and how the environment shaped many of the lives of the generations who migrated to the U.S. Hang in there as the book warms up at p. 150 and beyond where the main characters develop very nicely.

69 of 77 people found the following review helpful:

5.0 out of 5 stars Wao as in WOW!, October 17, 2007

By	Jill I. Shtulman (Chicago, IL USA) - See all my reviews (REAL NAME)

Dude can write. In fact, this book is one of the most original that I've come across in a long time.

Like the layers of an onion, Diaz peels back the layers of years to reveal the back history of Oscar and his sister Lola. And what a history it is! The Banana Curtain is unveiled and the horrors of Trujillo -- the raging narcissist and despoiler of women -- are unflinchingly revealed, creating shudders of revulsion and flashes of understanding in this reader.

Junot Diaz creates a language and a tempo unlike any I've read before, peppered with Spanish colloquialisms, street talk, and video game terminology. Somehow, though, it works -- and works beautifully -- even if you don't know an "hola" from an "adios" or have never played a video game in your life (like this reader.)

I will not soon forget Oscar Wao, the 300+ pound romantic, Lola, Yunior, or his mother and the Gangster and his ill-fated grandparents. The book is compulsively readable. For all of those who say that "the novel is dead", I say: read Junot Diaz.